Abrams Returns to Write, Direct ‘Star Wars: Episode IX’
‘The Force Awakens’ helmer returns to wrap up the franchise he launched after Colin Trevorrow’s exit from the project.
‘The Force Awakens’ helmer returns to wrap up the franchise he launched after Colin Trevorrow’s exit from the project.
New 3D architectural kits for CG Environments, concept art and matte paintings available now online; Learn Squared presents ‘The KitBash3d Festival,’ and free Livestream tutorials featuring artists Ash Thorp, Darek Zabrocki, Jan Urschel, Nick Hiatt, Justin Goby Fields and Maxx Burman.
Projects from France dominated the winners at the 21st edition of the animago AWARD & CONFERENCE, announced Sept. 8 in Munich, Germany.
‘The Handmaid’s Tale’ wins award for Outstanding Production Design; Netflix series ‘Strangers Things’ awarded for Outstanding Main Title Design.
Eric Combrié promoted to COO and Tom Wild to VP global production operations to unify Method, Iloura, VR/AR operations across Los Angeles, New York, Vancouver, Sydney, Melbourne & Pune; Jeff Werner returns as director of digital studio, Method LA.
New location due to open in early 2018 will be Academy Award-winning VFX company’s sixth international facility.
Director of the upcoming Disney feature ‘A Wrinkle in Time’ joins speaker lineup at ninth annual VES Summit to be held Saturday, October 28.
Emmy Award-winning VFX house gives a behind-the-scenes glimpse into how they brought Episode 1’s shocking removal of one of Arya’s ‘many faces’ to life.
Montréal local served as CG supervisor on films including BAFTA-nominated ‘Fantastic Beasts and Where to Find Them,’ Denis Villeneuve’s BAFTA-nominated ‘Arrival,’ Ridley Scott’s ‘Alien: Covenant’ and the upcoming ‘Geostorm.’
Registration now open for 18th annual computer graphics symposium running October 23-27; entries underway for ‘View Awards’ and ‘Games Bootcamp.’
Toni Pace Carstensen named recipient of the 2017 VES Founders Award; visual effects producer and longstanding member of the VES Awards Committee Chuck Finance designated with Lifetime VES Membership; legendary VFX archivist and practitioner Bob Burns given Honorary VES Membership.
The veteran VFX supervisor talks about his recent work on VR and animated stereoscopic 3-D dome projection projects as well as feature films in development.
Market leading architectural visualization rendering companies join forces; joint development already in process.
Merge shifts studio led by CEO Ian Forester and EP Leo Vezzali in a more technology-focused, interactive direction.
Creative team celebrates their first MTV Video Music Awards win for Best Visual Effects for Kendrick Lamar’s ‘Humble.’
New edition of compute management software leverages Amazon EC2 Spot Instances to reduce costs and improve flexibility of visual effects rendering.
Whimsical 30-second spot directed by Anton Thallner employs 2D animation to illustrate CB&TL’s mobile app features.
Sydney-based post-production and VFX house teams with Australian contemporary artist Brooklyn Whelan to bring fine art to Virtual Reality life for Samsung at this year’s Splendour In The Grass music and arts festival.
First-of-its-kind facial tech allows players to animate their character’s face while playing the first-person universe space simulation game.
Newly elected to one-year terms as Hollywood Section officers are Jim DeFilippis as Section chair and Steve Wong as secretary/treasurer. Ramon Breton, Tom Mikkelsen, and Erik Weaver have been elected to two-year terms as Section managers.
New CG-animated cinematic trailer for Lenovo’s Legion brand via agency Ogilvy & Mather helps launch dedicated sub-group for gaming PCs.
The veteran VFX supervisor and producer discusses the differences in visual effects he supervised on the new sequel compared to his Oscar-winning VFX work 20 years ago on the original Roland Emmerich hit film, Independence Day.