Marvel Drops ‘Captain America: Brave New World’ Trailer
Anthony Mackie returns to ‘wield the shield’ as Cap himself, landing in the middle of an international incident – of course – and a nefarious global plot, hitting theaters February 14, 2025.
Anthony Mackie returns to ‘wield the shield’ as Cap himself, landing in the middle of an international incident – of course – and a nefarious global plot, hitting theaters February 14, 2025.
Barry Jenkins’ all-new film takes audiences back in time with a host of fan-favorite characters like Mufasa, Scar, Sarabi, Rafiki and Zazu before they called Pride Rock home; movie blends live-action filmmaking techniques with the latest photoreal CGI; coming to theaters December 20.
After years of resistance from execs, a feature set in the universe of author George R.R. Martin has been greenlit; no plot, cast, or crew details are currently known.
Oscar-winning ‘Godzilla Minus One’ director and writer Takashi Yamazaki will return to helm the upcoming project, as well as handle the VFX.
From previs, techvis, and postvis to a 5,000-frame street fight ‘oner,’ 3rd act Time Ripper disintegration, and our villain’s hand rummaging around a person’s head – think pinkie out the nose – VFX supervisor Matt Twyford, senior visualisation supervisor Kaya Jabar, and their teams delivered some of the most impressive visual effects seen of late on Shawn Levy’s hilarious and bloody new Marvel blockbuster.
The film, which follows the half-human, half-vampire Eric Brooks as he seeks revenge for the death of his mother, will no longer debut on November 7, 2025; Mahershala Ali is still expected to star alongside Mia Goth in an undisclosed role.
New live-action film will be directed by Sam Hargrave; the video game franchise follows modern-day ninja Joe Musashi as he fights evil.
The upcoming project will be set in the real world, but the iconic toddlers will be 3DCG; ‘SNL’s Mike Day and Streeter Seidell on board as writers, with original series creators Arlene Klasky and Gábor Csupó producing.
They’re coming together… again… Experience all the laughs with hours of exclusive bonus content, including a gag reel, deleted scenes, filmmaker commentary and featurettes, when Marvel’s hit film arrives October 1 on digital retailers (Prime Video, Apple TV and Fandango) and explodes October 22 on 4K Ultra HD, Blu-ray and DVD.
The ‘Lodge 49’ showrunner is joined by Atomic Monster’s James Wan, Michael Clear, and Rob Hackett, who will executive produce.
Ana de Armas joins the murky, fiendish and bloody world of assassins, circa ‘John Wick: Chapter 3 – Parabellum,’ in the action-packed origin story of Eve Macarro and the traditions of the Ruska Roma; hitting theaters June 5, 2025.
The ‘Shang-Chi and the Legend of the Ten Rings’ filmmaker would join franchise writers Chris McKenna and Erik Sommers on the yet untitled film; Tom Holland returns in titular role.
Director Veit Helmer shot live-action animals, then animated them talking using an innovative photorealistic VFX pipeline that included Maya, Nuke, Arnold, Unreal Engine and LiveFX, on his new feature about the fantastical adventures of a young monkey who escapes from a zoo to reunite with his family.
Reaction is mixed for the big-screen adaptation of Mojang’s best-selling video game, directed by Jared Hess and starring Jack Black, Danielle Brooks, Sebastian Eugene Hansen, and Jason Momoa; film hits theaters April 4, 2025.
VFX Supervisor Dan Macarin dissects his team’s intricate work enhancing the motion of Deadpool’s mask to match Ryan Reynolds' emotions, comedic timing, and dialogue, along with digitally enhancing Wolverine’s corpse, on Marvel Studios’ blockbuster superhero adventure, now playing in theaters.
The duo will develop and produce small and big screen projects based on their award-winning video games franchises.
The leading visualization studio’s work focused on the cave sequences and all scenes ‘dragon related’ on Juan Carlos Fresnadillo and Netflix’s fantasy adventure about a dutiful ‘damsel’ who marries a handsome prince, only to find herself trapped inside a cave with a fire-breathing dragon to settle an ancient debt.
Led by VFX supervisor J.P. Jaramillo, the company delivers 256 shots on Kevin Costner’s epic Western, including river, canyon, and town environments, digital horses and insects, and lots of fire, smoke, and rain.
A porcupine, a diner, a salad bar… what could go wrong? Watch the ‘Diner Disruption’ clip celebrating the digital release of the live-action/animated hybrid feature starring Zachary Levi as a wonder filled grown-up Harold who doesn’t quite think things through; available for purchase and rental today!
The 'Kingdom of the Planet of the Apes' director will helm the new film based on the video game from Reikon, with Michael Arlen Ross penning the script.
VFX supervisor Dan Bethell helped the studio deliver 880 shots on famed director George Miller’s latest post-apocalyptic romp, including work on the Citadel Battle, the Bullet Farm ambush, the Stowaway to Nowhere, and the titular character’s mechanical arm.
Director Carlos Saldanha and VFX Producer Ken Wallace talk about coloring outside the lines to create Sony Pictures’ live-action/animated adaptation of Crockett Johnson’s famed kids’ book, now playing in theaters nationwide.
Iconic villains aren’t born. They’re made… especially for film! Aaron Taylor-Johnson stars alongside Russell Crowe in the visceral origin story of the the world’s greatest, and most feared hunter… with a vendetta against Spider-Man. Film hits theaters December 13.
The project from Sony Pictures Animation will be executive produced by franchise vets Jason Reitman and Gil Kenan, while Elliott Kalan will serve as writer, showrunner, and executive producer; plot details are under wraps.