Framestore Consolidates Film and TV Divisions
BAFTA winner James Whitlam will head episodic work as the company brings both departments under one banner, one pipeline, and a new leadership structure.
BAFTA winner James Whitlam will head episodic work as the company brings both departments under one banner, one pipeline, and a new leadership structure.
Industry veteran will lead VFX house’s integration of innovative and emerging technologies as key pre-production to final shot service offerings.
New subscription service productizes Weta’s Oscar-winning Maya-based proprietary VFX tools, providing artists access to one complete stage to screen Maya-based pipeline.
#CreateWithMarbles: Marvelous Machines invites participants to design an outrageous race-track-style contraption for marbles; submission deadline is July 30.
The next generation ThinkPad P1, P15, and P17, teamed with new ThinkVision P34w-20 monitor and Thunderbolt 4 workstation dock, provide professional users the flexibility to work from anywhere.
Martin Hobbs steps down after 5 years at the helm to pursue an outside position; company’s former studio director takes over the MD role.
Former head of production promoted to oversee both Saturday Animation Studios and Meduzarts Animation; the adult animation arm of DDEG is currently in production of Zack Snyder’s ‘Army of the Dead: Lost Vegas.’
The free global online event streams July 9-10 on Twitch and YouTube; fans of the games and TV series get a behind-the-scenes look at the popular franchise with panels, breaking news, and a preview of the upcoming mobile game ‘The Witcher: Monster Slayer.’
Free June 16 virtual event features women-led presentations streamed live and then available on demand.
Emmy Award-winning VFX producer brings over two decades experience on projects ranging from ‘Muppet Treasure Island’ to ‘A Discovery of Witches;’ in his new role, he will work directly with clients while overseeing day-to-day operations.
Netflix has shared a breakdown reel from their critically acclaimed magical fantasy series, based on Leigh Bardugo’s bestselling novels, just renewed for a second eight-episode season.
The leading extended reality tech firm and Xite Labs create a myriad of immersive worlds in Unreal Engine for the rappers’ ‘Trapsoul World Series’ performance.
SUPPORT.HER offers women filmmakers – cis, trans, and non-binary inclusive – career guidance and assistance from industry professionals; applications now being accepted through July 31.
Leading visual effects studio creates the vicious undead tiger, ‘Valentine,’ and loads of gory zombie mayhem, in Zack Snyder and Netflix’s post-apocalyptic heist adventure.
VFX house and Canadian TV/Film equipment company have already begun building new virtual production stages in Vancouver and Toronto, with more set for 2022; combined capital commitment exceeds $30 million.
Take a ‘Sneak Peek’ at the upcoming Netflix series based on the prolific writer and producer’s DC comic book series, now in production.
‘Becoming a Top Supervisor & Creating VFX for Spider-Man, Thor & Black Panther’ episode features the Luma Pictures artist discussing topics including making better show and breakdown reels; working in commercials; pipeline technology; and advantages / disadvantages of being a 3D generalist.
Their most powerful AMD RDNA workstation graphics to date includes three new lines designed for power demanding design work, ultra-high resolution media projects, complex simulations, and advanced image and video editing.
VFX studio takes on Vision, both in color and black and white, flying high above a CG Westview, and cutting a rug with Wanda.
In new leadership role, she will continue supporting the VFX house’s on-going expansion; studio’s slate of film and TV projects includes The Northman, The Great Season 2, Becoming Elizabeth, Suspicion and The Last Kingdom Season 5.
The month-long online fundraiser runs through June 20 - World Refugee Day; campaign supports UNICEF’s work aiding displaced children around the world.
Leading visualization company provides crucial virtual production support that helped the Netflix mystery thriller’s creative team remotely view work, brainstorm, and make creative decisions shot by shot during the pandemic.
Led by VFX supervisor Phil Jones and VFX producer Matthew Pellar from their Toronto facility, the studio shifted into warp speed during the pandemic to deliver 570 shots for the hit Paramount+ sci-fi drama.
Emmy-nominated as a VFX supervisor on ‘Westworld’ Season 3, the industry veteran joins company’s new L.A. studio, where he will work with directors, producers, and showrunners to deliver visual effects on TV and films.
The extensive line-up includes 191 research projects from 22 countries, covering numerous subfields of computer graphics and interactive techniques; live conference events run August 9-13, with on-demand available August 2 – October 29.