VFX powerhouse DNEG has shared 106 images with AWN, showing in extensive detail some of the concept art and VFX imagery their team, led by VFX supervisor Alessandro Ongaro, produced for Sony Pictures Imageworks on the latest 'MiB' franchise hit, 'Men in Black: International.'
VFX supervisor Jerome Chen discusses staying true to the ‘MiB’ franchise look, and meeting audience expectations, while producing 2,000 visual effects shots in only six-months.
New heads of 2D and 3D animation bring their extensive experience to lead kids and family division production teams.
Animaccord and Corus Entertainment will air episodes of the popular animated kids’ series in a special campaign on Treehouse.
Downloadable document provides filmmakers with practical tips in a variety of crafts, from VFX to stunts.
Winners of competition for aspiring design and media entertainment artists selected from over 3,400 entries representing 89 countries.
Films by Mats Grorud and Hugo Frassetto & Sophie Tavert take top honors at the Seoul International Cartoon and Animation Festival.
VFX supervisor Joern Grosshans and team tackle the Stark Jet, CG drones and satellites, tulip fields and a Spidey suit-building machine in Sony Pictures Entertainment’s action adventure hit.
Oscar-winning VFX supervisor Rob Legato to present ‘The Lion King;’ director Conrad Vernon to present animated ‘The Addams Family’ at October 21-25 digital media conference in Turin, Italy.
New episodes of Adam Reed’s Emmy Award-winning FXX animated series will air in 2020.
Company veteran has held several senior executive positions prior to taking the helm, effective immediately.
Epic Games awards large cash grant to the free 3D software maker as part of ongoing program to assist professionals expanding efforts with Unreal Engine and open-source technology.
The new Trusted Partner Network, MPAA Open Source software initiatives and ISV native cloud service offerings are all positively impacting cloud resource utilization.
Peter Sluszka’s art direction and seamless blending of techniques deliver compelling character-driven CG spot.
Take a look inside the stop-motion magic of LAIKA’s latest animated feature, now available on Digital and coming to Blu-ray and DVD July 23.
Australian studio tackles 100 shots on Marvel’s hit superhero action-adventure sequel to ‘Spider-Man: Homecoming.’
Pitches now being accepted for unique vertically formatted mobile series; up to 10 artists will be chosen to create 10-episode shows.
Noted director, along with Jay Oliva, to develop and executive produce new unnamed show.
Leading digital kids’ network to manage global YouTube strategy for Australian toy brand.
Now in its 19th year, the 3-day conference set for next week brings together buyers, sellers, financiers and lovers of animated entertainment from all over the world.
Directing duo Christian Chapman and Paul Jason Hoffman’s micro-budget film, their debut narrative short and first use of visual effects, envisions the wild sensory experiences of a German Shepherd’s late-night forest prowl.
Studio’s Santa Monica headquarters has a number of job openings, including Previs/Postvis and Unreal Game Engine Artists, and is currently looking for talent to join their industry leading visualization services team.
VFX supervisor Phil Brennan describes the making of Jean Grey’s cosmically altered telekinesis, her childhood car crash, an enhanced Cerebro and the 3rd act prison train.
Building upon its core VFX and animation business, company moves into production, design, and IP development.
Production VFX supervisor Guillaume Rocheron, MPC, Method Studios and DNEG describe the creative and technical challenges of bringing four gigantic kaiju to the screen in ‘Godzilla: King of the Monsters.’
