Creative studio bolsters Vancouver management team with former Digital Domain and EA execs.
NVIDIA’s Media and Entertainment GM, Richard Kerris, introduced a number of new releases, coming updates, and future plans for the growing ecosystem surrounding the company’s powerful new interactive, real-time 3D design collaboration platform.
Next gen technology accelerates GoBOXX SLM Laptop and APEXX Workstation performance; AI and ray-tracing enhancements optimize GPUs for media and entertainment as well as manufacturing and product design, architecture, engineering, and construction workflows.
New suite of cloud services will allow instant, real-time access to the NVIDIA Omniverse platform for interactive 3D design collaboration, enabling even non-technical viewers to access scenes with full simulation and rendering through the NVIDIA GeForce NOW platform.
Conference confirms presentations that include a behind-the-scenes look at Netflix’s anthology ‘The House,’ the blending of 2D and 3D in Marvel’s ‘What If...?’ and the future of NFTs; the event runs onsite May 3-5, online May 6 and on demand through May 31.
March 23 presentation, ‘New Approach to Fashion Design with Adobe Substance 3D and NVIDIA Omniverse,’ will showcase new tools that make it easier than ever to create and modify fabrics.
‘New Approach to Fashion Design with Adobe Substance 3D and NVIDIA Omniverse,’ being presented March 23, will showcase new tools that make it easier than ever to create and modify fabrics.
Visual effects supervisors Patrick Murphy and Glyn Tebbutt, and managing director Mark Tobin launch their new Santa Monica-based business with high-profile Expedia and Gatorade campaigns.
CEO Bob Chapek’s fence-sitting stance on the incendiary Florida bill has led employees to organize against it.
VFX supervisor Jay Hawkins talks about the series’ key visual effects sequences, including an show opening car crash and a complex werewolf created using animatronics and CG.
New footage reveals more of the ‘Sonic’ sequel’s plot, and gives fans glimpses of its snowy set pieces and kinetic action scenes.
Most of the delays can be chalked up to scheduling challenges visual effects and post-production houses have faced while working on VFX-heavy projects.
New reports suggest that the iconic antagonist, originally set to appear in Disney+’s upcoming ‘Star Wars’ series, was axed due to creative conflicts on the production.
Marvel Studios’ all-new original series follows a young Muslim American teen growing up in Jersey City who discovers that high school is tough for everyone, even those with Super Powers; the show debuts June 8.
Creative studio specializing in end-to-end virtual production services offers insights into the process and opportunities behind the technology; first 2 episodes, ‘What Is Virtual Production? With Michael McKenna’ and ‘Target 3D The Home of Motion Capture with Allan Rankin’ are now streaming.
AWN’s Max Weinstein reflects on last week’s VES Awards ceremony, an evening filled with excitement that nevertheless marked another rough, taxing year for visual effects artists, the industry, and the world at large.
The dysfunctional superhero family returns home convinced they prevented the initial apocalypse and fixed time, but…The Sparrow Has Landed and things aren’t exactly how they left them; all new episodes stream June 22.
The high fantasy scribe also assured fans he’s made progress on his novel ‘The Winds of Winter,’ while hard at work on the franchise’s many in-development series.
The two features add to their winning streaks, with the Disney+ animated series nabbing the award for Best Animated Series (TV), at last night’s ceremony.
The two hit films continue their award-winning ways; ‘Do Not Feed the Pigeons’ wins for Best Short Animation at the Sunday night 2022 EE British Academy Film Awards ceremony.
Sony Pictures Animation’s feature honored in eight categories, while Riot Games and Netflix’s series takes honors in nine; 'Encanto' nabs three awards, with ‘Flee,’ ‘Namoo,’ and ‘Bestia’ also scoring wins at Saturday night’s virtual ceremony.
The limited series about the Tiger King, Joe ‘Exotic,’ uses cruelty-free computer-generated imagery instead of real tigers; produced by Universal Content Productions and starring Kate McKinnon, the show is now streaming on Peacock.
For the 14th consecutive year, each Academy Award nominee for the Best Visual Effects used NVIDIA technologies.
One of the world’s most important digital skills contests is now open to aspiring artists in VFX, Animation, Games, VR, Motion Graphics, Concept Art and Design; entries will be accepted in all categories now through June 1.
The all-new series features fan faves from Season 2 of ‘Star Trek: Discovery;’ reprising their roles are Anson Mount as Captain Christopher Pike, Rebecca Romijn as Number One, and Ethan Peck as Science Officer Spock; the show hits the streamer May 5 exclusively on Paramount+ in the U.S.
