Led by VFX supervisor Dave Morley, the studio delivered more than 700 shots for James Mangold’s faithful and exciting depiction of the famous 1966 24 Hours of Le Mans.
Studio crafts fully digital helicopter as it battles the Rev-9 Terminator and a stolen C-5 cargo plane in Tim Miller’s sci-fi action-adventure.
Tau Films uses leading physics-based simulation system to create CG woolly spider monkeys and rare white jaguar for Wonderfilm’s indie thriller, ‘Primal.’
VFX studio builds photoreal replica depicting famous ’24 Hours of Daytona’ racetrack for James Mangold’s thrilling historical auto racing drama.
Leading VFX studio uses Cospective’s remote review tools to help visualize CG crows, rusting ships, giant waves, Roy the Destroyer and other numerous effects for car maker’s X7 luxury SUV spot.
Downloadable document provides filmmakers with practical tips in a variety of crafts, from VFX to stunts.
Studio provides elaborate VFX, including full CG derailment, previs, matte paintings and digital background replacements, for 90-second Western-themed “Train” commercial.
Boutique visual effects studio produces photoreal dystopian world where the U.S. is split between Japanese and Nazi control in Amazon Studio’s original series based on Philip K. Dick’s 1962 novel.
Winners in 24 categories will be announced February 5 at 17th annual gala awards ceremony.
Faster interactive rendering, improved displacement, and new AI denoising bring even more power to artist-friendly renderer.
Motion graphics systems, digital paint systems, facial geometry capture, rotoscoping and more under investigation for the 2018 Academy Sci-Tech Awards.
VFX supervisor Richard Clegg raises the bar on photorealistic digital doubles in Denis Villeneuve's hit follow-up to the 1982 sci-fi classic directed by Ridley Scott.
Director Alan Barillaro and producer Marc Sondheimer discuss their charming, funny and gorgeous new animated short film playing in front of the studio’s latest box office smash, ‘Finding Dory.’
Photoreal short derived from an old Japanese folk tale employs physical sets built in the duo’s living room augmented with CG creatures and extensions crafted using Autodesk Maya and Mudbox and rendered in Chaos Group’s V-Ray.
