Tagged With: Technology
‘Wonder Pets: In the City’: A Classic Revived with Photo Puppetry and Hypnosis
The classic charm of ‘Wonder Pets’ is back with creator Jennifer Oxley’s new series, a fresh take that introduces a new team of animal heroes, navigating global adventures, who showcase the power of empathy and collaboration while teaching life lessons through mini-opera-inspired tales.
Helping Artists and Studios Deliver in an Increasingly Competitive M&E Landscape
For Rob Hoffman, Lenovo’s Senior Worldwide Manager for Media & Entertainment Vertical, insatiable consumer appetite for new experiences across film, TV, games and interactive experiences, in greater quantity with increasing fidelity, means, the future of entertainment content development continues to look strong.
VFX Studio Filmworks/FX Transforms Virtual Production with iClone & Unreal
Led by industry veteran Ken Locsmandi, the boutique visual effects company has been revolutionizing filmmaking through its virtual production pipeline that uses iClone and Unreal Engine to produce high quality, cost-effective animation.
Pushing to the ‘Edge of Space’ with Jean de Meuron and VFX Los Angeles
The filmmaker shares how his short film brings the historic 1961 X-15 test flights to life through the innovative use of visual effects, blending authentic details with creative cinematography to explore the spirit of innovation and human perseverance that ultimately led to the first U.S. human lunar landing in 1969.
EdenX Unveils ‘AI Movie Theme Park’ Software
The gen AI-powered video platform allows fans of film and TV to create highly personalized and interactive movies based on a single selfie with their gen AI software.
Pixotope Launches AI-Powered Real-Time Graphics Integration Tool
The background segmentation tool allows broadcasters to integrate real-time 2D and 3D graphics into live productions without greenscreens, manual rotoscoping, or match moving.
The Blasting Company Drops ‘Coal Eyed Birds’ Animated Lyric Video
Watch the latest work, based on the hugely successful ‘Legends of Avantris’ D&D 5th edition folk-horror-adventure, ‘The Crooked Moon,’ from the composers on Cartoon Network’s ‘Over the Garden Wall’ series.
Animaj Introduces ‘Sketch-to-Motion’ AI Tool
Tailored for high-end projects like the upcoming 'Pocoyo Season 6,' the software turns rough sketches, even rough storyboards, into fully-rendered 3D animations with one click.
Autodesk’s Wonder Dynamics Debuts New Wonder Studio AI Tool
Powered by Video to 3D Scene technology, the Wonder Animation tool turns any video sequence into a 3D-animated scene via AI reconstruction; the beta is available now to Wonder Studio users.
Disney Establishes AI Oversight Unit for ‘Responsible’ Tech Research, Advancement
A newly-created Office of Technological Enablement will be headed by previous Walt Disney Studios CTO Jamie Voris, and will explore opportunities and risks associated with AI, mixed reality, and other current and emerging tech.
Chaos Releases V-Ray 7 for 3ds Max
New Gaussian Splat support lets users quickly create 3D environments from photos or videos; 20+ new features and improvements range from creative scatter options to firefly removal.
Framestore Serves Big Plate of Spaghettification for ‘Deadpool & Wolverine’
From previs, techvis, and postvis to a 5,000-frame street fight ‘oner,’ 3rd act Time Ripper disintegration, and our villain’s hand rummaging around a person’s head – think pinkie out the nose – VFX supervisor Matt Twyford, senior visualisation supervisor Kaya Jabar, and their teams delivered some of the most impressive visual effects seen of late on Shawn Levy’s hilarious and bloody new Marvel blockbuster.
AMD Radeon GPUs Turbocharge New AI Tools in CG Software
From post-production VFX to rendering and retouching, key content creation applications are employing AI and machine learning features, coupled with the latest AMD GPUs, to greatly increase artist productivity by speeding up routine tasks without the need to upload commercially sensitive data to the cloud.
SCAD Student Films Spotlight Pantheon 2D Tech and Our Relationship with Time
‘Time Flies, and ‘Chelita, Como Me Duele Quererte,’ though completely different films, share the concept of lost time; they also share the use of exciting new software, developed by SCAD alum Noah Catan, that enables 3D lighting effects on 2D animation.
The Truly Incredible ‘The Remarkable Life of Ibelin’
3D animator and DP Rasmus Tukia talks about Benjamin Ree’s ‘must see’ live-action / animated documentary about the vibrant, expansive, but secret virtual life of a young Norwegian, Mats Steen, who died at age 25 of a degenerative disease, and whose ‘World of Warcraft’ game exploits and incredible legion of friends were only discovered upon his death, debuting today, October 25, on Netflix.
Adobe Celebrates 5 Years of Fresco, Now Available for Free
Ahead of Lightbox Expo, the tech giant announces major updates to its digital painting and drawing app, now offered without charge to all users; the Expo runs October 25-27 at the Pasadena Convention Center.
It’s All About the Viscosity in FOLKS’ ‘The Umbrella Academy’ Season 4 VFX
The visual effects studio goes massive – and monstrous - with ‘The Blob,’ a bulbous, pustulous creature that threatens the very existence of humanity, on the final season of Netflix’s hit action comedy about a dysfunctional family of former child superheroes who must reunite to save the world; all seasons are now streaming.
Freefolk Shares ‘KAOS’ VFX Breakdown Reel
In Netflix’s dark comedy starring Jeff Goldblum as the mythical Greek god, Zeus, the studio’s team created numerous VFX sequences, including a CG Mount Olympus and dramatic thunderstorms orchestrated by the gods.
Reallusion’s 2024 3D Character Contest – Meet the Winners!
Showcasing the best 3D character design and animation made with the company’s powerful character production ecosystems, the contest has awarded cash and prizes valued at over USD$47,500 to winners in multiple categories including ‘Best Character Design,’ ‘Best Character Animation’ and ‘Best AccuRIG Character.’
VIEW 2024: Celebrating 25 Years of Excellence
Dr. Maria Elena Gutierrez’s annual ‘must attend’ confab in Turin, Italy has been bringing the industry together for a quarter century, an event where top professionals from across animation, VFX, and games share their latest achievements and future plans… whether in front of an eager audience or a gleaming white bowl of pumpkin risotto; this year’s celebration of all things animated runs next week, October 14-19.
In The Beginning…
RADiCAL Introduces Comprehensive Pre-Production Solution
‘RADiCAL for Pre-Production’ includes extensive new features that enable teams to create, simulate, and iterate on scenes and set design with real-time 3D visualization.
‘The Wild Robot’ Premium Screen Release Utilized TrueCut Motion Grading
The Pixelworks team worked closely with the DreamWorks Animation filmmakers to fine-tune and enhance the motion look of all action, shot by shot, in post-production while keeping the cinematic look and feel intact.
Vicon and Lux Machina Outfit Martin Scorsese Virtual Production Center
NYU Tisch School of the Arts’ state of the art motion-capture and virtual production facility now offers students enrolled in the new Master of Professional Studies degree in Virtual Production a chance to learn with next generation technology.