Nominations for the 89th Oscars will be announced on Tuesday, January 24, 2017.
Animation’s ‘Home: Adventures With Tip & Oh’ nominated for best new animated series.
Stand-alone page layout application designed specifically for the purpose of storyboarding instantly assembles panels into a professional storyboard layout.
Disney films pick up awards for best animated feature and best visual effects; Netflix’s ‘BoJack Horseman’ receives award for best animated series.
Nominations for the 89th Oscars will be announced on Tuesday, January 24, 2017.
Bournemouth-based boutique visual effects studio provides 200 shots, including extensive beauty work to take the lead characters back to their 20s, for director Tom Ford’s second feature.
Former Jaunt VR exec Catherine Day and VR director Sam Smith join talent roster of Los Angeles-based new wave production and entertainment company.
Led by executive producer Joey Cade, Infinite Fiction will focus on high-end motion design and visual effects for all platforms.
Working under VFX supervisor Ben Turner, Soho-based boutique visual effects studio delivers 428 ‘invisible’ shots for the new Netflix series.
New U.K. outpost led by EP James Prosser and executive director Martin Hobbs alongside VFX supervisors Matt Kasmir and Jesper Kjölsrud and art director Rafael Morant to provide effects for George Clooney’s ‘Suburbicon’ feature written by the Coen Brothers.
Walt Disney Animation Studios feature tops the North American box office with $18.8 million; Illumination Entertainment’s ‘Sing’ rolls out to international territories ahead of its domestic debut.
U.K.-based production company behind the BBC’s ‘Bitz n’ Bob’ and ‘Floogals’ employs Shotgun’s Pipeline Toolkit to automate repetitive tasks, freeing artists’ time to create.
Acclaimed director recognized for his outstanding contributions to the art of cinema at the 2017 Motion Picture Sound Editors Golden Reel Awards Slated for February 19th.
Based in New York, visual effects veterans to oversee work on ‘Bull,’ ‘The Son,’ ‘Sneaky Pete,’ and other TV projects.
MPC returns to the world of Harry Potter, delivering 220 VFX shots including 3D environments of prohibition-era Manhattan, set extensions, magic effects, and the creation of three beasts: Demiguise, Occamy and Billiwig.
EU-funded tablet-based on-set editing application for collaborative virtual filmmaking on display at SIGGRAPH Asia 2016 has been used on several Filmakademie productions.
Brand New School and Carrot Creative reimagine the newly launched OnePlus 3T as a sci-fi inspired human body, complete with digital organs, blood, brain and eyes.
Under the lead of production VFX supervisor Christian Manz, Oscar-winning VFX house helps develop and animate a range of fantastical CG characters for J.K. Rowling’s new spinoff prequel to the Harry Potter franchise.
Makoto Shinkai’s anime feature debuts to $41 million in China, and passes Hayao Miyazaki’s ‘Howl’s Moving Castle’ to become the second-largest-grossing Japanese film of all time; Disney’s CG-animated ‘Moana’ rules North American box office for second weekend in a row.
Deluxe Entertainment-owned VFX house contributes to the film’s opening and closing sequences in addition to environmental and creature work, as well as reimagining the look of the ‘apparate’ and ‘disapparate’ effects from the Harry Potter films through which a wizard magically teleports into or out of a scene.
The Academy’s Visual Effects Branch Executive Committee to select the 10 films that will advance to nominations voting; nominations for the 89th Oscars will be announced on Tuesday, January 24, 2017.
2017 edition of New Frontier showcase to include 20 VR experiences and 11 installations across three Park City venues.
Award-winning artist and director is known for developing creative experiences that engage a mass audience for brands including Google, Coca-Cola, Facebook and MTV.
Nice Shoes debuts their immersive and meditative experience, ‘Mio Garden,’ at the 2016 ANA Masters of Marketing Conference.
Groundbreaking hybrid genre epic from executive producers Ron Howard and Brian Grazer brings together contemporary documentary footage and VFX-heavy drama to transport audiences to a not-so-distant Martian future.
