Creative studio continues to grow its feature and episodic television visual effects team with the addition of VFX Supervisor Andrew Sagar.
Dave Wilson, Kevin Margo and Jerome Denjean to bolster internal leadership in new roles.
Five-episode digital feature is written by ‘Prison Break’ creator Paul Scheuring and released on the Halo Channel.
Four-part project shot on film shared between New York and Los Angeles facilities.
FXHOME announces the latest version of its video editing and visual effects software, HitFilm 3 Pro is now available for pre-order.
Last year we donned 3D glasses for an IMAX showing of Gravity. Off the chart reviews. A 17 MINUTE opening shot. Unparalleled vfx. Showered with Oscars. But how is it one year later?
Blackmagic Design also announces Fusion 7 Studio, a complete bundle of VFX and motion graphics solutions with collaborative tools and unlimited network rendering for creative teams and larger facilities.
‘Dawn of the Planet of the Apes’ and ‘Game of Thrones’ receive awards for Outstanding Visual Effects along with GE’s “Childlike Imagination.”
A Nov. 4 story on MPC in Hollywood trade ‘Variety’ is met with negative commentary from the VFX community, including descriptions of deplorable working conditions and a toxic corporate environment.
London-based VFX house teams with visualization specialists The Third Floor to help launch O2's ‘Be More Dog’ campaign into outer space.
BENT Image Lab's impressive roster of commercial work, post/VFX expertise and evolution into the digital arts have made them a perfect addition to Hilly Reps repertoire of industry talent.
Senior Colorist upped to Vice President of Business Strategy for the post production and VFX company’s Vancouver office, reporting to Encore Executive Vice President Bill Romeo.
For the latest episode of ‘Doctor Who,’ avisVFX provides 66 VFX shots including a new multi-dimensional menace.
The Corrie-loving snail, whose life is transformed by Freesat’s Freetime service, is created by Framestore for a new campaign by TellyJuice and director David Skinner.
Method’s VFX and animation supervisors discuss the creation of the maze environment and Griever characters for Wes Ball’s hit YA adaptation.
If you ask a VFX artist what the ultimate goal was with their work, they might respond they would like it to be invisible.
AJA Video Systems' Io 4K supported 4K playback for VFX review on director David Fincher’s ‘Gone Girl.’
Award-winning filmmaker Tomek Bagiński’s ‘Ambition,’ starring Aidan Gillen and Aisling Franciosi, to premiere in BFI sci-fi program, “Days of Fear and Wonder,” on October 24th.
Witches, robots, cuddly bears and Moses himself are coming to theatres this fall.
The Cinefex blog takes an in-depth, behind-the-scenes look at the visual effects created for LAIKA’s newest animated feature, ‘The Boxtrolls.’
Free to download and available now for iOS and Android, MassMarker allows users to track and interact with any mobile device on set.
Executive Producer Joanna Capitano is elevated to the position of Vice President of Features.
Southpaw Technology announces the launch of five new TACTIC apps, all of which had been announced at SIGGRAPH 2014.
Heading into autumn means heading over to Turin for one of our industry’s most important events.
Cinemax taps Phosphene to provide VFX for Steven Soderbergh’s ‘The Knick.’
