10,000+ digital assets are coming to Fortnite creators via Fab, Epic’s new creator marketplace, now available in its Alpha Version.
The new collaboration allows artists to connect their preferred content creation tools in a unified production pipeline for faster, easier changes and enhanced content production, with a lower barrier of entry for accessing M&E workflows.
The ‘American Gangster’ star joins the ‘Normal People’ actor, who plays Lucius, a boy saved by Maximus in the first film, in the Paramount production directed by Ridley Scott.
The two companies are partnering to build custom models for creating generative 3D assets for entertainment and gaming by training the NVIDIA Picasso cloud service using simple text prompts.
Major Omniverse updates announced at GTC include increased access to generative AI, simulation, and the industrial metaverse.
Just announced joint effort will focus on using NVIDIA Picasso to produce customized text-to-image and text-to-video models using fully licensed visual content.
The tech companies will co-develop generative AI models with a focus on deep integration into Creative Cloud applications like Photoshop, Premiere Pro, and After Effects, as well as the NVIDIA Picasso cloud service, for content creators, designers, and marketers.
6 new GPUs, available this month, will be featured in computers from system builders like BOXX, HP and Lenovo, offering accelerated computing power for collaborative content creation, design, and AI-augmented applications.
TVA Group announced that the company leader, who expanded the business while launching a virtual production platform service during the pandemic, is leaving his position to pursue new challenges; existing executive team will establish a leadership transition plan and ensure continuity in company’s business activities.
The film and TV AI tech company adds AI and facial animation technology veteran to leadership roster, joining former Lionsgate COO Jen Hollingsworth and company’s co-founders and co-CEOs Scott Mann and Nick Lynes.
The longtime studio executive, who helped grow the MCU into the most successful franchise in theatrical history over her nearly two-decade run, has left the company for reasons unknown.
Director Michael Bay brought in the visual effects house on the spot, featuring soccer icon David Beckham and football legend Peyton Manning, to create some very “cheesy” Cheetos-munching debris, a CG ball smacking a chip bag, and generic stadium shots where all manner of branded signage, banners, flags, and video screen imagery had to be removed.
Based in the Los Angeles office, the animation, VFX and live-action producer will lead nationwide business development for Streamland Media’s visual effects division.
The cloud-based creative studio brings on Clairellen Wallin to support client/artist relationships and Mike Pullan to handle day to day project management and planning.
The VFX supervisor shares his studio’s fun, old-school visual effects work on Elizabeth Banks’ horror comedy based on the true story of a black bear, sometimes known as Pablo Escobear, who fatally ingested 75 pounds of cocaine dropped by smugglers in the Tennessee wilderness in 1985.
Hosted by the Quebec Film and Television Council, the Montréal-based event is now open for registration; this year's focus is technology, creativity, and industry – wellness at work and inclusion.
The ‘Game of Thrones’ director to helm Amazon Studios’ new installment of the ‘Blade Runner’ franchise, set 50 years after the events of ‘Blade Runner 2049;’ Silka Luisa to showrun and executive produce.
The 4-day hybrid event returns to Stuttgart April 25-27 with an exclusive online day April 28; confirmed presentations include the creative and technical journey of Netflix’s ‘1899’ and Digital Domain’s use of Charlatan, its neural network for ‘deep fake’-like face replacements on Disney+’s ‘She-Hulk: Attorney at Law.’
Andrew Garfield, Oscar Isaac, and Mia Goth are in early talks to appear in the Oscar-winning ‘Pinocchio’ filmmaker’s upcoming classic monster flick remake for Netflix.
The live-action fantasy series, set 20 years after the events of the original 1988 cult hit film, has been axed by the streamer after just one season.
The Australian-based visual effects studio delivers 270 shots for Peyton Reed and Marvel’s MCU Phase 5 kick-off, including augmenting and then destroying the massive Celestium fortress and visualizing Kang’s 3D multiverse map.
Previously announced at SIGGRAPH 2022, the production renderer is now available, in an industry standard CMake environment, complete with a new documentation website, restructured libraries, reduced dependencies, and referenced open source packages.
The Oscar, VES, and Annie Award-winning film, the third highest-grossing movie of all time, arrives March 28 on all major digital retailers, including Prime Video, Apple TV, Vudu, and Movies Anywhere, and will include over three hours of never-before-seen bonus content featuring the filmmakers, cast, and crew.
Visual Effects Supervisor Marc Smith and Compositing Supervisor Tanner Bartlett talk burning coals and a chef so hot he’s actually on fire, in Mark Mylod’s dark comedy about a truly cutthroat kitchen, starring Ralph Fiennes and Anya Taylor-Joy, now streaming on HBO Max.
Gunnar Wiedenfels reveals the Harry Potter franchise is ‘only just starting to expand’ at a recent panel at Morgan Stanley’s investor conference, with hints at ‘Lord of the Rings’ additions as well.
