Scanline VFX founder Thomas Zauner discusses the history and evolution of his company and eventual move into visual effects production as part of AWN’s series of exclusive video interviews from FMX 2014.
Game developer Tore Blystad discusses the challenges of setting up a game studio in China.
Innovative visual effects add drama and authenticity to Thomas Vinterberg’s romance.
Autodesk’s Spark 3D printing platform to be embedded in Windows 10 with the intent to make digital 3D models interoperable with Microsoft HoloLens.
Alter Ego VFX team leverages Golaem Crowd for ‘Bicycles,’ featuring real and CG rider-less bikes traveling across Canada.
Proof Inc. creative director and founder Ron Frankel to present inside look at previs and postvis work from ‘Guardians of the Galaxy’ and ‘Night at the Museum: Secret of the Tomb’ during 2015 FMX conference in Germany.
Thinkbox Software’s render management solution tackles large-format scenes with ease.
VFX artist at Minneapolis-based post studio contributes digital artistry to commercials and long-form branded content.
Alongside BBC Wales VFX and special effects companies Millennium FX and Real SFX, Milk VFX wins the British Academy Television Craft Award for outstanding visual effects on the BBC’s ‘Doctor Who’ episode, “Deep Breath.”
Trollbäck + Company creates the new branding package for CBS’s ‘The Late Late Show with James Corden.’
Top industry professionals in animation, effects, games and transmedia share their thoughts on the success of the FMX Conference, which celebrates its 20th anniversary in 2015.
Universal’s ‘Furious 7’ takes first place at the domestic box office with $18.3 million; a week ahead of its U.S. Marvel tentpole ‘Avengers: Age of Ultron’ debuts in 44 international markets, earning $201.2 million.
Directed by Carlos Andre Stevens, CG animated short features the voice of Academy Award nominee John Hurt and Eloise Webb, who played Lily James’ young counterpart in Disney’s live-action ‘Cinderella’ remake.
3D Training Institute live webinar featuring MPC global recruiter Christina Zervos and MPC animator Julien Deragon held on Wednesday, April 29 will focus on how to start a career in 3D animation.
Following seven years leading business development at Imaginary Forces, creative, production and design industry vet founded representation firm iartists in 2012.
Hulu to become exclusive subscription video on-demand home to popular programming from Adult Swim and Cartoon Network.
U.K.-based visual effects house works with agency J. Walter Thompson to deliver a shape-shifting, oil and metal based creature for Shell’s latest spot.
Render farm manager's ability to define custom job types lets visual effects studio manage complex multi-application workflows for blockbuster movie projects such as ‘X-Men: Days of Future Past,’ ‘Race’ and ‘The Colony.’
Custom 360-degree camera rig delivers innovative stereographic imagery.
The second Bangkok International Digital Content Festival will take place in Bangkok, Thailand from April 27 through May 3.
Scheduled events include “CG Creature Showcase – Monty’s Christmas and a Black Swan,” “Pipeline for Feature Film VFX,” “Commanding the Exodus,” and “MPC Motion Design -- From Small Beginnings to Big Ideas.”
A desperate Hollywood may be misguided turning short films into features.
Special presentation of the film -- featuring more than six minutes of footage to be introduced by director Brad Bird -- will screen exclusively in IMAX theatres beginning May 1.
‘Epic Bracket’ interactive campaign for Ruffles includes fantasy players such as vampires, dinosaurs, sloths and manatees.
Richard Kidd is named Creative Director/Senior VFX Supervisor; Scott McCullough named Live Action Director & DP.
