New features and workflow enhancements are revealed across entire product line, including Cinema 4D, Redshift, Red Giant, ZBrush and Forger, promising improved performance, workflows and advanced tools for animation, rendering and sculpting.
The premier conference and exhibition on computer graphics and interactive techniques runs August 6-10 in Los Angeles and online.
TVA Group announced that the company leader, who expanded the business while launching a virtual production platform service during the pandemic, is leaving his position to pursue new challenges; existing executive team will establish a leadership transition plan and ensure continuity in company’s business activities.
The longtime studio executive, who helped grow the MCU into the most successful franchise in theatrical history over her nearly two-decade run, has left the company for reasons unknown.
Director Michael Bay brought in the visual effects house on the spot, featuring soccer icon David Beckham and football legend Peyton Manning, to create some very “cheesy” Cheetos-munching debris, a CG ball smacking a chip bag, and generic stadium shots where all manner of branded signage, banners, flags, and video screen imagery had to be removed.
Founded by Craig A Platt, Des Esposito, Chris Nesheim, creative director Josh Beaumont, and music EVP Toddrick Spalding, the company will specialize in theatrical trailers, live-action production, behind-the-scenes features, and more.
'All Quiet on the Western Front,' 'Avatar: The Way of Water,' 'The Batman,' 'Black Panther: Wakanda Forever,' and 'Top Gun: Maverick' vie for this year’s Best Visual Effects Oscar.
Marketing Consultant Robert Moore shares his insights on how new high-performance, high-efficiency, NVIDIA GPU-based Supermicro servers optimized for NVIDIA Omniverse™ Enterprise, are enabling new paradigms of distributed, collaborative entertainment content production.
Production VFX Supervisor Ryan Tudhope helped marshal 2,400 shots that seamlessly blended live-action plate photography with practical and digital effects, including full CG jet replacements and the addition of various armaments, for Joseph Kosinski’s hit ‘Top Gun’ sequel starring Tom Cruise.
The leading VFX and animation studio’s deal with parent company Prime Focus Limited for India-based integrated film and TV studio assets includes PF Studios, Digital Intermediate, Equipment Rental Services (EQR), and PFL’s Advertising post-production business.
The forensically secure solution for creative team review, developed to specifications and based on requirements from ‘The Lord of the Rings: The Rings of Power,’ is now commercially available.
The cybersecurity company’s in-house creative team and VFX studio Framestore use a not-so-metaphorical ‘Trojan horse’ to deliver a message to millions about the real and pervasive threat of cyberattacks.
The veteran visual effects and performance-capture expert, and current M&E director at AMD, talks about exciting, seismic changes taking place in visual effects and virtual production.
The Advanced Imaging Society’s annual event honors distinguished creative and technical achievement in motion pictures, television, and emerging media; special award went to Wētā FX for creative excellence in VFX and Adobe for innovation in post tools.
The company brings on 6 new visual effects post-production experts, including Basia Lalik; Barney Curnow; Theo Demiristz; and Andrew Lim.
The visual effects supervisor discusses creating the show’s iconic, disembodied hand, along with the demonic Hyde creature and spooky Nevermore Academy, on Netflix’s hit supernatural coming-of-age comedy, recently renewed for Season 2.
The hybrid edition, focusing on the art, technology, and business of animation, visual effects, and interactive and immersive media, returns to Stuttgart April 25-27 with an exclusive online day April 28.
No real surprises, at least in the animation-related categories, with ‘Avatar: The Way of Water,’ ‘Guillermo del Toro’s Pinocchio,’ ‘Puss in Boots: The Last Wish,’ ‘The Sea Beast,’ and ‘Black Panther: Wakanda Forever’ among the best animated feature and best visual effects nominees for this year’s 95th Oscars, coming March 12.
Now available on the Academy Software Foundation GitHub, the flexible, feature rich program is designed to meet the diverse needs of a broad range of review scenarios across teams of connected users, whether on set, in office, or remote.
The award-winning entertainment company launches a new Vancouver office led by Emmy-nominated head of 2D Michael Porterfield, who joined the company last summer.
Returning in April as ‘climate-friendly’ certified, the event will feature discussions on sustainability in film and media production; programming announcements include a look at animated shorts ‘A Flammable Planet’ and ‘Can’t Negotiate the Melting Point of Ice,’ and advancements of AI Rotoscoping.
Capturing Reality’s app for 3D Scanning allows users to easily capture and create 3D models for use in Unreal Engine, Twinmotion, MetaHuman, or any other post-processing tool.
Studio delivers previs, techvis, postvis and final shots on director Paul Feig’s new film, based on Soman Chainani’s fantasy hexalogy, about two young girls who find themselves at the titular school, which raises the heroes and villains of tomorrow.
The 4-day hybrid event returns to Stuttgart with 1-day devoted to online presentations from around the world; BAFTA-winning and Oscar-nominated producer Jinko Gotoh serves as the next program chair.
Industry veteran produced for The Mill and Media Arts Lab before joining the boutique visual effects studio.
