Long-time VFX supervisors join studio’s Los Angeles and Vancouver offices, respectively; company bolsters team to deliver upcoming projects including ‘Eternals;’ ‘The Suicide Squad;’ ‘The Batman;’ ‘Lisey’s Story;’ ‘Fengshen Trilogy;’ ‘The Jade Earring;’ and ‘The Nevers.’
VFXWorld and AWN break down the 10 shows nominated for Outstanding Special Visual Effects and Outstanding Special Visual Effects in a Supporting Role, and the studios behind their spectacular visuals.
As of yesterday, all 650 staff across seven studios location are safely working from home.
Writer-director will present his Oscar-nominated film, Netflix’s first original animated feature; ‘Mulm,’ the first 2020 conference trailer, is released.
Mike Chambers returns for his sixth term as committee chair.
25th Anniversary Edition will focus on visions of the future for media & entertainment; Oscar-winning VFX supervisor Volker Engel and Annecy Cristal-winning animation director Regina Pessoa among first confirmed speakers.
The highly anticipated ‘Game of Thrones’ prequel ‘Bloodmoon’ has been replaced with ‘House of the Dragon,’ chronicling the rise and fall of House Targaryen.
Studio delivers 60 minutes of spectacular visual effects, including epic battles, destruction and Clegane brothers fight on final three episodes of HBO’s hit fantasy adventure series, ‘Game of Thrones.’
VFX supervisor Phil Brennan describes the making of Jean Grey’s cosmically altered telekinesis, her childhood car crash, an enhanced Cerebro and the 3rd act prison train.
Studio’s head and executive creative director will share inner workings of their visual and physical effects work on Disney's BAFTA and VES-nominated sci-fi adventure.
A magical trident holds the key for half human, half Atlantean Arthur Curry to unite the worlds of above and below in Warner Bros’ epic undersea action-adventure.
New set of artist tools uses real-world physics to enhance and speed up creature FX creation.
Jason Statham takes on an enormous and hungry prehistoric shark in new aquatic chomp-fest hitting theatres this Friday.
Presentation on Warner Bros. upcoming action-adventure, featuring Jason Momoa as the aquatic DC Comics superhero, rocks the Hall H audience.
A behind-the-scenes look at blockbuster films and hit TV shows with Digital Domain, Method Studios, ILM and Scanline VFX among featured presenters.
VFX Supervisor Geoffrey Baumann to oversee new studio joining Vancouver, Los Angeles, Munich, and Stuttgart locations.
Visual effects supervisor Paul Linden helps orchestrate a successful marriage between stunts, special effects and visual effects for the new Lara Croft film.
‘Black Panther,’ Oscar-winner ‘Blade Runner 2049’ and ‘Star Trek: Discovery’ will be spotlighted.
Conference also sets Animation Production Day for April 26-27, releases third trailer in a series and confirms new participants.
This winter offers a franchise reboot, massive destruction on a global scale, and the return of Paddington the bear, but the real story just might be the worlds of wonder conjured up for the Disney adaptation of ‘A Wrinkle in Time.’
Internationally acclaimed visual effects studio leverages proprietary virtual anatomy and biophysics simulation platform co-founded by SciTech Academy Award winner James Jacobs for character and creature work.
Vancouver-based VFX house bolsters artistic leadership with visual effects supervisor Thomas Schelesny, visual effects producer Tara Conley, and digital environment supervisor Damien Thaller.
Fourth annual event offers exclusive behind-the-scenes look at VFX for hit films, games and television; sneak peek at live VR rendering tech.
New trailer for the follow-up to Roland Emmerich’s 1996 sci-fi action thriller showcases visual effects from MPC, Scanline VFX, Image Engine and LUXX Studios.
Forty-five short film projects in nine categories are selected from a pool of more than 1,000 submissions to the animago AWARD & CONFERENCE running October 15 & 16, 2015.
