Interviews

The co-executive producer/director and co-supervisor of animation discuss the challenges, inspirations, and innovative techniques that pushed visual and...

Composer Stuart Hancock discusses how he created the evocative soundtrack that so beautifully meshed with Neil Boyle and Kirk Hendry’s poignant 2D...

We Return to Piltover and Zaun ANIMATIONWorld

Unveiling ‘Arcane’: A Conversation with Pascal Charrue and Alexis Wanneroy

The co-executive producer/director and co-supervisor of animation discuss the challenges, inspirations, and innovative techniques that pushed visual and storytelling boundaries and helped shape Netflix’s award-winning series’ second and final season.

In 2D, 3D, CG, Digital Media, Games, People, Television | ANIMATIONWorld | Geographic Region: All

Composing for Animation ANIMATIONWorld

‘Kensuke’s Kingdom’: Weaving Captivating Music into a Hand-Drawn Visual Feast

Composer Stuart Hancock discusses how he created the evocative soundtrack that so beautifully meshed with Neil Boyle and Kirk Hendry’s poignant 2D animated adaptation of Michael Morpurgo’s novel, spotlighting the power of connection and the beauty of nature; releases November 26 on VOD.

In 2D, Books, CG, Digital Media, Films, Home Entertainment, Music and Sound, People, Voice Acting | ANIMATIONWorld | Geographic Region: All

Springfield Takes It in the Shorts ANIMATIONWorld

Al Jean Talks ‘The Simpsons’ Short ‘The Most Wonderful Time of the Year’

The iconic show’s long-time executive producer and showrunner shares his thoughts on his team’s latest short film - featuring Sideshow Bob, famous Disney+ villains, and so-called Halloween spirit - as well as his love of the format, and the important role shorts play in the franchise’s universe since the move to Disney.

In 2D, 3D, CG, Digital Media, People, Short Films, Television | ANIMATIONWorld | Geographic Region: All

Pals Forever… Not! ANIMATIONWorld

Christopher Batty Talks the Cinematography of ‘Transformers One’

From the innovative use of mocap for fast prototyping with virtual story reels to choosing the right cameras to ensure a proper sense of scale on massive sets and environments, the cinematographer discusses how he handled layout and composition on Josh Cooley and Paramount’s 3DCG origin story of how two best friends became the sworn enemies Optimus Prime and Megatron.

In 3D, CG, Digital Media, Films, People, Previs/Postvis/Visualization, Technology, Virtual Production | ANIMATIONWorld | Geographic Region: All

Splinter Me This VFXWorld

Getting It Right: The Carefully Calibrated VFX that Makes ‘The Boys’ ‘The Boys’

As Visual Effects Supervisor Stephan Fleet makes clear, there’s more to the visual stylings of the acclaimed Prime Video series than exploding heads and flesh-eating flying sheep.

In 3D, CG, Comics, Digital Media, People, Television, Visual Effects | VFXWorld | Geographic Region: All

It’s Tough Being a Demigod VFXWorld

Building the World of ‘Percy Jackson and the Olympians’

From the Minotaur and the Chimera to the Underworld and the pit of Tartarus, Senior VFX Supervisor Erik Henry talks about what it took to create the mythological universe for the hit Disney+ series, now streaming.

In 3D, Acting, Books, CG, Digital Media, People, Previs/Postvis/Visualization, Technology, Television, Visual Effects | VFXWorld | Geographic Region: All

Brick by Brick ANIMATIONWorld

‘Piece by Piece’ Resets Expectations of What LEGO Movies Can Be

Director Morgan Neville and animation director Howard E. Baker discuss how they blended LEGO animation and documentary filmmaking techniques to visualize Pharrell Williams’ unique musical journey, offering a fresh take on how animated biopics can capture the emotional depth of their subjects.

In 3D, CG, Films, Music and Sound, People, Voice Acting | ANIMATIONWorld | Geographic Region: All

preschool animation ANIMATIONWorld

‘Mighty Monsterwheelies’: Universal’s ‘Monster’ Truck Heroes for Preschoolers

Creator Kyel White and EP Stephanie Simpson talk about their new animated adventure-comedy series from DreamWorks Animation, which turns some of Universal Pictures’ most well-known cinematic ‘monsters’ into heroic rescue vehicles; show debuts October 14 on Netflix.

