NYU Department of Computer Science Media Research Lab Professor Ken Perlin discusses the extensive use of graphical user interface technology in our daily lives and what types of innovative GUI applications he envisions for the future.
Entering retirement, humility and grace continue to define the FMX Conference founder and creator of the world-renowned Animationinstitut in Baden-Wuerttemberg.
Martin Preston discusses the use of the Arnold renderer from Solid Angle on 'Gravity,’ and his role as head of research and development at Framestore.
Double Negative’s effects supervisor Nathan Ortiz talks about the company’s work on ‘Rush.’
Leading online community for computer graphic artists unveils redesigned home page, refreshed features and news pages, and renewed passion.
Fabric Software announces Fabric Engine for MODO at FMX 2015.
5D Global Studio to showcase project at 2015 FMX Conference.
Method’s Los Angeles facility teams with 72andSunny to create 60-second fully-CG 4K ‘Avengers’-themed spot, “Beauty and Might,” for Samsung.
Industrial Light & Magic Principle R&D Engineer and Lead Renderer Olivier Maury discusses recent advancements in digital pyrotechnics.
USC’s chief visual officer Paul Debevec outlines the creative technology research underway, as well as the school’s groundbreaking work at the Oscar-winning film ‘Gravity.’
Proof Inc.’s Ron Frankel talks about the visualization house’s work on ‘Captain America: The Winter Soldier.’
Joss Whedon's Marvel tentpole, ‘Avengers: Age of Ultron,’ opens to $191.3 million in North America, the number-two domestic opening of all time behind ‘The Avengers.’
Scanline VFX founder Thomas Zauner discusses the history and evolution of his company and eventual move into visual effects production as part of AWN’s series of exclusive video interviews from FMX 2014.
Game developer Tore Blystad discusses the challenges of setting up a game studio in China.
Innovative visual effects add drama and authenticity to Thomas Vinterberg’s romance.
Autodesk’s Spark 3D printing platform to be embedded in Windows 10 with the intent to make digital 3D models interoperable with Microsoft HoloLens.
Alter Ego VFX team leverages Golaem Crowd for ‘Bicycles,’ featuring real and CG rider-less bikes traveling across Canada.
Proof Inc. creative director and founder Ron Frankel to present inside look at previs and postvis work from ‘Guardians of the Galaxy’ and ‘Night at the Museum: Secret of the Tomb’ during 2015 FMX conference in Germany.
Thinkbox Software’s render management solution tackles large-format scenes with ease.
VFX artist at Minneapolis-based post studio contributes digital artistry to commercials and long-form branded content.
Alongside BBC Wales VFX and special effects companies Millennium FX and Real SFX, Milk VFX wins the British Academy Television Craft Award for outstanding visual effects on the BBC’s ‘Doctor Who’ episode, “Deep Breath.”
Trollbäck + Company creates the new branding package for CBS’s ‘The Late Late Show with James Corden.’
Top industry professionals in animation, effects, games and transmedia share their thoughts on the success of the FMX Conference, which celebrates its 20th anniversary in 2015.
Universal’s ‘Furious 7’ takes first place at the domestic box office with $18.3 million; a week ahead of its U.S. Marvel tentpole ‘Avengers: Age of Ultron’ debuts in 44 international markets, earning $201.2 million.
Directed by Carlos Andre Stevens, CG animated short features the voice of Academy Award nominee John Hurt and Eloise Webb, who played Lily James’ young counterpart in Disney’s live-action ‘Cinderella’ remake.
