Director Carlos Saldanha and VFX Producer Ken Wallace talk about coloring outside the lines to create Sony Pictures’ live-action/animated adaptation of Crockett Johnson’s famed kids’ book, now playing in theaters nationwide.
Visual Effects Supervisor Stephan Fleet oversaw the delivery of 1,600 shots on Prime Video’s Emmy Award winning series, including lots of exploding heads, flesh eating flying sheep, an amorous octopus, and a man, Splinter, whose superpower was to rip his body in two while generating new clones.
Iconic villains aren’t born. They’re made… especially for film! Aaron Taylor-Johnson stars alongside Russell Crowe in the visceral origin story of the the world’s greatest, and most feared hunter… with a vendetta against Spider-Man. Film hits theaters December 13.
The show, which serves as prequel to the beloved Netflix series, will run at the Marquis Theatre in 2025 beginning March 28 ahead of opening night on April 22.
Award-winning VFX supervisor Richard Bluff talks about his work delivering more than 4,000 shots on the Disney+ Star Wars spinoff that has just been nominated for five Emmy Awards.
Industry veteran’s work in advertising and movies includes visual effects design, sequences, and creative solutions for screens of all sizes.
The project from Sony Pictures Animation will be executive produced by franchise vets Jason Reitman and Gil Kenan, while Elliott Kalan will serve as writer, showrunner, and executive producer; plot details are under wraps.
The series, which follows the infamous Agatha Harkness and a mysterious teen boy on a journey down the legendary Witches’ Road, hits Disney + September 18.
Marvel Studios Production VFX Supervisor Chris Townsend discusses 'time slipping' and the surprisingly small number of CG shots, and reliance on capturing shots in-camera, in the sophomore season of the hit Disney+ series, which scored a recent Emmy nomination for Outstanding Special Visual Effects In A Season Or A Movie.
The latest all-new ‘Star Wars’ series, which follows four kids who make a discovery on their home planet and get lost in a strange and dangerous galaxy, hits Disney+ December 3.
Exploring the unlikely rise of the legendary, beloved king of the Pride Lands, the film blends live-action filmmaking techniques with the latest photoreal CGI; coming to theaters December 20.
Mirror mirror on the wall… the live-action/3DCG hybrid musical reimagining of the classic 1937 film, which stars Rachel Zegler and Gal Gadot as Snow White and the Evil Queen, hits theaters March 21, 2025.
Krow VFX, Torpedo Pictures, and Tryptyc combine strengths and talent rosters to offer concept-to-post-production services with an emphasis on philanthropy.
The show, titled ‘John Wick: Under the High Table,’ picks up after the events of ‘John Wick: Chapter 4’ and is currently being shopped to potential networks and streaming services.
CoreWeave’s Mac Moore shares how more cloud provider choices give studios leverage to negotiate better, more flexible deals that don’t penalize for multi-cloud usage and enable, not inhibit speed, flexibility, and efficiency.
After a unanimous vote in a National Labor Relations Board ballot count on Tuesday, both parties will be allowed a period of five business days to raise objections before the vote is certified.
Based on ‘The Empyrean’ novel series by Rebecca Yarros, the first installment follows Violet Sorrengail, an unassuming girl who is thrust into training as a dragon rider; Prime Video has not released plot or casting details.
Debuting during San Diego Comic-Con’s cast and showrunner panel, the reveal showcases never-before-seen footage of the legendary Rings, magical creatures, glimpses of battles to come, and the Dark Lord Sauron’s growing evil influence; new season debuts August 29.
The show explores the origins of Vought in the 1950s, will be led by returning stars Jensen Ackles and Aya Cash, from Sony Pictures Television and Amazon MGM Studios.
Director Justin Simien recently shared the news, explaining, ‘It was pretty developed. There was a Bible. There was concept art. There were scripts. But it just wasn’t meant to be.’
The five-part series, which follows an international crisis triggered when an ancient species rises from the ocean, will be led by Russel Tovey and Gugu Mbatha-Raw.
First announced in 2019, the project was never formally ordered to series, despite Derek Simonds’ attachment as showrunner and writer; UCP will shop the project to other outlets.
Upcoming Warner Bros. Television and DC Studios series, which continues Matt Reeves’ ‘The Batman’ epic crime saga with stories focused on Oz Cobb, will debut weekly beginning September 19.
Visual Effects Supervisor Josh Simmonds runs down the many ways in which his team amped the verisimilitude in George Miller’s latest ‘Mad Max’ franchise outing.
Fans at San Diego Comic-Con got a first look at the upcoming season of the popular series that follows Captain Pike, Science Officer Spock, and Number One in the years before Captain Kirk boarded the ship; show gets Season 4 greenlight ahead of the Season 3 2025 debut.
