By integrating the Wonder Studio cloud-based 3D animation and VFX technology into its production pipeline, the creative studio took advantage of new AI and machine-learning-based tools to create 134 creature shots in 6 weeks for the CW’s ‘Superman & Lois.’
For Rob Hoffman, Lenovo’s Senior Worldwide Manager for Media & Entertainment Vertical, insatiable consumer appetite for new experiences across film, TV, games and interactive experiences, in greater quantity with increasing fidelity, means, the future of entertainment content development continues to look strong.
This collaboration, leveraging AWS's advanced cloud infrastructure and generative AI and machine learning services, aims to propel the evolution and global reach of Digital Domain's AVH technology and expand its use for multiple industries, including entertainment, gaming, healthcare, hospitality, and commercial applications.
Company founder takes on new role as the company experiences continued growth in professional workstation technology, AI systems and cloud computing.
The acquisition brings Wonder Studio, a cloud-based 3D animation and VFX solution that uses AI to help streamline 3D character workflows, into Flow, the tech leader’s M&E cloud on Autodesk’s Design and Make platform.
Experts at the tech giant gaze into a collective 2024 crystal ball, anticipating AI’s impact across industries and the world; expect the ‘Democratization of Development’ allowing anyone, anywhere to become a developer.
Machines featuring NVIDIA RTX Ada Generation GPUs and AMD Ryzen Threadripper PRO Processors will be available next month for preorder from Dell, HP, and BOXX; new trained AI models offer accelerated 3D rendering, simulations, and content creation.
Chris DeFaria, former Warner Bros. Animation and DreamWorks Feature Animation president, offers an in-depth look at a groundbreaking multi-platform, mythic universe, co-created alongside Magic Leap founder Rony Abovitz and Wētā Workshop founder Richard Taylor, that harnesses the latest developments in creative technology to offer a new way for audiences to experience stories.
The company’s General Manager of M&E, Richard Kerris, takes a deep dive into the processes and promise of NVIDIA’s groundbreaking creative platform.
Previously announced at SIGGRAPH 2022, the production renderer is now available, in an industry standard CMake environment, complete with a new documentation website, restructured libraries, reduced dependencies, and referenced open source packages.
Major updates to core reference apps and tools offer increased speed, accessibility, and flexibility for collaborative workflows, making it easier for developers, creators, and novices to build metaverse applications.
Studio’s state-of-the-art MCRT renderer, used on the upcoming ‘Puss in Boots: The Last Wish’ and previous films like ‘The Bad Guys’ and ‘Croods: A New Age,’ includes a USD Hydra render delegate and multi-machine / cloud rendering via Arras.
Cloud-based technology automates 3D character and avatar animation by combining deep learning, human biomechanics, and CG to estimate, track, and reproduce skeletal joint rotations from a single video feed.
Cloud considerations can help leverage and future-proof your investments in virtual production workflows.
New system integrates Teradici CAS and ZCentral Remote Boost features to leverage PCoIP across data center, cloud, OS, and workstation infrastructure.
NVIDIA’s Media and Entertainment GM, Richard Kerris, introduced a number of new releases, coming updates, and future plans for the growing ecosystem surrounding the company’s powerful new interactive, real-time 3D design collaboration platform.
New suite of cloud services will allow instant, real-time access to the NVIDIA Omniverse platform for interactive 3D design collaboration, enabling even non-technical viewers to access scenes with full simulation and rendering through the NVIDIA GeForce NOW platform.
March 23 presentation, ‘New Approach to Fashion Design with Adobe Substance 3D and NVIDIA Omniverse,’ will showcase new tools that make it easier than ever to create and modify fabrics.
‘New Approach to Fashion Design with Adobe Substance 3D and NVIDIA Omniverse,’ being presented March 23, will showcase new tools that make it easier than ever to create and modify fabrics.
Latest version of tool, which allows artists to quickly turn simple brushstrokes into realistic landscape images, features powerful new AI model based on GauGAN2 research.
The company’s real-time 3D design collaboration and simulation platform is now available to millions of NVIDIA GeForce Studio creators with RTX GPUs; new Omniverse Machinima and Omniverse Audio2Face platforms also revealed, as well as new platform features and 3D asset marketplaces.
Cloud specialists help Toronto-based VFX studio adopt a scalable hybrid cloud-based infrastructure built on Amazon Web Services to tackle visual effects work on Apple TV+’s hit futuristic series.
Nimble Collective co-founder Rex Grignon and Kyle Roche, Head of Immersive Technology for Amazon Web Services, talk about their recently-launched cloud-based production service.
Morticia, Gomez and crew give ‘Road Trip’ a new meaning; in showcasing iconic North American locales, the studio turned to AWS to manage the extensive assets and complex visual effects needed to coordinate the largely remote work.
Announcements made today, as Autodesk University 2021 begins, outline an industry forward look at Cloud production, open standards, and machine learning; shift to the cloud in response to global pandemic means opportunities to build a more resilient future, unlocking new levels of creator collaboration and efficiency to meet growing content demand.
