New hire brings extensive design and VFX experience to the role, having spent 14+ years working as both creative and design directors.
Studio veteran and former VFX supervisor will continue to oversee software development and systems engineering teams, as well as SPI's technical infrastructure, as he moves forward on major initiatives to modernize the VFX and animated feature film pipeline.
Launching with special performances including The Desert Dwellers, Desert Hearts Mikey Lion, Porky, Lee Reynolds, Marbs, RYBO, and Carlo, the new, scalable VR technology brings 2D content into virtual reality with no limit to the number of music lovers who can share the experience.
Led by VFX supervisor Luke DiTomasso, the studio delivers over 200 shots for director Mike Cahill’s sci-fi thriller about two overlapping worlds, one real, one not, one ugly, one beautiful, and the conspiracy to keep people from finding out the truth.
After canceling last year because of COVID-19, Trojan Horse was a Unicorn will be back as an onsite event this year, running September 20-25 in Tróia.
The free 2-day event introduces young people to career opportunities within the creative industries; program runs July 13-14 and registration is now open.
Company reveals first set of updates to its flagship editing system, centered on new import / export features and streamlined header bar.
Studio delivers 300 shots, including bullet hits, explosion enhancements, and driving comp interiors, on Warner Horizon’s episodic crime drama from the writers of ‘Gotham.’
New enhanced simulation platform with robotics specific extensions provides essential features for building virtual robotic worlds and experiments.
Emmy Award-winning entertainment company delivers nearly 1,000 visual effects shots, including CG tigers, elephants, and Bobbie the hybrid human-groundhog, on Netflix’s post-apocalyptic adventure series.
BAFTA winner James Whitlam will head episodic work as the company brings both departments under one banner, one pipeline, and a new leadership structure.
Industry veteran will lead VFX house’s integration of innovative and emerging technologies as key pre-production to final shot service offerings.
New subscription service productizes Weta’s Oscar-winning Maya-based proprietary VFX tools, providing artists access to one complete stage to screen Maya-based pipeline.
#CreateWithMarbles: Marvelous Machines invites participants to design an outrageous race-track-style contraption for marbles; submission deadline is July 30.
The next generation ThinkPad P1, P15, and P17, teamed with new ThinkVision P34w-20 monitor and Thunderbolt 4 workstation dock, provide professional users the flexibility to work from anywhere.
Martin Hobbs steps down after 5 years at the helm to pursue an outside position; company’s former studio director takes over the MD role.
Former head of production promoted to oversee both Saturday Animation Studios and Meduzarts Animation; the adult animation arm of DDEG is currently in production of Zack Snyder’s ‘Army of the Dead: Lost Vegas.’
The free global online event streams July 9-10 on Twitch and YouTube; fans of the games and TV series get a behind-the-scenes look at the popular franchise with panels, breaking news, and a preview of the upcoming mobile game ‘The Witcher: Monster Slayer.’
Free June 16 virtual event features women-led presentations streamed live and then available on demand.
Emmy Award-winning VFX producer brings over two decades experience on projects ranging from ‘Muppet Treasure Island’ to ‘A Discovery of Witches;’ in his new role, he will work directly with clients while overseeing day-to-day operations.
Netflix has shared a breakdown reel from their critically acclaimed magical fantasy series, based on Leigh Bardugo’s bestselling novels, just renewed for a second eight-episode season.
The leading extended reality tech firm and Xite Labs create a myriad of immersive worlds in Unreal Engine for the rappers’ ‘Trapsoul World Series’ performance.
SUPPORT.HER offers women filmmakers – cis, trans, and non-binary inclusive – career guidance and assistance from industry professionals; applications now being accepted through July 31.
Leading visual effects studio creates the vicious undead tiger, ‘Valentine,’ and loads of gory zombie mayhem, in Zack Snyder and Netflix’s post-apocalyptic heist adventure.
VFX house and Canadian TV/Film equipment company have already begun building new virtual production stages in Vancouver and Toronto, with more set for 2022; combined capital commitment exceeds $30 million.