In 3D, CG, Digital Media, People, Television, Voice Acting | ANIMATIONWorld | Geographic Region: All

We Want More Lara! ANIMATIONWorld

‘Tomb Raider: The Legend of Lara Croft’: Tasha Huo’s 2D Take on an Unconventional Female Heroine

The EP, Showrunner and writer of the new Netflix series talks about her longstanding adoration of the globetrotting adventurer, the animation style that gives the series a dreamy appeal, and what episodes she’s most looking forward to fans watching; show debuts today, October 10.

In 2D, CG, Games, People, Television, Voice Acting | ANIMATIONWorld | Geographic Region: All

Boo! ANIMATIONWorld

Creators Jeff Dixon and Jim Cooper Talk ‘Curses!’ Season 2

With their dad finally freed from his curse, the reunited Vanderhouven family continues working to undo the damage done by their greedy ancestors… but when dad doesn’t seem quite the same, they must come together as family to face a brand-new set of mysteries, both at home and abroad; debuts October 4 on Apple TV+.

In 3D, CG, Digital Media, People, Television, Voice Acting | ANIMATIONWorld | Geographic Region: All

A Bond Like No Other ANIMATIONWorld

‘The Wild Robot’: An Eloquent Exploration of Self, Technology, and Nature

Oscar-nominated writer/director Chris Sanders and producer Jeff Hermann discuss DreamWorks Animation's beautifully animated and emotionally compelling film, based on the beloved bestseller by Peter Brown, about a domestic robot shipwrecked on an uninhabited island who must learn to adapt to the harsh surrounding, opening today in theaters.

In 3D, CG, Films, People, Voice Acting | ANIMATIONWorld | Geographic Region: All

Welcome to Hells Door! ANIMATIONWorld

Beyond Thor and Loki: ‘Twilight of the Gods’ Takes a Deeper Dive into Norse Mythology

Executive producers Zack Snyder, Deborah Snyder, and Wesley Coller discuss their all-new 2D adult animated series about an iron-willed warrior’s vow of vengeance on the Thunder God, now streaming on Netflix.

In 2D, CG, Digital Media, People, Television, Voice Acting | ANIMATIONWorld | Geographic Region: All

Heading to Savannah! ANIMATIONWorld

Unpacking SCAD AnimationFest 2024 With Paula Wallace and Dan Bartlett

The university’s founder and the Dean of the School of Animation and Motion discuss the array of top speakers and program highlights, including Genndy Tartakovsky receiving the Award of Excellence and Toby Wilson presenting 'Blue Eye Samurai,' at the annual celebration of animation, which starts tomorrow, September 26, running through September 28.

In 2D, 3D, Awards, Education and Training, Event, Festival, Films, People, Television | ANIMATIONWorld | Geographic Region: North America

An Homage to Batman and Robin ANIMATIONWorld

Channeling the Caped Crusaders in ‘Rick and Morty: The Anime’ Promo

Open the Portal’s David Braun and Aron Fromm talk about an almost fanatical attention to detail on their ‘Batman: The Animated Series’-inspired spot supporting today’s ‘Alien Elle’ episode of Adult Swim’s all-new anime series from visionary director Takashi Sano.

In 2D, CG, Commercials, Digital Media, People, Television | ANIMATIONWorld | Geographic Region: All

Dang that Guy Can Draw! VFXWorld

‘Harold and the Purple Crayon’ Hits the Hybrid Sweet Spot

Director Carlos Saldanha and VFX Producer Ken Wallace talk about coloring outside the lines to create Sony Pictures’ live-action/animated adaptation of Crockett Johnson’s famed kids’ book, now playing in theaters nationwide.

In 2D, 3D, Acting, Books, CG, Films, People, Previs/Postvis/Visualization, Visual Effects | ANIMATIONWorld, VFXWorld | Geographic Region: All

Talk to the Blade ANIMATIONWorld

The Beauty Behind the Blade: How ‘Blue Eye Samurai’ Brings Edo-Period Japan to Life

Creators Amber Noizumi and Michael Green, along with supervising director and producer Jane Wu, talk about their improbable hit animated historical drama, nominated for 2 Primetime Emmys and winner of 3 juried Emmys this past Wednesday, that follows a mixed-race Japanese sword master living a life in disguise and shame while seeking vengeance in the early 1600s; now streaming on Netflix.

