The 4-day event returns to Stuttgart, kicking off May 6; on-demand presentations are available May 10 – June 10.
While the famed creative services company has begun to shut down U.S. operations, the leadership and most of the artistic staff at The Mill have joined forces with Dream Machine FX for a new venture.
The parent company sent U.S. employees a WARN notice on Friday, signaling a potential closing or mass layoff due to ‘severe financial challenges.’
The sum will support two FRP initiatives: Writers’ Neighborhood, and community engagement events inspired by its series ‘Alma’s Way.’
The conference now offers two new ticket categories: the Business Pass and the Experience Pass; early bird options are also in place until March 20.
Group to work from Burbank’s Nickelodeon Animation Studio; writers’ curriculum includes networking, executive mentorship, and tailored workshops, while artists will work closely with senior artist and peer mentors.
Technology merges real-time rendering with asset ingest and character animation tools accessible across the entire production pipeline, from storyboarding to final pass; streaming veteran David Baron joins leadership team as COO.
The former Netflix games exec will tackle publishing, development, and creative for games in development, reporting to president of Interactive and New Media Hector Sanchez, who continues to oversee the company’s larger games strategy.
Exec’s 20-year career began at Lucasfilm/ILM; has worked on a diverse range of projects, from ‘Star Wars’ to campaigns and collaborations with Ferrari, Lady Gaga, and the U.S. Department of Defense.
Author and VFX veteran Joseph Bell talks about his unique research report, published as a free downloadable eBook, that organizes and charts data on more than 55,000 individual artists around the world who work in visual effects.
The CG supervisors bring a combined 30 years of international experience at leading studios, with credits on films such as ‘Dumbo,’ ‘Blade Runner 2049,’ ‘Deadpool 2,’ ‘Star Wars: Skeleton Crew,’ ‘Fantastic Beasts,’ and more.
A gentle reminder to my animation colleagues.
The 24 signatories aim to unify the region and address industry challenges while supporting independent creation, diversity in storytelling, and smaller production countries.
The guild’s executive board reacts to what it notes are ‘a small minority’ getting ‘an outsized voice’ regarding the tentative AMPTP agreement, saying it has voted unanimously to recommend ratification.
Caroline Norbury OBE, Deep Sehgal, and Laurence Green boast experience across advertising, creative industries, and Film & TV; will help ensure company runs to the standards and values of its employees and Aardman’s founders.
Several members of the negotiating committee have expressed discontent on social media over the guild’s new AMPTP tentative agreement, citing a lack of protections for artists against generative AI and staffing minimums.
The dozen animation workers oppose pay cuts, call for improved benefits such as health care, and seek fair job security protections.
The French animation studio has been saved from bankruptcy; new execs include Marco Balsamo, Jay Oliva, and Tara Sibel Demren; founders Guillaume Hellouin and Corinne Kouper continue on as executive advisors and executive producers on current and upcoming projects.
The former Executive Producer at Wētā FX will report directly to Andrea Miloro, Chief Business & Strategy Officer, and Caroline Parot, Chief Executive Officer.
The upcoming free livestream event features a lengthy lineup of worldwide VFX talent, allowing viewers to interact with speakers via live chat, ask questions, win prizes, and more, on December 6 and 8.
The appointment marks a return for the exec, who began her career in the company’s Advertising division before holding roles at both DNEG and Method Studios.
After 3 months of bargaining, the guild (TAG 839) has negotiated a new deal centered on fair wages, job security, and guardrails around Generative AI use.
The Animation Guild, TAG 839, continued ramping up negotiations with a third ‘March on the Boss’ to remind animation industry execs that members will stand together to achieve fair wages, job security, and guardrails around Generative AI use.
The ‘CoComelon’ producer has cut less than 5% of its workforce in Los Angeles and London in an alleged effort to downsize in-house writers in favor of a freelance model.
The Animation Guild, TAG 839, ramped up negotiations with a second ‘March on the Boss’ to remind animation industry execs that members will stand together to achieve fair wages, job security, and guardrails around Generative AI use.
