Netherlands-based studio tackles one if its biggest in-house projects yet with ‘Creature of Habit,’ spanning design & animation, production, VFX & 3D, music, editorial, color grading and sound design.
Along with a slew of VFX breakdown videos and images, ‘Piper’ supervising technical director Brett Levin details the tools and techniques employed on director Alan Barillaro’s Oscar-nominated CG short.
Actors John Cho and Leslie Mann will host the Academy of Motion Picture Arts and Sciences’ Scientific and Technical Awards Presentation on Saturday, February 11, at the Beverly Wilshire in Beverly Hills.
Mike Chambers re-elected as Board Chair of the visual effects industry’s global professional honorary society.
‘Deadpool’ director Tim Miller to present short film program; Pixar director Pete Docter and producer Jonas Rivera to present animated features program.
ILM chief creative officer and senior visual effects supervisor John Knoll -- nominated for an Oscar alongside VFX supervisor Mohen Leo, animation supervisor Hal Hickel, and special effects supervisor Neil Corbould -- details the challenges of bringing the continuing saga of the Skywalker family to the big screen.
New York-based boutique VFX and design studio provides more than 70 visual effect shots for the Sundance feature debuting on Netflix on March 31.
Learn from the masters at free event to be held on February 9 at the Gnomon School of Visual Effects, Games & Animation.
Sci-fi short film from the award-winning director behind the forthcoming feature, ‘You Get Me,’ subverts the typical alien invasion story.
Leaders and upstarts from across the Virtual Reality and Augmented Reality industry will convene in Los Angeles May 1-2.
The Third Floor’s previs and postvis supervisor Faraz Hameed describes the challenges of more than two years of work on Marvel’s hit supernatural superhero adventure.
Settlement in the class-action lawsuit filed workers in December 2014 on behalf of animation and VFX workers covers Disney, Pixar, Lucasfilm and Two Pic MC, formerly known as ImageMovers.
Former Glassworks veteran has contributed to countless projects such as the One Show award-winning ‘Parental Role Modelling’ TAC campaign and the captivating Philippe André-directed Lycra campaign.
With a box office slump and slow home entertainment sales, Tokyo-based media giant cuts its outlook for earnings from its feature film unit.
SIGGRAPH 2017 seeking Virtual Reality and Augmented Reality submissions for possible inclusion within the VR Village, the Computer Animation Festival’s VR Theater, the Emerging Technologies program, the Games Focus Area, and Real-Time Live!
Creative software developer’s VFX tools have been utilized in every film nominated for Best Visual Effects at this year’s Academy Awards.
Framestore Ventures and American Zoetrope launch fundraising campaign for the creation of a psychological horror role-playing game based on the classic 1979 film directed by Francis Ford Coppola.
‘Zootopia,’ edited by Fabienne Rawley & Jeremy Milton, wins Best Edited Animated Feature Film at the 67th annual ACE Eddie Awards.
Canada’s ‘Super Science Friends’ by Brett Jubinville received award for Best Animation Film at inaugural event featuring more than 50 science fiction, horror, supernatural and fantasy films.
Student-run CG-animated short film produced entirely by Cogswell College students follows on the heels of award winning projects ‘Worlds Apart’ and ‘The Offering.’
More than 45 films and series at the 2017 Sundance Film Festival used Blackmagic Design’s digital film cameras, DaVinci Resolve Studio grading, editing and finishing solution, Fusion Studio visual effects and motion graphics software, and other products throughout production and post production.
Creative company celebrating its 20th anniversary in 2017 adds two executives to its Los Angeles studio.
Former senior art director at The Mill+ in Los Angeles returns to directorial roster of Seattle-based branded content studio.
Method’s team, led by director Johnny Likens, designed an eerie opening sequence that illustrated a feeling of dread with sinister overtones, for FOX’s reimagining of the 1973 film.
Full-service production company represents diverse roster of world-class animation directors including Pete Candeland, Polynoid, Woodblock, and Lucas Zanotto.
