Running on AWS, the studio’s cloud-based platform services promise to streamline setup and configuration for VFX production with flexibility to scale up and down based on production needs.
The parent company of VFX studios FuseFX, FOLKS, Rising Sun Pictures, and El Ranchito brings onboard the former Rodeo FX VP of Creative Operations to promote cross-brand integration, streamline processes, enhance collaboration between teams, and optimize global operations.
VFX supervisor Sean Konrad helped deliver over 3,000 ‘giant’ shots on the highly acclaimed Apple TV+ series with the ‘monstrously’ talented artists on his in-house team and at Rising Sun Pictures, Rodeo FX, Framestore, FuseFX, Outpost VFX, Crafty Apes, Wētā FX, MPC, Storm Studios, Vitality VFX, BOT VFX, Mr. Wolf, Scarab Digital, The Third Floor, Proof, and MPC Visualization.
VFX supervisor Greg Behrens discusses the production of otherworldly visuals on Kelly Marcel and Apple TV+’s supernatural thriller about a book dealer searching for his missing wife and son in the Big Apple.
New action series starring Donald Glover and Maya Erskine promises romance and espionage when two lonely spies are placed undercover together as Mr. and Mrs.; binge all 8-episodes in February 2024.
The VFX supervisor on Greta Gerwig’s hit film sheds light on the various ways the famed Mattel doll and her world came to life across 1,300 shots involving various digital filmmaking tools, including virtual production, previs, postvis, CG set augmentation, and more than 20 fully CG shots, produced by Framestore, Chicken Bone FX, FuseFX, UPP, and Lola VFX.
Witness the rise of power in the prequel to the ‘The Hunger Games’ trilogy, set 64 years before Katniss Everdeen volunteered as tribute, and decades before Coriolanus Snow became the tyrannical President of Panem, in theaters November 17.
In the 45 years since 71 students made up the university’s first class, ‘Starship SCAD’ has grown to four locations, over 100 degree programs, more than 17,000 current students and 60,000 alumni, with more than 2,200 alone in the School of Animation and Motion… and a brand-new Midtown Atlanta expansion that includes a 700-seat theater, SCADshow, that will host the festival, running September 28-30.
The sci-fi psychological thriller, told through the eyes of a lonely young woman with a painful backstory - played by Kaitlyn Dever - streams on Hulu September 22; VFX studios include Clear Angle Studios, DNEG, and FuseFX.
Running September 28-30, the 3-day digital media festival features screenings, panel discussions, and presentations from SCAD Alumni students, alumni and industry creatives; tickets go on sale August 31.
The 3D camera tracking VFX app joins the Boris FX Suite, which already boasts Sapphire, Continuum, Mocha Pro, Silhouette, Optics and CrumplePop; live SynthEyes demos slated for IBC September 15-18.
FuseFX VFX supervisor Jamie Barty shares his studio’s work using old-fashioned in-camera forced perspective to help tell the story of a 13-foot-tall young Black man, Cootie, as he experiences the beauty and contradictions of the real world, in Boots Riley’s new series, now streaming on Prime Video.
We catch our first real glimpse of the three-part ‘John Wick’ franchise prequel miniseries, set in 1975, that showcases characters whose assassin shenanigans are sure to thrill when it hits Peacock September 2023.
The leading VFX studio delivers plane crashes, house fires, and a cave with 500-year-old gold treasure, in the latest season of Netflix’s action-adventure mystery teen drama about two warring clans in North Carolina’s famous barrier islands.
In another money-saving move from Warner Bros. Discovery, the final season of the post-apocalyptic drama has been cut from its mother network, and is being shopped to other outlets.
CG supervisor Bryant Reif and his team created ‘The Shortcut,’ an entirely CGI transatlantic ocean liner modeled after the Queen Mary, along with digital people, oceans, docks, wakes and waves, for Season 2 of the series, now streaming on Disney+.
VFX supervisor Paul Santagada’s team used CG to build out and assemble the film’s physical Rust Bank Cemetery and Underworld sets, integrating plate elements, performance passes, secondary bits, and a bunch of fluid, smoke, breaths, and bubbles - delivering 275-300 shots across around 12 sequences on the stop-motion comedy horror film, now streaming on Netflix.
Visual Effects supervisors Shannon Justison and Dadi Einarsson reveal how the stunning visuals were brought to life on the studio’s first CG character-led series.
Led by VFX Supervisor Tommy Tran, the studio produced massively complex visuals on 1,827 shots in Season 3 of Seth MacFarlane and Hulu’s sci-fi comedy, including bigger and more complex planets, space battles, and an impressive, completely overhauled USS Orville.
Company veteran succeeds Sebastien Bergeron, recently named CEO of the parent company that also owns FuseFX, Rising Sun Pictures, and El Ranchito.
VFX producer Brooke Noska helped 14 vendors deliver more than 7,000 shots in the long awaited third season of Seth MacFarlane’s sci-fi comedy adventure, streaming exclusively on Hulu.
Creator and star Seth MacFarlane says the sci-fi series’ move from FOX to Hulu better served its character-driven comedy.
The new spot cues fans into everyday struggles one might expect as a single, 30-something, superhuman lawyer.
VFX supervisor Brian Kubovcik discusses his team’s work creating the devastated urban landscape of various famed New York locations, such as Chinatown and The Manhattan Bridge, in the new HBO Max miniseries, based on Brian Wood’s Vertigo comic series.
The co-founder of recently acquired VFX studio FOLKS will succeed David Altenau, who’ll become Chairman of the parent organization that also includes FuseFX and Rising Sun Pictures.
