The mischievous horned God’s Disney+ series will now premiere Wednesday June 9, moving back from June 11, avoiding competition with subsequent Friday ‘The Bad Batch’ releases as well as ‘Black Widow’s July 9 launch.
It’s official… George R.R. Martin’s long-awaited ‘Game of Thrones’ prequel series has taken flight, ready to incinerate hapless armies, helpless civilians, and eager TV screens in 2022.
Led by VFX supervisor Bryan Hirota, studio delivers 1,000 visual effects shots across 22 sequences, from Steppenwolf’s complete redo to the Flash’s epic time reversal.
The notable He-Hunk will no longer play He-Man, leaving production of the already shaky live-action adaptation at a stand-still.
First announced this past January, deal brings new artists, technical experts, and strategic locations to the company’s expanding base of business units.
Watch a clip of Oscar winners Ben Burtt and Craig Barron sharing insights into the groundbreaking special effects on Humphrey Bogart’s 1950 film, ‘Chain Lightning,’ his last at Warner Bros.
The gallery features 14 virtual installations representing an international slate of artists; highlights include Academy Award-nominee ‘Opera,’ Best in Show ‘Cangjie’s Poetry,’ and interactive lighting installation ‘Isle of Reflections.’
Iman Vellani stars as Kamala Khan, the spunky teenaged Parkistani American ‘Ms. Marvel’ with polymorphous powers, in the upcoming Disney+ series, as well as alongside Brie Larson as Carol Danvers and Teyonah Parris as Monica Rambeau in 'The Marvels' coming to theatres in 2022.
Latest deep dive under the hood of Unreal Engine details challenges and real-time solutions for creating realistic-looking hair and fur.
Extended Phase Four trailer moves from looks at the past to a chronological list of what’s in store for MCU fans at the theatre well into 2023.
The Hulu hit’s star and co-creator joins the already star-studded Lucasfilm production cast in an undisclosed supporting role as pre-production edges towards opening shoots.
Agency that represents visual effects and post-production HoDs and crews welcomes six new professionals as demand for VFX and post work continues to increase.
The ‘Snowpiercer’ scribe, an accomplished author, poet, and playwright, joins a growing roster of women in creative leadership positions at the studio.
Leading VFX studio delivers 430 shots on HBO Max’s long-awaited DC feature redo, picking up where they left off in 2017 on Cyborg, Wonder Woman, and the Flash sequences.
‘Then & Now Track’ welcomes the visual effects pioneer, who will talk on ‘The Cinema of the Future;’ conference runs online May 4-6.
Trailer drops for new series, set in a post-apocalyptic world, about a boy that’s half deer and half human; based on Jeff Lemire’s DC comic books and executive produced by Susan Downey & Robert Downey Jr., the story reminds viewers that family and humanity matter.
New cloud-based pay as you go production service provides almost limitless, easily scalable access to high-power accelerated virtual workstations, high-speed storage, and on-demand rendering resources across Amazon’s global infrastructure.
R&D project aims to develop a totally immersive virtual production environment delivering high-quality real-time scenes in Unreal Engine.
Running May 4-6, the online even has announced additional talks and highlights, including ‘From 2D to 3D: The Craft of Tom & Jerry,’ more ‘Concept Art Track’ speakers, and a panel by the Animation Media Cluster Region Stuttgart.
See snap from show's first socially distanced table read; long-awaited prequel series, based on George R. R. Martin’s 2018 book, ‘Fire & Blood,’ follows the fiery exploits of the oft-mad House Targaryen.
To celebrate National Superhero Day, the actor looks back at the career of alter ego Natasha Romanoff; highly anticipated action-packed spy thriller hits theaters and Disney+ with premier access on July 9.
Industry veteran brings 20+ years’ experience as an animation director and supervisor at leading VFX studios; his appointment further broadens the company’s global animation team.
Artist Yemi Faleti used Premiere Pro with Boris FX’s Sapphire and Red Giant’s VFX suite to produce the rapid cuts and melting colors in his CG piece for Universal Music Group’s °1824 division.
VFX supervisor Luke DiTommaso and VFX producer Michael Fernandes are responsible for everything from muzzle flashes to CG explosions on the CBS crime drama, starring Queen Latifah, which was just renewed for a second season.
The visual effects and sound studio’s new branch makes previously remote services more hands-on for its China-based clients; PixelBox deal increases the studio’s resources and capabilities.
