The Oscar-winning VFX supervisor helped plan, design and deliver 500 visual effect shots for the Steve McQueen period drama about a 9-year-old evacuee who tries to journey back home to find his mother, turning back the clock to depict the devastating effects on the city and its people of the Nazi aerial attacks on England.
From post-production VFX to rendering and retouching, key content creation applications are employing AI and machine learning features, coupled with the latest AMD GPUs, to greatly increase artist productivity by speeding up routine tasks without the need to upload commercially sensitive data to the cloud.
Annie Shaw to head the BAFTA-nominated VFX studio’s new arm, whose new virtual production tool supports film and TV productions, production companies, and game developers.
The London-based post facility’s use of SGO’s advanced automated workflow yields increased efficiency, reduced manual interventions, and uncompromised quality.
The 5-day event for stop-motion animation professionals and enthusiasts welcomes industry leaders for a lineup of masterclasses, hands-on workshops, and one-on-one consultations; the event runs October 13-17 in Lodz, Poland.
House of Cool alum tasked with driving studio’s growth, spearheading global strategic partnerships and leading the company’s expanded 2D production services.
Industry veteran’s work in advertising and movies includes visual effects design, sequences, and creative solutions for screens of all sizes.
Krow VFX, Torpedo Pictures, and Tryptyc combine strengths and talent rosters to offer concept-to-post-production services with an emphasis on philanthropy.
VFX supervisors Jabbar Raisani and Marion Spates, working with Company 3’s Siggy Ferstl, developed an innovative workflow where many shots normally sent to a visual effects studio were handled by the colorist, making use of the extensive toolset within Blackmagic Design DaVinci Resolve.
Trio of strategic talent acquisitions — Robert Mulligan, Blake Rice and Josh Hamilton — bolsters the company’s creative leadership across key studios.
The new system blends 2D and 3D techniques, promising to blur the line between concept art and production.
New release includes advanced AI Tools for VFX artists and content creators including time warps, automatic face detection, a new colorize effect, Particle Illusion updates, and faster speeds.
My ‘interview with the vampire’ on the uncertainty and upheaval in Hollywood.
The Philadelphia-based production company expands its focused support of independent feature film production; new effort to be led by Andrew Greenblatt, Chief Executive Officer and Executive Director of the Philadelphia Film Society.
Leading VFX and post-production studio joins more than a dozen production companies that have opened facilities in Las Palmas, taking advantage of local film production incentives.
Czechia-based post house contributes around 90 shots to the action thriller starring Russell Crowe and brothers Liam and Luke Hemsworth, working on all explosions, gunfire and aerial shots.
New proprietary GenAI integrated toolkit, developed on NVIDIA Omniverse, is designed for development, production, and post-production of new animated content as well as upgrading existing catalogs.
The VFX veteran opens the new, fully remote studio, offering customized post solutions for broadcast film, television, and online content.
Entertainment company teams up with That Spark Corp to co-produce 3D animated kids’ show based on Chris Parsons’ popular kids’ book series, slated for 2025 release; companion mobile app and Roblox game also announced.
With the addition of the production management solution, the tech giant’s industry cloud for M&E, Flow, will link previously disparate workflows of pre-and post-production, fostering broader collaboration and efficiency.
Integration of VIVE Mars CamTrack and Xsens Animate motion-capture technology promises to elevate virtual production by converging precision, efficiency, and cost-effectiveness for a seamless, collaborative workflow and production experience; see it at GDC beginning March 18.
The BAFTA-winning studio captures director Gordon von Steiner’s vision, contributing VFX including the creation of a mysterious liquid acting as a portal to an alternate reality.
The VFX supervisor on Greta Gerwig’s hit film sheds light on the various ways the famed Mattel doll and her world came to life across 1,300 shots involving various digital filmmaking tools, including virtual production, previs, postvis, CG set augmentation, and more than 20 fully CG shots, produced by Framestore, Chicken Bone FX, FuseFX, UPP, and Lola VFX.
The South African post-house’s offerings range from script to screen while promoting creative financial solutions for filmmakers, including the robust South African tax incentives.
The comprehensive guide to techniques and best practices, gleaned from 82 experts in VR, AR, MR, and XR technology and edited by VFX professionals Susan Zwerman VES and Jeffrey A. Okun VES, is now available for pre-order.
