Real-time creative review tool works with Unreal Engine, Unity 3D and Autodesk Maya, reflecting changes instantly across platforms.
New features, including compatibility with Oculus Quest headsets, provide business with innovative ways to achieve remote communication.
Led by VFX supervisor Aleksadar Pejic, the studio’s London team delivered digital demons and more in more than 250 shots across all eight first season episodes.
Pixar’s ‘Onward’ takes top spot in the worst Week 11 domestic box office since 1995; postponement of all new theatrical releases until at least April 10 means low numbers bound to continue.
Veteran hire to partner with creative studio and parent company, Cutter Studios, on still undisclosed production venture.
Irish software company’s AI-assisted software helps 3D artists accelerate and streamline creative workflows.
April event officially canceled due to coronavirus Covid-19 pandemic; options being reviewed to reschedule for later 2020 date.
VFX supervisor Josh Simmonds and his team create the pivotal Austrian Alps avalanche sequence for Searchlight Pictures’ dark comedy.
New plug-in provides seamless integration with Cinema 4D, providing easy real-time creation of models and animations.
Led by VFX supervisor Derek Spears, the studio filled the sea and sky around Midway Atoll with the devastating tools and action of war in Roland Emmerich’s harrowing tale of the decisive 1942 battle between the U.S. and Japan in the Pacific Theatre of WWII.
Latest release includes new levels of security, faster imports and enhanced editorial control.
VFX supervisor John Heller discusses how his FuseFX team delivered over 800 shots of invisible, photorealistic visual effects on the otherworldly Stephen King crime thriller.
Revered action-horror video game ‘The Last of Us’ is being adapted into a series.
25th Anniversary Edition of leading industry conference has been canceled because of the worldwide coronavirus Covid-19 pandemic; 2021 edition is set for May 4-7, 2021.
New version allows same footage to be used for both creating and tracking models.
Disgruntled online fans demand Brie Larson step down as Captain Marvel, citing bad personality and a need for a queer woman of color.
Third-generation special effects supervisor Jeremy Hays talks about producing realistic snow, rivers and cracking ice on the new film adaptation of Jack London’s famous novel.
In light of the French government's recent ban on indoor events with more than 5,000 people, Reed Midem decides to cancel the long-running international TV content market.
New iPhone and iPad Pro app uses Apple AR-Toolkit to facilitate facial and body motion capture for Cinema 4D.
Led by VFX supervisor Aladino Debert, the Oscar-winning studio delivered around 160 shots for the second season of Netflix’s popular reimagined sci-fi adventure series.
130 artists now working at the company’s ninth location, bringing their employee total to over 1,500 worldwide.
Bristol-based studio continues its work as the ‘go-to’ natural history visual effects provider on streaming giant’s new documentary series showcasing the wonders of our nocturnal world.
Led by VFX supervisor Max Riess, teams from Frankfurt, Stuttgart, Toronto and Los Angeles delivered more than 268 final shots over a 22-month period.
Eli Roth is set to direct film adaptation of the beloved video game franchise.
Director J.D. Dillard and Matt Owens are slated to develop a new ‘Star Wars’ feature with Lucasfilm.
