For VFX supervisor Jamie Price, the ‘White Spikes’ predators eradicating humans in Chris McKay and Amazon Studios’ original sci-fi thriller had to be agile, scary, and above all, lethal.
Funky single from Beatles legend’s new album, ‘McCartney III Imagined,’ featuring 8X Grammy winner Beck, takes a psychedelic dance trip through the halls of a hotel, blurring space, time, and identity.
Denis Villeneuve’s adaptation of Frank Herbert’s seminal sci-fi tome follows Paul Atreides hero’s journey to the dark, foreboding conflict on the universe’s most dangerous planet; film hits theaters and HBO Max on October 22.
Action-packed prequel to Zack Snyder's ‘Army of the Dead’ hits Netflix in Fall 2021; tune into San Diego Comic-Con@Home on Sunday, July 25 for a behind the scenes look.
Company continues to expand its teams across creative and production departments to service growing slate of film and TV projects; new hire brings 20+ years of visual effects experience to his new role.
VFX supervisor Max Wood oversees 1,800 visual effects shots, filled with a CG gown of moths, three snarling Dalmatians, a wily Terrier, and a fearless, eye-patch-wearing Chihuahua named Wink, in the hit origin story for one of Disney’s most iconic villains.
Watch stars Scarlett Johansson, Rachel Weisz, and producer Kevin Feige dive into the past and future role of Natasha Romanoff in the Marvel Cinematic Universe; MCU Phase Four action flick hits theaters and Disney+ with Premier Access today.
VFX certificate and A.A.S. degree students receive hands-on mentorship and learn essential skills from industry experts that prepare them for future careers in the thriving VFX industry.
Company continues to expand its teams across creative, support, and production departments to service growing slate of film and TV projects; Kevin Mah joins as head of FX, Wassila Lmouaci and Marie-Ève Authier as VFX producers, and Sandra Najem as head of HR.
Company brings on VFX supervisors Khalid Almeerani and Carlos Caballero Valdés, and VFX producers Lisa Purisima and Florent Villegas, to bolster its high-end visual effects production efforts.
Lyndon Barrois, Lauren Ellis, Audrea Topps-Harjo, Greg Anderson, Andrew Roberts, and Corey Turner will talk about their creative processes and shared experiences in online event coming July 8.
Are you strong enough to wear the 10 rings? That’s the question facing Simu Liu in the upcoming ‘Shang-Chi and The Legend of The Ten Rings,’ also starring Awkwafina, Tony Leung, and Michelle Yeoh, hitting theaters September 3, 2021.
Led by VFX supervisor Luke DiTomasso, the studio delivers over 200 shots for director Mike Cahill’s sci-fi thriller about two overlapping worlds, one real, one not, one ugly, one beautiful, and the conspiracy to keep people from finding out the truth.
BAFTA winner James Whitlam will head episodic work as the company brings both departments under one banner, one pipeline, and a new leadership structure.
New subscription service productizes Weta’s Oscar-winning Maya-based proprietary VFX tools, providing artists access to one complete stage to screen Maya-based pipeline.
Martin Hobbs steps down after 5 years at the helm to pursue an outside position; company’s former studio director takes over the MD role.
Technicolor Animation Productions, Technicolor Animation, and Mikros will integrate their businesses under Andrea Miloro’s leadership, unifying their animation brand within the recently announced Technicolor Creative Studios group.
Emmy Award-winning VFX producer brings over two decades experience on projects ranging from ‘Muppet Treasure Island’ to ‘A Discovery of Witches;’ in his new role, he will work directly with clients while overseeing day-to-day operations.
Leading visual effects studio creates the vicious undead tiger, ‘Valentine,’ and loads of gory zombie mayhem, in Zack Snyder and Netflix’s post-apocalyptic heist adventure.
VFX house and Canadian TV/Film equipment company have already begun building new virtual production stages in Vancouver and Toronto, with more set for 2022; combined capital commitment exceeds $30 million.
‘Becoming a Top Supervisor & Creating VFX for Spider-Man, Thor & Black Panther’ episode features the Luma Pictures artist discussing topics including making better show and breakdown reels; working in commercials; pipeline technology; and advantages / disadvantages of being a 3D generalist.
In new leadership role, she will continue supporting the VFX house’s on-going expansion; studio’s slate of film and TV projects includes The Northman, The Great Season 2, Becoming Elizabeth, Suspicion and The Last Kingdom Season 5.
Emmy-nominated as a VFX supervisor on ‘Westworld’ Season 3, the industry veteran joins company’s new L.A. studio, where he will work with directors, producers, and showrunners to deliver visual effects on TV and films.
Soho VFX studio renames longform team Freefolk Film & Episodic, promoting Steve Murgatroyd and Meg Guidon to lead the new group.
Company’s dedicated visual effects division for television and streaming hires MPC alumni Sheila Wickens as VFX supervisor and Rory Knight-Jones as VFX producer.
