The new office will offer enhanced support for OptiTrack’s expanded European customer base and distributors.
With offices in India, Malaysia and South Africa, new full-service production and postproduction collective led by VFX industry veterans John Hughes and Helena Packer and film/TV/commercial director Kevin Donovan forms in Los Angeles.
Submissions for 18th annual VFX, computer graphics, games event running October 23-27, 2017 in Turin, Italy accepted through September 15.
Production company 1stAveMachine combines resources with VR community and platform Kaleidoscope to focus on producing branded VR content.
Warner Bros. tentpole feature launches new franchise with $225.6 million global bow; DreamWorks Animation’s ‘Captain Underpants: The First Epic Movie’ makes $23.5 million debut.
Vicon’s products, services and support will help Technicolor Experience Center build an immersive storytelling ecosystem.
Conjuring giant elephants, magical serpents and the out-of-this-world CG environments, London and Montréal studios contribute a total of 437 VFX shots to director Guy Ritchie’s Medieval adventure.
Watch how the planet’s first animated liquid 3D human was captured in camera!
Shotgun Software releases the latest version of its leading cloud-based review and production tracking software with plug-and-play integrations, media streaming in RV, and single sign-on.
‘Ghost in the Shell’ will be available on 4K Ultra HD Combo Pack, Blu-ray 3D Combo Pack, Blu-ray Combo Pack, DVD and On Demand July 25, 2017 from Paramount Home Media Distribution, with the Digital HD version dropping early on July 7.
SVA ushers in a new wave of animators, artists and filmmakers with Hollywood showcase and alumni networking opportunities.
Deadline for entries in Germany’s annual 3D Animation & Still, Visual Effects, Visualization and Design competition extended to Monday, June 19.
The New Zealand studio tackles 600 shots including the Final Battle, Ego, Rocket, Baby Groot and a host of explosions in Marvel’s latest sci-fi action adventure.
In one of the many SIGGRAPH 2017 TALKS, Hind Wakil and Eli Saliba of Damascus-based Lighthouse VFX will discuss how they worked and survived in a war zone.
Sponsored by The Walt Disney Studios, the symposium will feature presentations and panels spotlighting top executives and filmmakers from around the world discussing key topics affecting women working in the animation industry today.
SIGGRAPH Asia has announced that internationally renowned scientist and award-winning National Geographic Explorer Albert Yu-Min Lin, known for his use of technology in the search for Genghis Khan’s tomb, will be SIGGRAPH Asia 2017’s Keynote Speaker.
The origins of one of the most powerful monster myths of all arrives on Ultra HD Blu-ray Combo Pack, Blu-ray 3D Combo Pack, Blu-ray Combo Pack, DVD and Digital with a variety of special features, including new “synchronized content” on Digital.
The Microsoft Azure Batch Rendering Platform is built on the Azure Batch platform and allows users to submit render jobs through Maya, 3ds Max and Arnold, and the Azure SDK allows customization and open-source plugins to integrate directly with Maya and 3ds Max.
The One Club for Creativity awards has honored Framestore with 49 trophies across five projects, including 18 gold awards for ‘Field Trip to Mars,’ all for the production company’s innovative work in virtual and augmented reality.
Studios from Sydney to London help create the visual effects for Ridley Scott’s new sci-fi/horror film.
The Weta Digital VFX supervisor discusses his work on director James Gunn’s latest MCU superhero franchise hit.
Award-winning open-source studio Blender Institute releases ambitious three-minute teaser for full-length animated feature based on Dutch artist Martin Lodewijk’s classic comics.
Framestore collaborates with VFX supervisor Christopher Townsend to deliver more than 620 shots ranging from creature work, spaceships, ‘the best opening sequence in the world’ and an exhilarating space chase across the Galaxies.
SIGGRAPH 2017 Technical Papers to feature computer science discoveries in fluid simulation, fabrication, geometry processing, and more.
VFX supervisor Jon Cowley assumes role as Head of Production and Senior VFX Supervisor at FuseFX Vancouver facility, bringing 18 years of visual effects experience to projects that include the television series ‘Zoo’ and ‘The Mist.’
