VFXWorld Magazine

Essential previs filmmaking tool for professional animated storyboards expands 3D capabilities.

ZERO VFX steps into the ring to deliver invisible visual effects expertise for director Antoine Fuqua’s boxing drama.

Brazilian production and post house uses DaVinci Resolve 12 Studio to color grade Ivete Sangalo’s new virtual reality music video, ‘O Farol.’

Character effects artists create ‘Brahms,’ the creepy doll featured in Lakeshore Entertainment and STX Entertainment’s new horror movie directed by William Brent Bell.

Short film conceived and directed by Jakub Grygier taps GPU technology for efficient CG rendering.

Artanim delivers new technology allowing users to experience, physically interact, and collaborate in a virtual 3D environment using Vicon motion capture technology.

Five-minute VR film experience created by developers Jack Caron, Todd Bryant, Omer Shapira and Uros Otasevic and shot in 6K is rendered using the Unreal Engine 4 game engine accelerated by NVIDIA Quadro M6000 GPUs.

The New York International Short Film Festival is now accepting submissions of live-action, documentary and animated short films and videos; the deadline for entries is February 13.

Industry survey highlights need for affordable consumer headsets and high-quality, interactive content.

2016 MPSE Golden Reel Awards Slated for February 27th.

With more than 80 feature films spanning over a decade, Luma Pictures has made its mark with CG characters, simulations, and environments that have hit the big screen on tentpoles such as ‘Ant-Man,’ ‘Avengers: Age of Ultron’ and Pharrell William’s ‘Freedom’ music video.

Led by MPC VFX Supervisor Mark Curtis and Producer Laura Schultz, MPC’s global team worked closely with director Sam Mendes and Production VFX Supervisor Steve Begg, covering three key sequences in the snowy Austrian Alps and the deserts of Morocco.