The creator and visual supervisor discusses his world-building and design work on the upcoming VFX-driven Netflix Original Series.
Open the public as well as to professionals, the show offers a look at the latest developments in VR and AR software and hardware.
The legendary industry pioneer shares his insights as an artist, director, visual effects supervisor and survivor, including thoughts on digital character performance and conflicts with studio executives.
Former DHX executive will oversee licensing activities for the company’s roster of brands and franchises.
Director Peyton Reed and stars Paul Rudd and Evangeline Lilly return for the sequel to the 2015 hit.
Will the VR revolution be stunted by its own myopic evangelists?
Theme of ‘Creating Worlds’ resonated across tracks and through presentations from Aardman, Phil Tippett, Réka Bucsi and top tech companies.
Marvel Studios release dominates in every market where it’s opening, exceeds the best-ever domestic opening mark set by ‘Star Wars: The Force Awakens.’
Rules for animated feature contenders now allow more than one producer to be designated as the nominee.
Studio and its specialized training program expect to create 400 jobs over the next three years.
Colorist Mitch Paulson creates custom looks for his second collaboration with director Ava DuVernay.
Film-grade motion capture software is on display at FMX.
Schedule will culminate Feb. 24 with the live televised Academy Awards ceremony.
The HBO fantasy drama was presented the BAFTA Special Award, in addition to wins in two categories.
Paloma Dawkins’ work to have its world premiere at the A MAZE. festival.
Conference also has added a screening of ‘Early Man,’ and presentations on ‘Blade Runner 2049’ and the app ‘Tunnel AR,’ the world’s first interactive AR music video.
The head of the school’s division of animation and digital arts will be installed at an April 25 ceremony as the first recipient of the chair.
Industrial Light & Magic had a blast creating the virtual world of the OASIS and tripping down memory lane with spot-on recreations of the DeLorean from ‘Back to the Future’ or the T-Rex from ‘Jurassic Park,’ but the avatars were much more demanding.
Oscar-winning director to write, produce and direct animated family features for the studio.
Senior VFX supervisor Tim Ledbury details previs, production and post for Anderson’s second stop-motion animated feature.
Former Fox executive writes the organization has mishandled diversity issue, let Oscars ratings and relevance slide and failing to keep the Academy Museum project on schedule and budget.
Interior projection mapping and seats that swivel with the story mark the new attraction, housed in the new DreamWorks Theatre, opening June 15 at the theme park in Hollywood.
Annual gathering adds two new categories -- VR/AR and feature film -- for the 2018 edition, set for April 25-26 in Munich.
Industrial Light & Magic Artists creates the virtual reality world the OASIS for director Steven Spielberg’s mind-bending joyride.
Fest assembles a wide selection of top directors, actors, producers and storytellers to recognize the best work.
