Carl Rosendahl, PDI Co-founder and Associate Professor, Carnegie Mellon’s Entertainment Technology Center, discusses the founding of pioneering CG studio PDI, the industry’s ongoing economic volatility, and more as part of AWN’s series of exclusive video interviews from FMX 2014.
New York City-based directorial duo’s unique style combines vector art, animation and mixed media, and has resulted in work with Google, UPS, CNN and AstraZeneca.
Five NFB films honored at 2015 Canadian Screen Awards, recognizing excellence in film, television and digital media.
Sponsored by Autodesk, the CG Student Awards is the largest event for visual effects, feature animation and next-gen gaming students.
A new crop of animated and VFX-heavy films should free us from the icy grasp of this winter’s brutal cold streak.
World’s first graffiti mapping project is five stories high and 70 meters wide.
Enlighten 3 with Forge puts greater control of dynamic lighting in the hands of artists.
Chris DeFaria, President, Animation, Digital Production and Visual Effects at Warner Bros., discusses the success of ‘Gravity,’ assessing a film’s marketability, and more as part of AWN’s series of exclusive video interviews from FMX 2014.
MPC NY bolsters award-winning 3D team with new addition of VFX veteran with over 13 years of top-notch experience in the advertising industry.
Led by newly-elected president Mark Ulano, new board represents a cross-section of experienced production and post-production sound professionals.
Oscar-winning international animation and film production company opens a new office in Melbourne headed by executive producer Katie Mackin.
Creative studio brings Robert Rugan’s short film to life by believably adding animated characters into a live-action world.
New Service Lets Users Pay for Substance Products in Monthly Installments with No Feature Limitations or Subscriptions; Previewing New Product Line at GDC Booth 212.
New Cintiq 13HD touch combines multi-touch with Wacom’s renowned pen performance for a liberating and immersive digital creative experience.
Jon Landau, James Cameron’s longtime producing partner at Lightstorm Entertainment, discusses the ‘Avatar’ sequels, new technologies, and more as part of AWN’s series of exclusive video interviews from FMX 2014.
Unmatched toolset for VFX/Games/Animation tracking and review brings world-class production pipelines to studios of all sizes.
Rounding out its collection of game development tools, Autod3esk previews Stingray Game Engine, Announces Maya LT 2016.
Warner Bros.’ R-rated romantic heist movie ‘Focus’ wins the North American box office race with a $19.1 million debut; Microbudget horror film ‘The Lazarus Effect’ rounds up the top five with $10.6 million.
Often earnest, sometimes campy, ‘Star Trek’ employed the distant future and primitive special effects -- at least by today’s standards -- to take on social issues of the 1960s.
Shotgun’s production management, review and tracking tools enable small team of VFX artists to complete the stop-motion film’s 300 shots in just over three months.
A completely overhauled UI, a streamlined workflow and new store upgrades make 3D character creation easier than ever for game developers
Full-service boutique’s animation, visual FX & motion graphics talent tapped to create a digital journey that brings the rich history of Kansas City’s iconic Union Station building to life.
Joining Sony in 2004, Osher was named in 2008 as president of the digital production division of Sony Pictures Entertainment.
Big Block creates 1,000 FPS interactive experience for Critical Mass and Nissan “Meet The Machines.”
Previously available as an Autodesk Labs technology preview, high definition 3D reality capture conversion solution is now available as a free public beta.
