Comedians The Sklar Brothers to Host 23rd Annual VES Awards
This marks the first hosting of the awards by the comedy duo, whose knowledge of VFX stems from being two identical humans; event set for February 11 at The Beverly Hilton Hotel.
This marks the first hosting of the awards by the comedy duo, whose knowledge of VFX stems from being two identical humans; event set for February 11 at The Beverly Hilton Hotel.
‘The Borne Ultimatum’ writer replaces previous scribe Steven Knight; the untitled film follows the rebuilding of the New Jedi Order and the powers that rise to tear it down.
‘Flow,’ ‘Inside Out 2,’ ‘Wallace & Gromit: Vengeance Most Fowl,’ and ‘The Wild Robot’ get the nod for Animated Film with ‘Better Man,’ ‘Dune: Part Two,’ ‘Gladiator II,’ ‘Kingdom of the Planet of the Apes,’ and ‘Wicked’ selected for Special Visual Effects.
Led by VFX supervisor James Brennan-Craddock, the studio delivered postvis and 317 visual effects shots on Tim Burton’s hit ‘Beetlejuice’ sequel, including digital versions of a miniature plane, simulated oceans, stretched faces, and sequences featuring the famed sandworm.
Denis Villeneuve’s sci-fi thriller tops all feature film contenders, while Chris Sanders’ animated drama leads all animation contenders and the HBO and FX dramas top all episodic contenders as nominees are announced in 25 categories across film, television, real-time, and special venue projects; ceremony set for February 11 at The Beverly Hilton Hotel in LA.
Nominations voting period extended due to the ongoing Los Angeles fires and their impact; AMPAS has changed some key dates and events on its awards season schedule.
Nominees for the 29th Annual Excellence in Production Design awards, covering film / animated film, TV, commercials, and music videos, were just announced; ceremony set for February 15.
‘Despicable Me 4,’ ‘Flow,’ ‘Inside Out 2,’ ‘Memoir of a Snail,’ ‘Moana 2,’ ‘That Christmas,’ ‘Wallace and Gromit: Vengeance Most Fowl,’ and ‘The Wild Robot’ advance in the Best Animated Film category as voting begins for the coveted British film awards; nominations announced January 15, with awards revealed at February 16 ceremony.
Led by VFX supervisor Matthew Krentz, the studio delivers 253 visual effects shots on Tim Burton’s hit ‘Beetlejuice’ sequel, including baby Beetlejuice, a stop-motion Charles Deetz being bitten by a shark, and the famed ghost’s dismembered ex-wife Delores.
Best Animated Feature nominees ‘Inside Out 2,’ ‘Kung Fu Panda 4,’ ‘That Christmas,’ ‘The Wild Robot,’ ‘Ultraman: Rising,’ and ‘Wallace & Gromit: Vengeance Most Fowl’ top the expansive list of category nominations; animation’s biggest awards ceremony is scheduled to return live on Saturday, February 8 at UCLA’s Royce Hall.
Focusing on seamless integration of cutting-edge VFX with analog craftsmanship that included stop-motion, animatronics, and models, Oscar-winning VFX supervisor Eric Barba helped director Fede Alvarez ramp up the terror and suspense in his haunting deep space saga.
VFX category narrowed down to 10 films, animated shorts to 15; voting for nominations runs next month, January 8-12, with nomination announcements set for January 17, 2025.
Academy members will vote to determine five nominees for best animated feature film award at the 97th Oscars; films also qualify for other categories including best picture.
Go behind-the-scenes with three-time Oscar nominee and Golden Globe winner Dean DeBlois to get a first glimpse of his passion project, a live-action reimagining of the first film of the studio’s hugely successful animated trilogy that first hit theaters in 2010.
Three-time Oscar nominee and Golden Globe winner Dean DeBlois write, produces and directs the reimagined first film of DreamWorks Animation's hugely successful animated trilogy that first hit theaters in 2010.
The Oscar-winning VFX supervisor once again teams up with filmmaker Denis Villeneuve for the second of three adaptations of Frank Herbert’s seminal sci-fi tome, shooting practical wherever possible to capture the right desert light, shadow and tone.
Paul Debevic named chair of the 4-day conference on animation, VFX, interactive and immersive, which runs May 6-9, 2025 in Stuttgart.
From previs, techvis, and postvis to a 5,000-frame street fight ‘oner,’ 3rd act Time Ripper disintegration, and our villain’s hand rummaging around a person’s head – think pinkie out the nose – VFX supervisor Matt Twyford, senior visualisation supervisor Kaya Jabar, and their teams delivered some of the most impressive visual effects seen of late on Shawn Levy’s hilarious and bloody new Marvel blockbuster.
Bonnie Arnold and Louise Goodsill are teaming up on the film, which follows 11-year-old Juniper Lane as she’s thrown into a Christmas adventure after a mysterious woodsman exposes her to North Pole magic; could the man be Santa in disguise?
In this new addition to the show’s already expansive lineup, the October 26 panel will share with audiences some of the artistic and technical strategies used to create DreamWorks Animation’s beautifully animated and emotionally compelling new feature.
New live-action film will be directed by Sam Hargrave; the video game franchise follows modern-day ninja Joe Musashi as he fights evil.
Gianluigi Toccafondo takes home the Grand Prize for short animation, while Gintz Zilbalodis takes home the Grand Prize for feature animation, at the 48th annual Ottawa International Animation Festival.
Ana de Armas joins the murky, fiendish and bloody world of assassins, circa ‘John Wick: Chapter 3 – Parabellum,’ in the action-packed origin story of Eve Macarro and the traditions of the Ruska Roma; hitting theaters June 5, 2025.
Ahead of the prolific video game franchise’s 25th anniversary, Amazon MGM Studios confirms its first film adaptation is in the works.