New prototypes allow VR producers to storyboard and edit content directly within the virtual environment, as well as capture that data and bring it back into authoring applications such as Autodesk Maya.
Eighth ACM SIGGRAPH Asia Conference and Exhibition brought together over 7,000 computer graphics professionals, technologists, researchers, enthusiasts and trade visitors hailing from 49 countries across the globe.
Cautious yet flexible expansion at one of China’s top VFX studios has caught the attention of both the Middle Kingdom and Hollywood’s biggest players.
With features that rival Apple’s 15-inch MacBookPro, the HP ZBook Studio mobile workstation is aimed squarely at the professional market.
Design and visual effects software business The Foundry welcomes former Shine CEO.
PipelineFX's flexible render farm manager helps the Academy Award-winning Moonbot Studio's latest short overcome local rendering restrictions by taking to the cloud.
Joining Zoic Studios EPs Ian Unterreiner and Matt Thunel, Blodgett brings more than two decades of experience to his new position.
One of Us and Milk VFX brave the elements in their work on Baltasar Kormakur’s action adventure.
Real-time motion capture plug-in for high definition Kinect Xbox One turns iClone 6 Pro into an instant motion capture studio solution.
Developer of Cinema 4D brings 3D know-how to International Consortium for Open Standards
FotoKem uses Blackmagic Design’s DaVinci Resolve for grading and online editing of the pilot of Starz Network’s hugely anticipated new ‘Ash vs Evil Dead’ TV series.
Spin VFX delivers more than 300 visual effects shots to recreate Leonardo DaVinci’s world in Renaissance Italy.
Latest version of Thinkbox Software’s high-volume data management solution for rendering or processing information introduces on-demand metered licensing.
Packed with gorgeous imagery, new trailer for the follow-up to Tim Burton’s 2010 movie, ‘Alice in Wonderland,’ shows off work from VFX vendors Double Negative and Sony Pictures Imageworks.
Junior Martínez and Pablo Barquín create a mesmerizing video for Sam Shepherd’s musical project Floating Points using a light rig that converts digital 3D data into analog movement to control the path of LED light.
Award-winning studio continues its plain-body series of vintage Le Mans winners with stunning Jaguar D-Type images created using VRay, 3ds Max and Photoshop.
Post-production veteran is appointed Director of Creative Partnerships for the Atlanta branches of Beast, Company 3 and Method Studios.
Creative VFX studio led by veteran VFX Supervisor/Flame artist Karen Heston recently collaborated with director Cary Joji Fukunaga on ‘Beasts of No Nation’ for Netflix.
Deadline for submissions to the Autodesk Games Reel set to debut next year at GDC 2016 is December 14.
Digital studio Reel FX teams up with WWE and Samsung to give wrestling fans an immersive, ringside look into the highly anticipated yearly SummerSlam PPV event.
Now in its fourth year, The VFX Festival 2016 will be held February 23-25 at Cineworld at the O2 Centre in London.
Autodesk Flame now available as a software-only product with customers choosing their own qualified Linux hardware packages; sales of Flame as a turnkey system to be discontinued early next year.
For the first time ever, SIGGRAPH Asia introduces the Symposium on Education and the Symposium on Visualization in High Performance Computing.
MPC teams with 72andSyunny to deliver intense live-action trailer for Activision directed by Wayne McClammy and featuring Michael B. Jordan, Cara Delevingne and Marshawn Lynch.
ADR mixer Doc Kane to receive the Cinema Audio Society’s highest accolade at the 52nd CAS Awards on February 20, 2016.
