From previs, techvis, and postvis to a 5,000-frame street fight ‘oner,’ 3rd act Time Ripper disintegration, and our villain’s hand rummaging around a person’s head – think pinkie out the nose – VFX supervisor Matt Twyford, senior visualisation supervisor Kaya Jabar, and their teams delivered some of the most impressive visual effects seen of late on Shawn Levy’s hilarious and bloody new Marvel blockbuster.
The film, which follows the half-human, half-vampire Eric Brooks as he seeks revenge for the death of his mother, will no longer debut on November 7, 2025; Mahershala Ali is still expected to star alongside Mia Goth in an undisclosed role.
Owen’s 15+ years in the VFX industry includes stints at Framestore, MPC, DNEG, and One of Us.
New live-action film will be directed by Sam Hargrave; the video game franchise follows modern-day ninja Joe Musashi as he fights evil.
The upcoming project will be set in the real world, but the iconic toddlers will be 3DCG; ‘SNL’s Mike Day and Streeter Seidell on board as writers, with original series creators Arlene Klasky and Gábor Csupó producing.
They’re coming together… again… Experience all the laughs with hours of exclusive bonus content, including a gag reel, deleted scenes, filmmaker commentary and featurettes, when Marvel’s hit film arrives October 1 on digital retailers (Prime Video, Apple TV and Fandango) and explodes October 22 on 4K Ultra HD, Blu-ray and DVD.
The ‘Lodge 49’ showrunner is joined by Atomic Monster’s James Wan, Michael Clear, and Rob Hackett, who will executive produce.
Noah Catan and the team at Bent Image Labs used his Pantheon software tool to add critical volumetric shading to the key opening scenes of the film, set in Harold’s illustrated book world, without making the characters and their simple lines look like the came from a completely different world.
We return to the visually stunning, often brutal ancient Roman world of Sir Ridley Scott's Oscar-winning ‘Gladiator,’ in the long-awaited sequel, coming to theaters November 22.
The independent French VFX company plans to bring French creativity and international production expertise to the U.K.’s film and television industry.
The ‘Shang-Chi and the Legend of the Ten Rings’ filmmaker would join franchise writers Chris McKenna and Erik Sommers on the yet untitled film; Tom Holland returns in titular role.
Director Veit Helmer shot live-action animals, then animated them talking using an innovative photorealistic VFX pipeline that included Maya, Nuke, Arnold, Unreal Engine and LiveFX, on his new feature about the fantastical adventures of a young monkey who escapes from a zoo to reunite with his family.
Reaction is mixed for the big-screen adaptation of Mojang’s best-selling video game, directed by Jared Hess and starring Jack Black, Danielle Brooks, Sebastian Eugene Hansen, and Jason Momoa; film hits theaters April 4, 2025.
VFX Supervisor Dan Macarin dissects his team’s intricate work enhancing the motion of Deadpool’s mask to match Ryan Reynolds' emotions, comedic timing, and dialogue, along with digitally enhancing Wolverine’s corpse, on Marvel Studios’ blockbuster superhero adventure, now playing in theaters.
The duo will develop and produce small and big screen projects based on their award-winning video games franchises.
See how the studio created the show’s iconic, larger than life dragons with a seamless fusion of on-set footage and CG assets, each crafted to embody a distinct personality; the terrifyingly regal and composed Silverwing joins the hunt in the new season.
In celebration of the 5th annual ‘Star Trek Day,’ franchise launches global campaign aimed at giving back; pop-up fan activations set for Chicago, Vancouver, and Berlin and select ‘Star Trek’ episodes stream free September 7-13 across Paramount+ platforms.
Led by VFX supervisor J.P. Jaramillo, the company delivers 256 shots on Kevin Costner’s epic Western, including river, canyon, and town environments, digital horses and insects, and lots of fire, smoke, and rain.
A porcupine, a diner, a salad bar… what could go wrong? Watch the ‘Diner Disruption’ clip celebrating the digital release of the live-action/animated hybrid feature starring Zachary Levi as a wonder filled grown-up Harold who doesn’t quite think things through; available for purchase and rental today!
The 'Kingdom of the Planet of the Apes' director will helm the new film based on the video game from Reikon, with Michael Arlen Ross penning the script.
VFX supervisor Dan Bethell helped the studio deliver 880 shots on famed director George Miller’s latest post-apocalyptic romp, including work on the Citadel Battle, the Bullet Farm ambush, the Stowaway to Nowhere, and the titular character’s mechanical arm.
BAFTA-winning director Nina Gantz’s stop-motion ‘Wander to Wonder’ takes home the award for Best Animation at the LA-based short film festival.
Director Carlos Saldanha and VFX Producer Ken Wallace talk about coloring outside the lines to create Sony Pictures’ live-action/animated adaptation of Crockett Johnson’s famed kids’ book, now playing in theaters nationwide.
Award-winning VFX supervisor Richard Bluff talks about his work delivering more than 4,000 shots on the Disney+ Star Wars spinoff that has just been nominated for five Emmy Awards.
The project from Sony Pictures Animation will be executive produced by franchise vets Jason Reitman and Gil Kenan, while Elliott Kalan will serve as writer, showrunner, and executive producer; plot details are under wraps.
