Former Digital Domain VP to oversee and represent MPC’s VFX Supervisor talent, including Richard Stammers, Erik Nash and Guillaume Rocheron; Julian Levi promoted to General Manager.
New 25,000-square-foot digital studio in Culver City dedicates more space, technology and resources for advertising, interactive and feature film projects.
Dani Zeitlin named Executive Producer of Color; Elissa Norman joins as Senior Producer.
Developer of tools for CG content creation hosting behind-the-scenes presentations from a raft of customers including Pixar Animation Studios, MPC and Sony Pictures Imageworks.
London-headquartered VFX house boosts its Vancouver presence with the addition of executive producer Kelly L‘Estrange; and appointment of Jenny Rodgers as general manager.
New release includes the same shaders and lighting tools used for lighting and look development on Pixar’s ‘Finding Dory’ and ‘Piper.’
New trailer for director J.A. Bayona’s fantasy feature showcases stunning VFX created by El Ranchito, MPC, Headless and Glassworks Barcelona.
Fabric Engine user group meeting to be held July 26; joint presentation with Oculus Story Studio at DigiPro demonstrating how characters rigged with Fabric can add realism to VR experiences within Epic’s Unreal Engine takes place July 23.
MPC creates more than 200 VFX shots for an action-packed Moon landing sequence that opens the sequel to director Roland Emmerich’s classic 1996 movie.
Animated clip accompanies new short story by J.K. Rowling that serves as a prequel to the upcoming Harry Potter feature, ‘Fantastic Beasts and Where to Find Them.’
Industry veteran has held senior roles at MPC and Cinesite, working on projects such as ‘Jungle Book,’ ‘Skyfall’ and ‘Harry Potter and the Order of the Phoenix.’
Full-length Virtual Reality experience created by director Rob Petrie and EP Tim Dillon to be released later this year.
Emmy-nominated creative director and live-action filmmaker joins Manhattan-based design and animation studio.
Added realism from effects team helps visual allegory of cancer treatment come to life.
Working closely with production VFX supervisor John Dykstra, MPC completes more than 990 shots for 20th Century Fox’s ‘X-Men: Apocalypse,’ including the Cerebro Room, Archangel’s wings, Mystique’s body blades, Nightcrawler’s ‘Bamf,’ and the film’s epic final battle sequence.
Former MPC VFX Producer has feature credits including ‘The Martian,’ ‘Suicide Squad’ and ‘X-Men Apocalypse.’
MPC Los Angeles hires renowned visual effects supervisor & artist Rob Hodgson as VFX Creative Director; Casey McIntyre Promoted to Creative Director, MPC Creative.
Jon Favreau’s photoreal adventure brings in $255.8 million domestically and $452.8 million internationally, roaring past the $700 million mark at the global box office on Monday for a global total of $708.6 million.
Former Method Studios exec returns to MPC Advertising as Chief Operating Officer USA with responsibility for managing operations for the business in Los Angeles and New York.
New broadcast IDs include a spot-shaking Dalmatian, a butterfly-brandishing geisha, and an umbrella-blooming tree.
According to the director of Disney’s latest hit feature, ‘The Jungle Book’ could be called both live-action and animated.
Two conference sessions with production VFX supervisor Rob Legato and MPC VFX supervisor Adam Valdez will describe the unique filmmaking processes behind Disney’s ‘The Jungle Book.’
Interactive 360-degree video and Virtual Reality experience tied to the upcoming live-action film now also available in select IMAX theaters at AMC locations across the U.S.
Signing of Director/Creative Director Alan Bibby and Executive Producer Dan Sormani boosts MPC NY’s creative, design and production capabilities.
Filmakademie graduate and Disney/Pixar Character TD Tanja Krampfert discusses the creation of Joy in ‘Inside Out,’ while DoP Patrick Lin illuminates the special camera set-up designed to parallel the main character’s emotional journey.
