The Spanish VFX and animation house delivered bubbles, fish, underwater shots and a dramatic shipwreck on the Prime Video sci-fi drama series about an oceanographic expedition that gets dragged by a storm to the farthest point from inhabited land on Earth: Point Nemo.
While the use of AI in M&E continues to grow, so does virtual production powered by real-time technology, which reduces costs and time to delivery as well as allow artists in film, TV, games and immersive experiences greater flexibility to iterate and deliver higher fidelity work.
The studio enhanced brutal bare-knuckle boxing fights as well as created digital environments for key story locations and a CG aerial London cityscape, totalling 125 shots for Season 1 and another 107 shots for the upcoming Season 2.
Consumer demand for new entertainment experiences means artists and studios working in film, TV, games and immersive experiences require more compute power to handle ever-growing datasets while still delivering on time and on budget.
The spot stars Spock (Ethan Peck), Christopher Pike (Anson Mount), and Nyota Uhura (Celia Rose-Gooding), who are joined on the Patrick Starship Enterprise by SpongeBob, Sandy, and Mr. Krabs.
Consumers continue to expect fresh and innovative experiences across film, TV, games and interactive experiences, in greater quantity with higher fidelity, which means artists and studios require more compute power to handle ever-growing datasets while still delivering on time and on budget.
From ‘Lost’ showrunner Carlton Cuse and son Nick Cuse, the project will take place in a galaxy far, far away…and that’s all we know; ‘LEGO Star Wars’ sequel series also in the works.
Previously announced as part of a first look deal between Legendary and Eric Heisserer’s Chronology banner, the series has gotten the goahead at the streamer.
The second and final season of the fantasy thriller will drop in two parts: Volume 1 premieres July 3, followed by Volume 2 on July 24.
VFX supervisor Ledda and animation supervisor Blacker, both previously at MPC, join company’s London creative leadership team to assist in preparation of new projects.
The VFX vet will focus on client acquisitions; his film and television portfolio includes visual effects for ‘Independence Day,’ ‘Titanic,’ ‘What Dreams May Come,’ and the mini-series ‘The Pacific.’
With its Season 2 debut just around the corner, the Emmy Award-winning series, based on Naughty Dog’s PlayStation video game franchise, gets picked up for a third season.
Tommy Flanagan and Dan Fogler join the third season of the ‘Game of Thrones’ prequel series, based on George R.R. Martin’s ‘Fire & Blood;’ no word on an expected release date.
The studio highlights some of its powerful and poignant environment work on Peacock and Sky’s real-life story of Jewish Holocaust survivors Lali and Gita Sokolov, who met at the infamous death camp in 1942 when Lali tattooed Gita with her prisoner number shortly after her arrival.
The all-new 8-episode ‘modern reimagining’ of the iconic teens and their special pooch finds them embroiled in a haunting summer camp mystery involving a lonely, lost Great Dane puppy who may have witnessed a supernatural murder.
Artists can bypass game engines and use their normal pipeline to put ray-traced 3D content on LED walls; NVIDIA DLSS 4 support enhances photorealism.
The Doctor and new companion Belinda Chandra will face great dangers, bigger enemies, and wilder terrors than ever before when the new season premieres April 12 on Disney+ where available, and exclusively on the BBC and BBC iPlayer in the UK.
The co-showrunner has left the production to focus on his mental health after co-showrunner Steven Maeda left ahead of Season 2 production; Joe Tracz will lead the series going forward.
The leading VFX and animation studio delivered 150 shots across multiple episodes on the Lucasfilm series, working on destroyed cities, security droids, elephantine character Neel, and futuristic ‘gold’ currency.
Third season will be based on ‘The Titan’s Curse’ by Rick Riordan; series, fresh off this past Saturday's 8 Emmy Award wins, has been renewed ahead of its second season premiere this December.
‘Marvel's Moon Girl and Devil Dinosaur,’ ‘Merry Little Batman’ and ‘StoryBots: Answer Time’ were three of the top shows among other winners at this weekend's two separate awards ceremonies.
See highlights of the studio’s work on HBO’s ‘Dune’ prequel delivering 421 shots across 44 sequences, including the fully CG Imperial Palace on Kaitain, with its opulent gardens, grand monuments, and vast ocean backdrop.
The mission-driven live action/CGI blended series, inspired by the work of world-renowned ethologist and conservationist Dr. Jane Goodall, premieres April 18.
New season of the Emmy Award-winning series, based on Naughty Dog’s PlayStation video game franchise, is set 5 years after the events of Season 1, with Joel and Ellie drawn into conflict with each other and an even more dangerous world; debuts April 13.
How two former ILM and Square Enix artists, Jeffery Dillinger and Christophe Rodo, navigated cultural and technological challenges, while enlisting new creative tools, to build a successful, cutting-edge, independent visual effects studio in Japan.
