VFX supervisor Ledda and animation supervisor Blacker, both previously at MPC, join company’s London creative leadership team to assist in preparation of new projects.
It's a story we've seen many times before... but can't wait to see again! And in the hands of DC’s purported savior, James Gunn... dare we say, it looks fresh, and funny, and... super! In theaters July 11.
Visualization supervisors Christopher McDonald and Maike Fiene discuss their teams’ expansive and extensive efforts, from previs to postvis and final, including helping devise camera angles and character movements, on Nessarose Thropp’s levitating wheelchair, Elphaba taking flight, and Doctor Dillamond sequences, on Jon M. Chu’s hit musical adventure.
After years of R&D and an expansive beta program, Vicon's Markerless solution hits the market; it allows users to instantly visualize ideas with the Vanguard markerless motion-tracking camera and new software incorporating advanced computer vision, machine learning, and algorithms.
The new video includes interviews and behind-the-scenes footage from the upcoming live-action musical reimagining, as well as clips from the famed animated ‘Snow White and the Seven Dwarfs.’
Hiccup pushes back against all odds in a quest to save his village while defying centuries of tradition by befriending a dragon, in Dean DeBlois’ live-action reimagining of the first film in DreamWorks Animation’s hugely successful animated franchise: in theaters June 13.
A ravenous Galacticus plans to devour the entire planet… head back to a futuristic 1960s world as we finally get a glimpse of the long-sought reboot of the studio’s seminal “First Family” franchise, coming to theaters July 25.
Showrunner Allan Heinberg claims the live-action series adaptation will end because they ‘only had enough story for one more season;’ the final season will still release on the streamer later this year.
Led by VFX supervisor Matthew Krentz, the studio delivers 253 visual effects shots on Tim Burton’s hit ‘Beetlejuice’ sequel, including baby Beetlejuice, a stop-motion Charles Deetz being bitten by a shark, and the famed ghost’s dismembered ex-wife Delores.
He’s finally here! After all the rumors, conjecture, peeks, teases and furtive glances, we finally get to see the new man of steel, Lois Lane, Lex Luthor… and superpup Krypto! Hitting theaters next summer.
The CG supervisors bring a combined 30 years of international experience at leading studios, with credits on films such as ‘Dumbo,’ ‘Blade Runner 2049,’ ‘Deadpool 2,’ ‘Star Wars: Skeleton Crew,’ ‘Fantastic Beasts,’ and more.
The film franchise’s third installment will now debut on February 14, 2025, taking advantage of the double Valentine’s Day / President’s Day weekend.
Go behind-the-scenes with three-time Oscar nominee and Golden Globe winner Dean DeBlois to get a first glimpse of his passion project, a live-action reimagining of the first film of the studio’s hugely successful animated trilogy that first hit theaters in 2010.
Three-time Oscar nominee and Golden Globe winner Dean DeBlois write, produces and directs the reimagined first film of DreamWorks Animation's hugely successful animated trilogy that first hit theaters in 2010.
We’re loving the battle rhino in the visually stunning, often brutal ancient Roman world of Sir Ridley Scott's Oscar-winning ‘Gladiator’ sequel, coming to theaters November 22.
From previs, techvis, and postvis to a 5,000-frame street fight ‘oner,’ 3rd act Time Ripper disintegration, and our villain’s hand rummaging around a person’s head – think pinkie out the nose – VFX supervisor Matt Twyford, senior visualisation supervisor Kaya Jabar, and their teams delivered some of the most impressive visual effects seen of late on Shawn Levy’s hilarious and bloody new Marvel blockbuster.
Owen’s 15+ years in the VFX industry includes stints at Framestore, MPC, DNEG, and One of Us.
We return to the visually stunning, often brutal ancient Roman world of Sir Ridley Scott's Oscar-winning ‘Gladiator,’ in the long-awaited sequel, coming to theaters November 22.
Marvel Studios Production VFX Supervisor Chris Townsend discusses 'time slipping' and the surprisingly small number of CG shots, and reliance on capturing shots in-camera, in the sophomore season of the hit Disney+ series, which scored a recent Emmy nomination for Outstanding Special Visual Effects In A Season Or A Movie.
Mirror mirror on the wall… the live-action/3DCG hybrid musical reimagining of the classic 1937 film, which stars Rachel Zegler and Gal Gadot as Snow White and the Evil Queen, hits theaters March 21, 2025.
Visual Effects Supervisor Josh Simmonds runs down the many ways in which his team amped the verisimilitude in George Miller’s latest ‘Mad Max’ franchise outing.
Are Lydia Deetz and her rather difficult daughter, Delia, shrunken heading to disaster? Care to ask Bob? Tim Burton and Michael Keaton team up once more in the highly-awaited ‘Beetlejuice’ sequel that finds 3 generations of the Deetz family unexpectedly reunited with the mischievous demon and his particular type of mayhem, hitting theaters September 6.
Visual Effects Supervisor Matt Sloan, handling as much in-camera as possible so digital effects didn’t overshadow the tremendous stunt work, helped deliver 1,400 VFX shots working with Framestore, Cinesite, Rising Sun Pictures and Crafty Apes, as well as extensive postvis by OPSIS, on David Leitch’s behind-the-scenes ode to stuntmen, starring Ryan Gosling and Emily Blunt.
The long-awaited sequel from Oscar-winning director Ridley Scott continues the epic saga of power, intrigue, and vengeance set in Ancient Rome; coming to theaters November 22.
Based on the bestselling novel by Gregory Maguire and the hugely successful stage musical, Jon M. Chu’s upcoming musical fantasy adventure tells the untold story of the witches of Oz, Elphaba and Glinda; the film now hits theaters November 22.
