Star Simu Liu shares reveal on social to celebrate his birthday; ‘Shang-Chi and The Legend of The Ten Rings,’ which also stars Awkwafina, Tony Leung, and Michelle Yeoh, hits theaters September 3, 2021.
The ‘Terminator: Dark Fate’ actor joins Pablo Pascal’s Joel and Bella Ramsey’s Ellie as Joel’s brother, the ever-positive combat veteran.
Pixar leads evening with wins in seven categories; Bastien Dubois’ ‘Souvenir Souvenir’ wins for Best Animated Short.
The dastardly ‘Dr. Strange’ villain will star opposite Harrison Ford, as the titular relic hunter, and Phoebe Waller-Bridge, in an undisclosed role.
New AI application inflates flat 2D images into realistic 3D models; artists in all fields can easily add new objects to their mockups without 3D modeling or rendering.
Filmed entirely on greenscreens, the feature film project took five years to write, choreograph, film, and produce; Renaissance Dance Theatre used Epic MegaGrant to bring classic artform into the virtual production age.
Lucy Liu joins the fray as Kalypso, sister to Helen Mirren’s Hespera, the two villainous daughters of god Atlas.
Mobile facial and body motion-capture iOS app for motion designers and VFX artists capitalizes on Apple’s AR-Toolkit; motion sequences can easily be brought into Cinema 4D.
Check out an official snap of the modernized superpowered ladies, free from their iconic color block dresses of old.
The next saga in Vin Diesel’s action-adventure franchise takes the crew on a race across the globe; Justin Lin returns to direct and Grammy-winning Cardi B joins the cast as a woman with a connection to Dom Toretto’s past – in theaters June 25.
MARZ VFX supervisor Ryan Freer will share the often-invisible VFX on Marvel’s first Disney+ series; three presentations will peek behind the curtain surrounding the year’s first blockbuster VFX-driven tentpole to see monster making up close and personal.
Available now, the new version streamlines color grading through FX and editorial with machine learning features, more tightly integrated toolset, and enhanced support for remote review sessions.
The full-service VFX house’s recent projects include the delivery of multiple shots for VES award-winning episode of ‘The Crown;’ company also delivered 100 shots for the popular series, ‘Pennyworth.’
New five-week program covers an interactive introduction to the real-time 3D platform; features a range of artistic and technical tasks with each participant getting direct feedback from an assigned tutor.
Program now open for anyone to create unique MetaHumans for direct use in Unreal Engine; new innovative cloud-based app can create digital humans - in minutes - almost indecipherable from the real thing.
Upgrade is free for anyone who purchased V11 after February 15, 2021; company is donating free licenses to two non-profits that foster diversity and inclusion in the entertainment industry.
The ‘Judas and the Black Messiah’ cinematographer is excited to join the project yet nervous to work on a film that relies heavily on CGI.
Jordan Vogt-Roberts is teaming with Brian K. Vaughn on new Netflix movie adapted from popular anime franchise set in a future where independent human colonies fight the greater population of Earth via giant robots called Mobile Suits.
Since new studio launched in 2016, facility has done makeup FX for a number of popular TV series including ‘Handmaid’s Tale,’ ‘Umbrella Academy,’ ‘The Boys’ and ‘Coroner;’ next up is SYFY series ‘Day of the Dead’ slated for release in Fall 2021.
Zack Snyder’s live-action adventure follows a mercenary heist that goes awry during a zombie outbreak in Las Vegas; starring an all-star international cast, the movie hits theaters and Netflix May 21.
New subscription-only version lets users easily browse and intuitively place assets within scenes; includes key animation workflow enhancements and sneak peek at new scene nodes and manager interface.
Founder and CEO Jensen Huang’s keynote shares breakthroughs in building virtual worlds through a convergence of technologies; new Omniverse Enterprise 3D design platform will soon be widely available, allowing for real-time global collaboration across multiple software suites.
VFX supervisor John Kilshaw’s NY team produced the color blossom transformation from initial black and white format, as well as various magic effects and photoreal CG characters like a stork and kaleidoscope of butterflies, on the hit Marvel Studios and Disney+ series.
Studio delivers 268 shots as primary vendor on the Netflix drama, helping visualize souls leaving their bodies with innovative 2.5D approach.
‘The Owl and the Pussycat’ wins for British Short Animation; ‘Mank’ awarded for production design.
