The studio is harnessing UE5, with its real-time production pipeline, on their new animated virtual production project, a film about a primitive candlemaker’s journey of enlightenment and discovery of artificial light technology.
The hit Paramount film’s Annie Award-winning writer/director, along with Oscar-winning sound mixer Mark Ulano, join the stellar line-up of in-person attendees and speakers, including Henry Selick, Peter Sohn, and Sam Fell; the VIEW Conference takes place October 15-20 in Turin, Italy.
Carl Flygare, NVIDIA Professional Visualization Marketing Manager at PNY, talks about virtual production, changes in the M&E landscape, and the many virtues of the NVIDIA RTX™ A5000 professional graphics card, which is available at a special promotional price for a limited time.
Running September 28-30, the 3-day digital media festival features screenings, panel discussions, and presentations from SCAD Alumni students, alumni and industry creatives; tickets go on sale August 31.
Production VFX supervisor Mohen Leo and Production VFX producer T.J. Falls picked up where they left off on Gareth Edward’s 2016 ‘Rogue One,’ helping deliver a whopping 3,843 visual effects shots, including the daring oceanic planet Narkina V prison escape, the Eye of Aldhani meteor shower, and the Fondor Haulcraft’s encounters with Fury-class Imperial interceptors, on the inaugural season of Lucasfilm and Disney+’s hit prequel series – nominated for an Outstanding Visual Effects Emmy.
Production VFX supervisor Grady Cofer and Co-Production Animation Supervisor Hal Hickel discuss how the most recent season of Lucasfilm and Disney+’s hit series – nominated for an Outstanding Visual Effects Emmy - took advantage of new digital tools and processes to better plan and capture more realistic acting performances in-camera, as well as animate their integration with CG characters and sequences.
The TV Academy honors innovation in broadcast technology, including Brompton Technology’s Tessera SX40 LED video processor, Concept Overdrive’s Motion System, and the pCAM Pro mobile app; award ceremony set for October 18.
Industry veteran will lead business development and client strategy as the virtual production company expands its service offerings to the filmmaking industry.
The conference heads to the New Orleans Convention Center October 3-5, this year featuring over 150 sessions, hands-on training, and networking opportunities.
The 20th ACM SIGGRAPH European Conference on Visual Media Production brings together worlds of academic algorithmic research and post-production to discuss new advancements and innovative applications; the conference will take place November 11– December 1, 2023.
Team uses state-of-the-art virtual production and real-time technology, including Unreal Engine and disguise, to highlight expanded tech capabilities of OnStar’s offerings – without ever having to hit the road; check out ‘From The Lab: Building the OnStar’ to see how.
The volumetric video tech leader’s new pipeline offers complete, photorealistic end-to-end solutions, from capture to distribution, for content creators on any size project.
Today at SIGGRAPH 2023, the tech giant revealed the newest improvements and additions to its foundation platform and services for developers to optimize and enhance 3D pipelines with the OpenUSD framework and generative AI.
‘Foundry Learn and Education’ meetups and presentations at the conference include techniques in compositing from Unity Wētā Tools, Boxel Studios, and Action VFX and lighting and 3D techniques from Foundry product experts.
The conference, taking place March 18-21, 2024 in San Jose, California, seeks submissions for talks, posters, and training labs by September 8, 2023.
Christina Caspers-Roemer and Christopher Hantel takes the helm of the high-end visual effects studio; co-founder and former Chief Creative Officer Simone Kraus Townsend returns to creative leadership as Animation Supervisor.
RenderStream’s AI technology takes phone captured 2D content and generates 3D environments for real-time use in virtual production.
It is only recently, through performance capture advances, that actors can lend not just their voices but synchronized body and facial motion to the animated characters we see on screen.
The festival, taking place October 20-24, seeks to share the charm of animation and promote growth in the Asian animation community.
Nick Bruno and Troy Quane are set to attend the upcoming conference in-person to present their new animated feature, now streaming on Netflix, based on the New York Times best-selling graphic novel by ND Stevenson; the VIEW Conference takes place October 15-20 in Turin, Italy.
The organization’s Open Source Days event for open source software for the visual effects, animation, and digital content creation industries takes place August 6 in Los Angeles, in-person and virtually.
Along with program partners 4Wall and ZeroSpace, the company aims to provide trainees with the tools and knowledge to create cinematic content on a large scale; the immersive learning experience is open to all skill levels.
Scott Meadows has been named Senior Visualization Supervisor, responsible for the studio’s new motion-capture enabled sound stage and real-time pipelines.
The VFX giant reveals new logos and branding reflecting the studio's advancements in innovative multiplatform storytelling via virtual and mixed reality; its latest release, ‘Star Wars: Tales from the Galaxy’s Edge - Enhanced Edition’ is available on PlayStation VR2.
The Unreal Engine creator rolls out Chapter 1 of its step-by-step hands-on look at how to get started with virtual production visualization workflows.
