Streamer releases 2-part episode this morning that includes animated segment, ‘A Dream of a Thousand Cats,’ directed by ‘Undone’s Hisko Hulsing and featuring the voice talent of David Tennant, James McAvoy, Sandra Oh, and Michael Sheen.
Partnership allows companies to provide a one-stop shop for visual effects, color, sound, and editorial talent.
Production VFX supervisor and cat enthusiast Jake Morrison talks lighting breakthroughs, VR magic, how to differentiate your shadow creatures, and how to make a dumpling god – all in a day’s work on Marvel Studios’ fourth outing in the Norse god franchise, now playing in theaters.
A fireside chat with ‘Love, Death + Robots’ creator Tim Miller and talks with Wētā Digital / Unity, Animal Logic, Framestore and other top studios about the latest in cloud-enabled content workflows and products highlight Amazon Web Services’ conference plans this coming August 8-11.
The prolific, award-winning creator and author shares footage and other reveals from his upcoming supernatural thriller, set to hit Netflix on August 5.
The final integration phase of the November 2020 purchase is underway, with the Melbourne-based team set to finish its tech pipeline migration as of January 2023; Method’s Canadian film and episodic teams have already made the move - overall company production capacity has increased by 40%.
Well, the studio created 600 shots for Netflix’s Rowan Atkinson slapstick comedy -- 202 of which featured the series’ plucky and relentless bumblebee co-star.
New name reflects the full-service VFX work offered as company works to meet growing industry demand; recent credits include Lucasfilm's ‘The Book of Boba Fett,’ ‘The Mandalorian,’ and Marvel Studios’ ‘Hawkeye.’
Sony’s new trailer showcases the titular croc’s singing skills and introduces the family who embraces him as one of their own; film hits theaters this Fall.
Company to represent the internationally recognized filmmaker in the US and Canada; recent commercial directorial credits include the ‘zero carbon-powered’ ad for Hitachi and McDonald’s ‘Simply Timeless’ retro spot.
After 26 years, founding member Sir William Sargent is stepping down to focus on the Framestore Company 3 Group; Claire Price assumes role of CFO as of July 1.
The company adds Melinka Thompson-Godoy to helm studio’s Canadian efforts; Chloe Grysole is upped to MD Canada, Film & Episodic, tasked with oversight of Vancouver and Montreal studios.
With the conference starting next Tuesday, a final selection of new program highlights includes a showcase of an LED Wall and Unreal Engine in a virtual production stage, ‘Real vs. Unreal’ real-time graphics panel, and The World to Come - A look ahead at Metaverse.’
Photorealistic cat sows trail of destruction in episodes of the network’s hit crime drama; one gruesome scene was completed with a CG human leg and added gory details using Houdini, with final compositing in Nuke.
Global VFX studio adds previsualization services to its pre-production offerings following push into virtual production and launch of LED stages; ex-Framestore exec Alex Webster takes the reigns with veteran previs supervisor Matt Perrin heading the team.
Creative studio bolsters Vancouver management team with former Digital Domain and EA execs.
AWN’s Max Weinstein reflects on last week’s VES Awards ceremony, an evening filled with excitement that nevertheless marked another rough, taxing year for visual effects artists, the industry, and the world at large.
Starring Tom Hanks as Geppetto, the live-action retelling of the classic story of a woodcarver who builds a wooden puppet and treats him as his own son is slated to hit the streamer September 2022.
Michel Waxman, Brian Smego, and Daniel White join the Oscar-winning creative company's US team.
In Marvel Studios’ new series, dissociative identity disorder creates a world of madness for its protagonist and a world of possibilities for its VFX team.
With a team led by visual effects supervisor Adrien Saint Girons, the studio delivers just under 250 shots, featuring the Spell Gone Wrong and Doctor Strange/Spider-Man chase sequences, on Marvel’s hit superhero action-adventure film, just nominated for a Best Visual Effects Oscar.
Escape Studio will hold the event’s 10th edition both online and in person, featuring talks, presentations, and career advice aimed at students, emerging talent, and industry professionals; the festival runs March 8-10.
Studio delivers 443 shots, including 3rd act mayhem involving a high-octane motorcycle chase, an explosive helicopter encounter, and human torpedoes dropping from San Francisco high-rises, in the highly anticipated fourth ‘The Matrix’ franchise installment.
The studio, which kicked off the new year with a refreshed look and midwestern presence, adds Chicago-based creatives Daniel Pernikoff as associated creative director, Travis Saul as creative technical superviso,r and Scott Rachwalski as art director/CG supervisor.
Boutique studio further bolsters creative team with the addition of Jonathan Lee and Weicheih Yu as CG leads.
