LightWave 3D Group Announces LightWave 11.6
LightWave 3D Group announces the final release of LightWave 11.6 software for 3D modeling, animation, and rendering and of the NevronMotion plug-in for LightWave 11.
Category: Previs/Postvis/Visualization
Reverse Engineering 'Gravity'
Framestore's Tim Webber explains the unique workflow in Alfonso Cuaron's space adventure about floating in zero gravity.
Proof Inc. Provides VFX for 'Riddick'
Proof provides visual effects, including previs, postvis, final VFX shots and motion graphics, for the Universal Pictures sci-fi action feature, Riddick.
Method Studios Teams with HALON
International visual effects house Method Studios and previsualization company HALON Entertainment announce a strategic alliance to jointly provide previs and VFX services to feature film and commercial clients.
In Business, Commercials, Films, Visual Effects, Business, Commercials, Films, Visual Effects, Previs/Postvis/Visualization | Headline News | Geographic Region: All, North America
Nvizible to Provide VFX for 'Our Robot Overlords'
VFX house Nvizible announces the company’s involvement with UK sci-fi feature, Our Robot Overlords, starring Gillian Anderson and Sir Ben Kingsley.
In CG, Films, Technology, Visual Effects, CG, Films, Technology, Visual Effects, Previs/Postvis/Visualization | Headline News | Geographic Region: Europe
Framestore Creates Zombie Makeover for 'World War Z'
Framestore helps develop a new breed of zombie for Marc Forster’s World War Z.
In CG, Films, Visual Effects, CG, Films, Visual Effects, Previs/Postvis/Visualization | Headline News | Geographic Region: Europe
Making Superman Fly Again in 'Man of Steel'
VFX production supervisor John "DJ" DesJardin discusses the secrets behind Zack Snyder's blockbuster reboot.
Modus FX Creates Monsters and Mayhem for 'This Is The End'
Modus FX provides visual effects for apocalyptic comedy This Is The End.
Inside Ron Frankel’s Wonderful Virtual World of Feature Film Visualization
The veteran creative director and founder of Proof Inc. shares his insights on previs, postvis, pitchvis and the growing importance of visualization across the entire filmmaking process.
