Zazzera previously led production for title sequences for ‘Captain America: The Winter Soldier,’ ‘Guardians of the Galaxy’ and ‘Ant-Man.’
An array of products from Blackmagic Design were used in 2016 Oscar-nominated films including Blackmagic Cinema Cameras on ‘Mad Max: Fury Road’ and DaVinci Resolve Studio and Fusion Studio on ‘The Martian.’
Therapy Studios and Visual Creatures team with production company Bob Industries to help Grammy-winning musical artists create their most ambitious music video yet.
New Warner Bros. Home Entertainment title to screen at family-friendly event at the Paley Center for Media in New York on Saturday, February 27.
Cinesite delivers digital environments, digital make-up and prosthetics, decapitation and limb removal, crowds of computer generated rampaging zombies, and flashbacks to London burning during an attack for zombie-themed reimagined classic.
Led by VFX supervisor Wayne Brinton, Montreal studio delivers grotesque skin transformation, Helicarrier crash sequence, set extensions, and complex sequences requiring fire and embers for Tim Miller’s R-rated depiction of the Marvel Comics anti-superhero.
Oscar-winning cinematographer previously awarded in the ASC feature category for ‘Gravity’ and ‘Birdman.’
The award for Special Visual Effects went to ‘Star Wars: The Force Awakens,’ while the BAFTA for Animated Film went to ‘Inside Out,’ and the BAFTA for British Short Animation was presented to ‘Edmond.’
Commercial director has worked on award-winning campaigns for brands including Domino’s Pizza, Pacifico Beer and Kraft.
Conference on Animation, Effects, Games and Transmedia to host director Mark Osborne and stop-motion creative director James Caliri as they discuss their successful blend of animation techniques in ‘The Little Prince.’
Vision VR/AR Awards recognized 21 of the most innovative virtual and augmented reality projects across eight categories, including Best Film/Interactive Story, Best AR experience, and Artistic Achievement.
Humble’s sister shop increases post offerings and talent pool with the addition of executive producer Damijan Saccio and creative director Gene Nazarov.
Native support of SteamVR extends reach of Unity Developers.
PluralEyes v4.0 audio/video syncing software for any non-linear editor allows users to sync directly in Adobe Premiere Pro without leaving the host-app with more automation than ever before.
Fine art photographer Flora Borsi teams with Adobe on a step-by-step tutorial on how to create a 3D-animated GIF using Fuse CC (Preview) and Photoshop CC for Valentine’s Day.
Former Troika EP with more than a decade of production experience spanning broadcast design, integrated content, traditional on-air spots, branded content, digital and social has worked with a wide range of brands.
VFX company’s third office opens its doors in Hell’s Kitchen led by executive producer Colleen Bachman.
Future world-class animation hub to create 500 new jobs by 2020.
Mobile game from ‘Steven Universe’ supervising producer Ian Jones-Quartey developed alongside ‘Regular Show’ storyboard director Toby Jones and independent game studio Double Stallion.
Digital artists Lawrence Jones and Jason Vega launch content creation studio in Hartford, CT; new studio’s first project is ‘Keep Moving’ spot for Orthopedic Associates of Hartford.
‘Inside Out’ takes best animated feature along with 11 other categories; Filme de Papel’s ‘Boy and the World’ wins best independent animated feature.
Latest DC Universe original movie to have its world premiere at WonderCon during the March 25-27 weekend at the Los Angeles Convention Center.
Previs supervisor Brad Alexander and postvis supervisor A.J. Briones take us inside J.J. Abrams’ epic new ‘Star Wars’ adventure.
New video game art division to be led by Max Philips and Omer Qayyum.
Diploma film directed by Andreas Feix and produced by Francesco Faranna wins the VES Award for Outstanding Visual Effects in a Student Project.
