Anime: Hollywood's Invisible Animation Genre
Jerry Beck recounts his fascination with anime and how his frustration with Hollywood's attitude towards it led him and Carl Macek to do something about it.
Jerry Beck recounts his fascination with anime and how his frustration with Hollywood's attitude towards it led him and Carl Macek to do something about it.
Art Culture and Technology (ACT) is attempting to bring animation to this year's Atlanta Olympics as part of an innovative multimedia installation. Mark Segall reports.
In 1984, ASIFA-Hollywood and the Academy of Motion Picture Arts & Sciences put on a unique mini-animation festival as part of Los Angeles' Olympic Arts Festival. Harvey Deneroff profiles the woman behind the Olympiad of Animation, along with listings of films, including the landmark poll of the 50 greatest animated films of all time.
The 12th World Festival of Animated Films was held June 10-14, 1996 in Zagreb, where artists, journalists and lovers of animation from around the world gathered to watch more than 50 films representing the best in international animation. Although it is only one in a growing number of important international animation events, Zagreb is unique among festivals for several reasons. Most importantly, it represents not only the proud heritage of Croatia's famed Zagreb School of animation, but also a significant political and cultural institution for the emerging democratic Croatian society....
The Brothers Quay, those enigmatic masters of stop motion, have now come forth with The Institute Benjamenta, their first "live-action" feature. Suzanne Buchan takes a look at the film and their career.
Alexandre ("Alosha") Alexeff and Claire Parker (ANight on Bald Mountain [1933], The Nose [1963], Pictures at an Exhibition [1972], etc.), loved to introduce themselves as "the artist and the animator," i.e., he was the one who created the images and she choreographed them.
Bill Moritz chronicles the work of pioneer experimental animator Mary Ellen Bute, whose films gained an unexpected acceptance by both Hollywood and the public.
In his new book, RenLaloux states that, "In animated cartoons, contrary to what one may think, the needs of graphics do not necessarily correspond to the needs of movement...