New trailer populated by gods and mortals aplenty, showcases stunning digital backdrops and other visual effects from Cinesite, Iloura, Raynault VFX, Rising Sun Pictures, Rodeo FX and Tippett Studio.
American Society of Cinematographers to bestow Board of Governors Award to esteemed director-producer.
‘Ex Machina,’ ‘Jurassic World,’ ‘Mad Max: Fury Road,’ ‘The Martian,’ ‘The Revenant’ and ‘The Walk’ nominated for best visual effects, ‘Anomalisa,’ ‘The Good Dinosaur,’ ‘Inside Out,’ ‘The Peanuts Movie’ and ‘Shaun the Sheep Movie’ nominated for best animated feature.
Montreal-based VFX studio creates subtle effects for the latest film from director Denis Villeneuve, delivering 123 shots including CG vehicles and bodies, set extensions and digital matte paintings, and blood and wound effects.
ftrack Go offers all the power and perspective of project management right in your pocket.
Head of creative development at Pixar Animation Studios to illustrate the special relationship between narrative and technological innovation that has produced some of the best animated films of all time.
London-based executive producer to oversee Montréal studio as Managing Director.
Acclaimed 3D toolset MAXON Cinema 4D delivers powerful capabilities for key hologram sequences in blockbuster sci-fi film finale.
The Foundry teams with Image Engine to deliver a behind-the-scenes look at ‘Jurassic World’ in the latest installment of The Foundry Sessions broadcasting live from London on Thursday, December 17th.
Academy Award and BAFTA Award-winning Sound Supervisor currently serves as Executive Vice President Post Production Facilities at Sony Pictures Studios.
New animated brand film promotes Target’s playful line of curated, specially designed Wonderpacks now available on Target.com.
Easy-to-use plugins pay tribute to iconic sci-fi visual effects, emulating lightsabers, blaster bolts and transitional wipes.
First theatrical trailer for the new ‘Star Trek’ movie to be attached to ‘Star Wars: The Force Awakens’ alongside trailers for ‘Captain America: Civil War,’ ‘Batman v Superman: Dawn of Justice,’ ‘X-Men: Apocalypse’ and ‘Independence Day: Resurgence.’
Deluxe-owned company is commissioned by Lucasfilm and The Walt Disney Studios to create the stereoscopic editions for three upcoming releases in the iconic ‘Star Wars’ franchise.
Hornet director Peter Sluszka teams with agency Grey to show drivers what happens on the other side of the windshield in a clever new puppetry PSA, ‘Stop The Roadkill,’ for The Humane Society.
‘The Wizarding World of Harry Potter’ featuring the iconic Hogwarts Castle officially opens at Universal Studios Hollywood on Thursday, April 7, 2016.
Chicago design studio draws inspiration from glowing red Pym Particle and macro/micro world visual language to create unique main-on-end title sequence for Marvel hit’s feature film.
Axis Animation completes compositing for the opening sequence for Microsoft’s ‘Halo 5: Guardians’ Xbox game using Blackmagic Design’s Fusion Studio.
IO Entertainment head and previs supervisor Brad Blackbourn describes how director Sam Mendes used previs for action sequence planning and more on the latest James Bond franchise film.
Latest Travel Portland campaign from Paris-based WIZZ Design Studios led by director CRCR is Inspired by a collection of would-be Portland-themed ‘zines.’
Best practices for creating production VR Projects outlined with help of contributors from Legend3D and The World Building Institute.
Paramount Pictures and Starburns Industries’ ‘Anomalisa,’ Disney and Pixar Animation Studio’s ‘The Good Dinosaur’ and ‘Inside Out,’ 20th Century Fox and Blue Sky Studios’ ‘The Peanuts Movie,’ and Aardman’s ‘Shaun the Sheep Movie’ are nominated for Best Animated Feature.
Awards show and international conference for 3D animation & still, visual effects and visualization moving to Munich for 20th anniversary edition.
Dedicated iOS app for web-based review and approval tool Frankie brings all the collaborative, cloud-based functionality of Frankie to the palm of your hand.
Photoreal short derived from an old Japanese folk tale employs physical sets built in the duo’s living room augmented with CG creatures and extensions crafted using Autodesk Maya and Mudbox and rendered in Chaos Group’s V-Ray.
