Scanline VFX Heads Off to War in ‘The Battle at Lake Changjin’
VFX studio tackles a series of long, digitally stitched-together riverbed battle sequences in the Korean War drama, China’s most expensive, and highest grossing movie ever.
Tagged With: CG environments
DNEG Helps Visualize the 'Real World' of ‘The Matrix Resurrections’
Leading VFX and animation studio delivers more than 700 visual effects shots, filled with CG environments and digital characters including sentinels and harvesters, the Cybebe, Kuhjaku, Lumin8, and Mnemosyne ship, in Lana Wachowski’s fourth ‘The Matrix’ franchise installment.
In 3D, CG, Digital Media, Films, People, Technology, Virtual Production, Visual Effects | VFXWorld | Geographic Region: All
Framestore Has a Blast with ‘The Matrix Resurrections’ VFX
Studio delivers 443 shots, including 3rd act mayhem involving a high-octane motorcycle chase, an explosive helicopter encounter, and human torpedoes dropping from San Francisco high-rises, in the highly anticipated fourth ‘The Matrix’ franchise installment.
In 3D, Acting, CG, Digital Media, Films, People, Technology, Visual Effects | VFXWorld | Geographic Region: All
Method Studios Walks Us Through History for ‘Eternals’ End Credits
Audiences take a stunning visual tour of artwork across the ages, including Egyptian hieroglyphics, Aboriginal cave paintings, Middle Age tapestries, and Indonesian shadow puppets, in Oscar-winner Chloé Zhao and Marvel Studios’ superhero adventure.
In 3D, Art, CG, Digital Media, Films, People, Technology, Visual Effects | VFXWorld | Geographic Region: All
Weta FX Delivers a Monstrous 3rd Act for ‘Shang-Chi and the Legend of the Ten Rings’
Leading VFX studio creates the mythical Great Protector dragon, demonic Dweller-in-Darkness, and an army of little demons for Marvel Studios’ first film to feature an Asian super hero.
Luma Pictures is Well Suited to ‘Eternals’ VFX Production
The VFX studio delivers over 400 shots, including each character’s elaborate CG suit formation effects, as well as Phastos’ holographic printing press used to create all manner of items.
In 3D, CG, Digital Media, Films, People, Previs/Postvis/Visualization, Technology, Visual Effects | VFXWorld | Geographic Region: All
Digital Domain Helps Solve an Alien Mystery in ‘Lost in Space’ Final Season
The Oscar-winning VFX studio creates a hostile planet, battling robots, and a lost civilization for Netflix’s hit sci-fi series about the inter-galactic adventures of the Robinson family… that’s always in danger!
Framestore Lends Its Invisible Touch to ‘No Time To Die’ VFX
Leading visual effects studio delivered nearly 400 shots, adding CG elements to everything from icy lakes to forests and high-speed car chases, in MGM’s latest action-packed James Bond spy thriller.
Scanline Comes up Roses with ‘Eternals’ VFX
Leading visual effects studio delivers 233 shots across 12 sequences, including the action-packed battle through Camden between the deviant Kro and Eternals Sersei and Sprite, turning a double decker bus into rose petals, and extensive cosmic FX work including suns, big bang explosions, and supernovas, on Marvel’s latest MCU adventure.
TRIXTER Goes Full Morris on ‘Shang-Chi and the Legend of the Ten Rings’
The VFX studio delivers 237 shots, including the adorable, faceless, and furry four-winged Dijiang sidekick, in Marvel Studios’ first Asian super hero film.
It’s No Day at the Beach for Weta Digital on ‘Eternals’
The leading VFX studio delivers 552 visual effects shots on Oscar-winning director Chloé Zhao’s MCU Phase 4 adventure, including the 3rd act beach fight scenes and planet-sized Celestial Tiamut.
In 3D, Acting, CG, Flash, People, Previs/Postvis/Visualization, Technology, Visual Effects | VFXWorld | Geographic Region: All
EXCLUSIVE: DNEG Shares ‘Venom 2: Let There Be Carnage’ VFX Breakdown Reel
Leading visual effects and animation house delivers over 750 shots across 20 sequences, including digidoubles, Carnage transformations, and the wraith Venom, on Andy Serkis and Sony Pictures Entertainment's serial killer symbiont sequel to its 2018 box office hit, ‘Venom.’
