SIGGRAPH 2025
The premier conference and exhibition on computer graphics and interactive techniques comes to Vancouver, BC August 10-14.
The premier conference and exhibition on computer graphics and interactive techniques comes to Vancouver, BC August 10-14.
The 4-day event returns to Stuttgart, kicking off May 6; on-demand presentations are available May 10 – June 10.
Latest version of industry-leading compositing software allows changes to multiple shots at the same time, faster large-scale roto work, and updated timeline tools for faster shot approval and delivery.
The newest group members bring with them ‘the artistic talent and the technical know-how that will help strengthen open source development in the motion picture industry.’
Wes Ball's epic 'Planet of the Apes' adventure takes the evening's final and top award, while 'Dune: Part Two' takes home the most feature wins; 'The Wild Robot' the most animated feature wins; and 'Shōgun' the most episodic wins.
Take a deeper look at ‘Alien: Romulus,’ ‘Better Man,’ ‘Dune: Part Two,’ ‘Kingdom of the Planet of the Apes,’ and ‘Wicked,’ all vying for the Best Visual Effects Oscar on March 2, 2025.
This marks the first hosting of the awards by the comedy duo, whose knowledge of VFX stems from being two identical humans; event set for February 11 at The Beverly Hilton Hotel.
Technology merges real-time rendering with asset ingest and character animation tools accessible across the entire production pipeline, from storyboarding to final pass; streaming veteran David Baron joins leadership team as COO.
New features include accelerated Gaussian Splat support, new shading tools, a new firefly removal algorithm, interoperability, and an updated Open Image Denoiser.
Exec’s 20-year career began at Lucasfilm/ILM; has worked on a diverse range of projects, from ‘Star Wars’ to campaigns and collaborations with Ferrari, Lady Gaga, and the U.S. Department of Defense.
Led by VFX supervisor James Brennan-Craddock, the studio delivered postvis and 317 visual effects shots on Tim Burton’s hit ‘Beetlejuice’ sequel, including digital versions of a miniature plane, simulated oceans, stretched faces, and sequences featuring the famed sandworm.
Denis Villeneuve’s sci-fi thriller tops all feature film contenders, while Chris Sanders’ animated drama leads all animation contenders and the HBO and FX dramas top all episodic contenders as nominees are announced in 25 categories across film, television, real-time, and special venue projects; ceremony set for February 11 at The Beverly Hilton Hotel in LA.
Designed to support the creation of spatial content, the system accurately captures real-world objects, human motion, and backgrounds, recreating them in virtual environments for 3DCG production.
The Disney-themed Christmas Day program continued the 2024 sports production trend of building immersive viewing events to enhance fan engagement and attract new audiences.
At this year's Autodesk Univerisity, with the help of Mikros Animation, Digital Fish, and Wonder Studio, the tech giant demonstrated a slew of program feature updates and improvements across its product lineup, all designed to increase creative productivity and lower barriers for great storytelling.
Focusing on seamless integration of cutting-edge VFX with analog craftsmanship that included stop-motion, animatronics, and models, Oscar-winning VFX supervisor Eric Barba helped director Fede Alvarez ramp up the terror and suspense in his haunting deep space saga.
The leading visualization studio’s work involved animating and editing a number of sequences, including a boat crash and shark chase, for the StudioCanal film about a group of friends who meet up for a wedding in the Caribbean and become stranded at sea after their boat sinks.
The leading creative studio delivers 500 shots across 11 sequences on the final film of the Marvel and Sony ‘Venom’ trilogy, including a Symbiote dance sequence, a battle atop an airplane, and the first non-human takeover… of a horse.
For Rob Hoffman, Lenovo’s Senior Worldwide Manager for Media & Entertainment Vertical, insatiable consumer appetite for new experiences across film, TV, games and interactive experiences, in greater quantity with increasing fidelity, means, the future of entertainment content development continues to look strong.
Led by industry veteran Ken Locsmandi, the boutique visual effects company has been revolutionizing filmmaking through its virtual production pipeline that uses iClone and Unreal Engine to produce high quality, cost-effective animation.
Created by Samuel Lewek and his team at the Filmakademie Baden-Württemberg, ‘Dancing in Norms’ reflects the upcoming event’s ‘Rhythm of Change’ theme; ‘House of the Dragon’ Season 2 is first confirmed presentation.
The upcoming free livestream event features a lengthy lineup of worldwide VFX talent, allowing viewers to interact with speakers via live chat, ask questions, win prizes, and more, on December 6 and 8.
The Oscar-winning VFX supervisor once again teams up with filmmaker Denis Villeneuve for the second of three adaptations of Frank Herbert’s seminal sci-fi tome, shooting practical wherever possible to capture the right desert light, shadow and tone.
Paul Debevic named chair of the 4-day conference on animation, VFX, interactive and immersive, which runs May 6-9, 2025 in Stuttgart.
From the innovative use of mocap for fast prototyping with virtual story reels to choosing the right cameras to ensure a proper sense of scale on massive sets and environments, the cinematographer discusses how he handled layout and composition on Josh Cooley and Paramount’s 3DCG origin story of how two best friends became the sworn enemies Optimus Prime and Megatron.