WATCH: Guru Studio Unveils Trailer for ‘Space Between Stars’ Short
First project produced as part of Guru’s new short film program is directed by Samuel W. Bradley with a score by composer Jim Guthrie.
First project produced as part of Guru’s new short film program is directed by Samuel W. Bradley with a score by composer Jim Guthrie.
Made entirely using Red Giant’s Trapcode Suite, the popular Adobe After Effects plugins for motion graphics and custom AE scripting, ‘L’oiseau qui danse’ is an homage to the abstract animation style of Visual Music.
The Trunk director’s beautifully graded short has the look of a well-watched VHS tape, which, along with Barnaby Templer’s (Fonic) sound design and Sebastian Duh’s score further ground the audience in the 1980s.
CG-animated short from the director of the 2014 Academy Award-winning animated short ‘Mr. Hublot’ is produced by Luxembourg-based Zeilt Productions for agency M&C Saatchi Sydney and Australian non-profit AIME.
The acquisition accelerates Adobe’s position in the cutting-edge 360-degree film and virtual reality media, allowing native integration of SkyBox plugin functionality in future releases of Premiere Pro and After Effects.
Adobe certified trainer Nick Harauz delivers hands-on approach to 360 Filmmaking; Free 360 assets and video tutorials take filmmakers from ‘Intro to Export’ in the Cinematic 360 postproduction workflow.
V-Ray rendering technology integrated into Adobe’s Project Felix, creating new 3D compositing application for graphic designers.
Led by director Cathryne Czubek, creative director Justin Barnes and lead illustrator Jordan Bruner, short film series blends live-action and animation to share educational tips about periods and tampons in an authentic and relatable way.
Original animated shorts using the voices of students at London’s Barclay Primary School features 2D characters modelled, rigged and animated in 3D using Maxon Cinema4D.
Short film with a minimalist 3D aesthetic was inspired by Japanese animation films like Satoshi Kon's ‘Paprika,’ Masaaki Yuasa's ‘Happy Machine’ and anything by Studio Ghibli.
Adobe showcases innovation coming to Creative Cloud in experience design, photography, virtual reality, character animation and 3D compositing.
Fourteen-minute CG-animated short film that won its Oscar-qualifying award at the Los Angeles Shorts Fest was created in Autodesk Maya and Adobe CC and rendered in GPU renderer Redshift.
GenArts and Boris FX releases Sapphire 10, a suite of premium visual effects plug-ins focusing on new effects and features for Adobe, Avid, Flame, and OFX host applications.
New version of Premiere Pro CC to include auto-aware Virtual Reality that seamlessly detects and applies the correct setting to stereoscopic and monoscopic media; After Effects CC to feature new Cinerender technology from MAXON.
Cartoonist, illustrator and animator Garry Pye demonstrates how he created his 3D comic character The Biker using Akvis Sketch, Adobe Photoshop, and Reallusion’s CrazyTalk 8, Character Creator and iClone 6.
NVIDIA SDK brings together all the essential elements for creating GPU-accelerated applications, with access to almost 100 different libraries and APIs as well debugging and profiling tools for Android, Windows and Linux.
New features across Creative Cloud tools for video editing, motion graphics, visual effects and audio first introduced at NAB 2016 are now available.
Working closely with production VFX supervisor John Dykstra, MPC completes more than 990 shots for 20th Century Fox’s ‘X-Men: Apocalypse,’ including the Cerebro Room, Archangel’s wings, Mystique’s body blades, Nightcrawler’s ‘Bamf,’ and the film’s epic final battle sequence.
Iray for MAXON’s Cinema 4D now available in the NVIDIA web store free for 90 days, then $295 a year with a node-locked or floating license.
Project management platform now includes native integration support for Adobe Photoshop CC, Adobe Premiere Pro CC and Adobe After Effects CC; live demonstrations to be held at NAB 2016.