In 3D, Acting, CG, Films, People, Technology, Visual Effects | Headline News, VFXWorld | Geographic Region: All
DNEG Causes Considerable VFX Carnage
Leading visual effects house delivers 770 shots, including extensive full CG characters and environments, on Andy Serkis’ ‘Venom: Let There be Carnage,’ Columbia Pictures’ crazed symbiont sequel to its 2018 box office hit, ‘Venom.’
In 3D, Acting, CG, Films, People, Post-production, Technology, Visual Effects | VFXWorld | Geographic Region: All
K-POP Meets the Metaverse in aespa’s ‘Savage’ Music Video
Giantstep creates 3D animated characters with photogrammetry, real-time rendering, and motion capture for group’s first mini album, which surpassed 100 million views in 17 days.
It’s A Jungle Out There for Rising Sun Pictures’ ‘Shang-Chi’ VFX
Studio delivers nearly 300 shots depicting the village of Ta Lo and its lush, expansive jungle environs that included mountains, ancient forests, lakes, and rice paddies, along with a huge amount of natural looking vegetation, on Marvel Studios' first film to feature an Asian super hero.
Cinesite Has a Gas with ‘No Time to Die’ VFX
Montreal and London studios create iridescent weaponized gas that descends on James Bond as he’s caught in a beam of light surrounded by party goers in the hit MGM thriller.
It’s Game On for Digital Domain’s ‘Free Guy’ VFX
Leading visual effects studio delivered 89 digital environments, 87 gameplay shots, and 347 VFX shots on Shawn Levy’s comedy adventure starring Ryan Reynolds as a bank teller who discovers he’s a background player in an open-world video game.
Digital Domain Pulls Off Great ‘Fortress’ Escape in ‘Shang-Chi and the Legend of the Ten Rings’
Leading VFX studio delivers almost 250 shots, including digital doubles, CG cars, and an unforgettable race to elude capture in Marvel Studios’ thrilling new MCU adventure.
Digital Domain Helps Crash ‘Black Widow’s Flying Red Room Assassin Party
Oscar-winning VFX studio puts on a masterclass in destruction as they build, and then demolish, the enormous airborne training fortress, with heroes and villains all dodging flaming wreckage as they plummet to earth, in the finale of Marvel Studios’ latest MCU thriller.
In 3D, CG, Digital Media, Films, People, Technology, Visual Effects | VFXWorld | Geographic Region: All
Weta Digital Soars with ‘The Falcon and The Winter Soldier’ VFX
Visual effects supervisor Charlie Tait explains the studio’s death-defying Episode 1 aerial chase and mid-air fight sequences in Marvel Studios and Disney+’s action-packed six-episode MCU outing.
In 3D, Acting, CG, Digital Media, People, Previs/Postvis/Visualization, Technology, Television, Visual Effects | VFXWorld | Special Events: Emmy Awards | Geographic Region: All
Creating the Post-Apocalyptic World of Stephen King’s ‘The Stand’
Overall VFX supervisor Jake Braver, with the help of ILM VFX supervisor Laurent Hugueniot, delivers 2,800 VFX shots depicting a world decimated by plague and a city ruled by supernatural evil, in the 9-part series from CBS Television Studios now streaming on Paramount+.
Realtime Conjures VFX Magic for ‘A Discovery of Witches’ Season 2
UK animation and VFX house provides previs, ‘scrying magic,’ a fire drake, and host of supernatural elements in Sky TV’s hit series.
RISE FX Shares ‘Lovecraft Country’ VFX Breakdown Reel and Images
German visual effects studio's new highlight reel showcases their work on funky ‘60s planet, menacing robots, and White Room prison cell from hit HBO horror fantasy series.
In 3D, CG, Digital Media, People, Television, Visual Effects | Headline News, VFXWorld | Geographic Region: All
WATCH: ‘A Discovery of Witches’ VFX Breakdown
Axis Studios creates an entire historically accurate CG Elizabethan London, delivering 100 shots for 10 episodes over a span of 18 months.
In 3D, CG, Digital Media, People, Previs/Postvis/Visualization, Technology, Television, Visual Effects | Headline News, VFXWorld | Geographic Region: All
Creating ‘Bridgerton’s 19th Century High Society London
VFX house One of Us worked through the COVID-19 pandemic to deliver 350 shots on Netflix’s wildly popular period romance drama set in an alternate Regency-era universe.
In 3D, CG, Digital Media, People, Technology, Television, Visual Effects | VFXWorld | Geographic Region: All
