For VFX supervisor Rob Delicata, a much darker new season narrative meant more dramatic visual effects were needed to drive Alfred Pennyworth’s ongoing story of an alternate 60’s London embroiled in a devastating civil war.
The adventure continues! Team Downey and Warner Bros. takes the hint after 60-million-member households tuned in last June to catch the heartwarming and hopeful post-apocalyptic show based on Jeff Lemire’s groundbreaking DC comic.
Brigitte Stanovick and Mark Davis move from LA office to Atlanta to support growing roster of high-profile episodic and feature projects; former senior post-production and project manager will network with local industry leaders, while former compositor heads up 2D team.
Based on the prolific author’s 2005 book of the same name, the limited series, about a young boy who discovers his recently deceased father was the trickster god of stories, begins shooting in Scotland later this year.
Visual effects supervisor Charlie Tait explains the studio’s death-defying Episode 1 aerial chase and mid-air fight sequences in Marvel Studios and Disney+’s action-packed six-episode MCU outing.
Company continues to expand its teams across creative and production departments to service growing slate of film and TV projects; new hire brings 20+ years of visual effects experience to his new role.
Abhijeet Nawsagare named head of pipeline across all offices; Brandon Young joins LA office as CG supervisor.
The streaming giant’s ‘Geeked’ sessions feature sneak peaks of ‘Masters of The Universe: Revelation,’ ‘Fear Street Trilogy,’ ‘The Last Mercenary,’ ‘Lucifer,’ and ‘Army of Thieves;’ the official line-up runs from July 23–25.
VFX certificate and A.A.S. degree students receive hands-on mentorship and learn essential skills from industry experts that prepare them for future careers in the thriving VFX industry.
The company’s London and Stockholm offices delivered 229 VFX shots and 20 assets for the Netflix crime drama about the Baker Street Irregulars, based on the works of Sir Arthur Conan Doyle.
Company continues to expand its teams across creative, support, and production departments to service growing slate of film and TV projects; Kevin Mah joins as head of FX, Wassila Lmouaci and Marie-Ève Authier as VFX producers, and Sandra Najem as head of HR.
Company brings on VFX supervisors Khalid Almeerani and Carlos Caballero Valdés, and VFX producers Lisa Purisima and Florent Villegas, to bolster its high-end visual effects production efforts.
Overall VFX supervisor Jake Braver, with the help of ILM VFX supervisor Laurent Hugueniot, delivers 2,800 VFX shots depicting a world decimated by plague and a city ruled by supernatural evil, in the 9-part series from CBS Television Studios now streaming on Paramount+.
The VFX supervisor on Barry Jenkins and Prime Video’s period drama, about a young woman’s desperate bid for freedom in the antebellum South, shares how she helped plan and deliver over 1,000 visual effects shots, ranging from 18 minutes of a town on fire to an actual full underground railroad hub.
Studio delivers 300 shots, including bullet hits, explosion enhancements, and driving comp interiors, on Warner Horizon’s episodic crime drama from the writers of ‘Gotham.’
Emmy Award-winning entertainment company delivers nearly 1,000 visual effects shots, including CG tigers, elephants, and Bobbie the hybrid human-groundhog, on Netflix’s post-apocalyptic adventure series.
BAFTA winner James Whitlam will head episodic work as the company brings both departments under one banner, one pipeline, and a new leadership structure.
New subscription service productizes Weta’s Oscar-winning Maya-based proprietary VFX tools, providing artists access to one complete stage to screen Maya-based pipeline.
Martin Hobbs steps down after 5 years at the helm to pursue an outside position; company’s former studio director takes over the MD role.
The free global online event streams July 9-10 on Twitch and YouTube; fans of the games and TV series get a behind-the-scenes look at the popular franchise with panels, breaking news, and a preview of the upcoming mobile game ‘The Witcher: Monster Slayer.’
Technicolor Animation Productions, Technicolor Animation, and Mikros will integrate their businesses under Andrea Miloro’s leadership, unifying their animation brand within the recently announced Technicolor Creative Studios group.
Emmy Award-winning VFX producer brings over two decades experience on projects ranging from ‘Muppet Treasure Island’ to ‘A Discovery of Witches;’ in his new role, he will work directly with clients while overseeing day-to-day operations.
Netflix has shared a breakdown reel from their critically acclaimed magical fantasy series, based on Leigh Bardugo’s bestselling novels, just renewed for a second eight-episode season.
VFX house and Canadian TV/Film equipment company have already begun building new virtual production stages in Vancouver and Toronto, with more set for 2022; combined capital commitment exceeds $30 million.
Take a ‘Sneak Peek’ at the upcoming Netflix series based on the prolific writer and producer’s DC comic book series, now in production.
