Sequences for the thriller, which stars Bill Skarsgård and Anthony Hopkins and is set completely within a high-tech SUV, include digital doubles, FX, environments, and complex greenscreen compositing.
Plug-in integrates AI and features Flow-connected workflows; updates to Maya and 3ds Max include modeling improvements, liquids in Bifrost, OpenUSD improvements, and OpenPBR integration.
See how the studio brought Sonic, Tails, and Knuckles to life in the face of a massive, all-consuming black hole and mountain collapse, in Paramount’s latest high-speed franchise outing.
How two former ILM and Square Enix artists, Jeffery Dillinger and Christophe Rodo, navigated cultural and technological challenges, while enlisting new creative tools, to build a successful, cutting-edge, independent visual effects studio in Japan.
The Cambridge-based VFX studio delivered 115 shots for the climactic Season 2 finale, creating a mycelium forest and eerie underwater environment using a USD pipeline they built for the show.
New features include accelerated Gaussian Splat support, new shading tools, a new firefly removal algorithm, interoperability, and an updated Open Image Denoiser.
The animation veteran and first-time feature film director opens up about working with famed author and producer Richard Curtis on adapting his three Christmas kids' books into a heartfelt animated tale about the often complex, never simple dynamics that bring friends and families together during the holidays; now streaming on Netflix.
Led by VFX supervisor James Brennan-Craddock, the studio delivered postvis and 317 visual effects shots on Tim Burton’s hit ‘Beetlejuice’ sequel, including digital versions of a miniature plane, simulated oceans, stretched faces, and sequences featuring the famed sandworm.
Watch the breakdown reel; VFX Supervisor Andy Boyd and his team produced 202 final shots, from set supervision to delivery, via Houdini, Maya, Nuke Hiero, Shotgrid, and V-Ray.
The filmmaker shares how his short film brings the historic 1961 X-15 test flights to life through the innovative use of visual effects, blending authentic details with creative cinematography to explore the spirit of innovation and human perseverance that ultimately led to the first U.S. human lunar landing in 1969.
From previs, techvis, and postvis to a 5,000-frame street fight ‘oner,’ 3rd act Time Ripper disintegration, and our villain’s hand rummaging around a person’s head – think pinkie out the nose – VFX supervisor Matt Twyford, senior visualisation supervisor Kaya Jabar, and their teams delivered some of the most impressive visual effects seen of late on Shawn Levy’s hilarious and bloody new Marvel blockbuster.
3D animator and DP Rasmus Tukia talks about Benjamin Ree’s ‘must see’ live-action / animated documentary about the vibrant, expansive, but secret virtual life of a young Norwegian, Mats Steen, who died at age 25 of a degenerative disease, and whose ‘World of Warcraft’ game exploits and incredible legion of friends were only discovered upon his death, debuting today, October 25, on Netflix.
In Netflix’s dark comedy starring Jeff Goldblum as the mythical Greek god, Zeus, the studio’s team created numerous VFX sequences, including a CG Mount Olympus and dramatic thunderstorms orchestrated by the gods.
Eminem’s 1999 alter ego returns, via AI, live onstage at the ceremony and on the music icon’s ‘Houdini’ video, which scored the first VFX VMA honor for a digital character recreated in an AI-powered pipeline – watch it here!
Studio delivers around 70 VFX shots for Netflix’s 90-minute historical docudrama delving into Einstein, his groundbreaking ideas, and his influence on development of the atomic bomb.
VFX Supervisor Wojciech Zielinski talks about adding depth, breadth, and grit to the 2,596 visual effects shots produced for the second season of the hit Paramount+ sci-fi series, adapted from one of the most popular video game franchises of all time.
The company delivered 97 shots for the popular action-adventure sci-fi series’ second season, including futuristic set extensions, full CG city environments, hologram inserts, and destruction FX simulations for battle scenes, vehicles, and crowds.
Led by VFX supervisor Mathieu Dupuis, the studio’s visual effects work brings audiences back to medieval times, with a touch of faerie tale and fantasy elements, including unique castles, enchanting countryside, and the spikey Stone Mountain cave where the titular character, played by Millie Bobby Brown, meets a fire-breathing dragon.
The new toolset enables the moving of 3D scenes quickly from industry-standard creation tools onto LED screens without the slow data conversion process.
Orlando Arocena, Bradley G Munkowitz (aka GMUNK), Nidia Dias, Jody MacDonald, and Rik Oostenbroek tapped HP technology to create an otherworldly journey inspired by the sounds of alt-pop German rock duo Clemens Rehbein and Phillipp Dausch, aka Milky Chance; go behind-the-scenes and watch the final piece.
New confirmations include a look at Yorgos Lanthimos’ ‘Poor Things’ VFX, and the crafting of animated features ‘Nimona’ and ‘Leo;’ 4-day conference returns in person April 23-26, and on demand April 27-May 31.
Plug-In offers CoreWeave users faster and easier rendering within creative environments, streamlining Conductor’s use with the open-source 3D software.
Directed by Jay Walker, the spot tapped studios’ technical expertise using CG, LED volume shoot and traditional VFX to visually realize a young girl’s dream.
Created by Paul Trillo, the short follows a cosmic teardrop throughout the Musée Du Louvre; behind-the-scenes short illustrates how traditional VFX and AI tools help realize creative visions.
VFX Supervisor Dann Tarmy breaks down his team’s extensive use of water sims, including how they tackled the huge, new challenge of replacing water in plates where the actor was shot in the water, on Netflix’s biographical sports drama of marathon swimmer Diana Nyad’s attempts to swim from Cuba to Florida.