In 2D, CG, Digital Media, People, Television, Voice Acting | ANIMATIONWorld | Special Events: Emmy Awards | Geographic Region: All

The Ex-Jedi Returns VFXWorld

The ‘Imperfect’ Visual Effects that Make ‘Ahsoka’ Shine

Award-winning VFX supervisor Richard Bluff talks about his work delivering more than 4,000 shots on the Disney+ Star Wars spinoff that has just been nominated for five Emmy Awards.

In 3D, Acting, Awards, CG, Digital Media, People, Technology, Television, Virtual Production, Visual Effects | VFXWorld | Special Events: Emmy Awards | Geographic Region: All

No One Can Resist the Time Authority VFXWorld

‘Loki’ Season 2: Sometimes the Best CG is No CG

Marvel Studios Production VFX Supervisor Chris Townsend discusses 'time slipping' and the surprisingly small number of CG shots, and reliance on capturing shots in-camera, in the sophomore season of the hit Disney+ series, which scored a recent Emmy nomination for Outstanding Special Visual Effects In A Season Or A Movie.

In 3D, Acting, Awards, CG, Digital Media, People, Television, Visual Effects | VFXWorld | Special Events: Emmy Awards | Geographic Region: All

Baby Kaiju Sounds ANIMATIONWorld

‘Ultraman: Rising’: Music for the Baby Monster in All of Us

Composer Scot Stafford talks about his highly collaborative experience providing the music for Shannon Tindle’s thrilling hit animated film about an egotistical baseball star turned superhero and reluctant parent to a young kaiju, now streaming on Netflix.

In 3D, CG, Digital Media, Films, Music and Sound, People | ANIMATIONWorld | Geographic Region: All

A Furious Road Home VFXWorld

From Dust to Brawn: Framestore Makes It Real in ‘Furiosa: A Mad Max Saga’

Visual Effects Supervisor Josh Simmonds runs down the many ways in which his team amped the verisimilitude in George Miller’s latest ‘Mad Max’ franchise outing.

In 3D, Acting, CG, Films, People, Post-production, Visual Effects | VFXWorld | Geographic Region: All

Promoting Universal Values of Love and Peace ANIMATIONWorld

‘God’s Gang’: Nimrod-Avraham May Talks Creating a Religiously Diverse Series

With a unique interfaith advisory council and a mission to foster mutual respect, the 2D animated series promotes unity and peace through the hilarious adventures of four martial arts heroes from Islam, Christianity, Hinduism, and Judaism; new episode streams July 17.

In 2D, CG, Digital Media, People, Television | ANIMATIONWorld | Geographic Region: All

Monkey Business in the Big Apple ANIMATIONWorld

Still Monkeying Around: A Talk with Legendary Voice Actor Fred Tatasciore

The man of a zillion voices discusses his work on Marvel’s popular adult animated series ‘Hit-Monkey,’ whose second season drops July 15 on Hulu.

In 2D, CG, Comics, Digital Media, People, Television, Voice Acting | ANIMATIONWorld | Geographic Region: All

Go Go Genndy! ANIMATIONWorld

Dexter and Dee Dee Return: A Talk with Genndy Tartakovsky

With the release of ‘Dexter’s Laboratory: The Complete Series’ from Warner Bros. Discovery Home Entertainment, the groundbreaking writer/director/artist discusses all things ‘Dexter,’ girl power, listening to your gut, and the glories of cartoony-ness.

In 2D, Digital Media, Home Entertainment, People, Television | ANIMATIONWorld | Geographic Region: All

Is There Hope for Humanity? VFXWorld

A ‘Sweet’ Conclusion for a Post-Apocalyptic Fairy Tale

‘Sweet Tooth’ creator Jeff Mickle looks back on the challenges and triumphs of producing the post-apocalyptic fantasy drama series, whose third and final season is now streaming on Netflix.

In 3D, Acting, CG, Comics, Digital Media, People, Television, Visual Effects | VFXWorld | Geographic Region: All

Really Dad? ANIMATIONWorld

A Talk with the ‘Invincible’ Robert Kirkman

The comic book writer, screenwriter, and producer discusses emotions, violence, the challenges of adaptation, and the making of his current hit animated series ‘Invincible,’ now streaming on Prime Video.