VFXWorld Magazine

Scanline VFX founder Thomas Zauner discusses the history and evolution of his company and eventual move into visual effects production as part of AWN’s series of exclusive video interviews from FMX 2014.

Innovative visual effects add drama and authenticity to Thomas Vinterberg’s romance.

Alter Ego VFX team leverages Golaem Crowd for ‘Bicycles,’ featuring real and CG rider-less bikes traveling across Canada. 

Thinkbox Software’s render management solution tackles large-format scenes with ease.

Alongside BBC Wales VFX and special effects companies Millennium FX and Real SFX, Milk VFX wins the British Academy Television Craft Award for outstanding visual effects on the BBC’s ‘Doctor Who’ episode, “Deep Breath.”

Top industry professionals in animation, effects, games and transmedia share their thoughts on the success of the FMX Conference, which celebrates its 20th anniversary in 2015.

Directed by Carlos Andre Stevens, CG animated short features the voice of Academy Award nominee John Hurt and Eloise Webb, who played Lily James’ young counterpart in Disney’s live-action ‘Cinderella’ remake.

Following seven years leading business development at Imaginary Forces, creative, production and design industry vet founded representation firm iartists in 2012.

U.K.-based visual effects house works with agency J. Walter Thompson to deliver a shape-shifting, oil and metal based creature for Shell’s latest spot.

Custom 360-degree camera rig delivers innovative stereographic imagery.

Scheduled events include “CG Creature Showcase – Monty’s Christmas and a Black Swan,” “Pipeline for Feature Film VFX,” “Commanding the Exodus,” and “MPC Motion Design -- From Small Beginnings to Big Ideas.”

Special presentation of the film -- featuring more than six minutes of footage to be introduced by director Brad Bird -- will screen exclusively in IMAX theatres beginning May 1.