VFX supervisors Brigitte Bourque and Marshall Krasser share insights into their innovative visual effects work on shows like ‘Upload’ and ‘9-1-1: Lone Star.’
This year’s set of animated and VFX-driven TV series and video games represents top visual design and production work that rivals feature film visual effects in both quality and quantity.
The MCU’s favorite trickster must work alongside the Time Variance Authority to fix his Tesseract-related, time-altering mistakes; series debuts June 11.
The Sony Pictures Imageworks senior VFX supervisor discusses his studio’s integration of Epic’s game engine technology and real-time workflows into its animation production on a new episode of Netflix’s ‘Love, Death & Robots’ anthology series.
Free resource provides in-depth look into virtual production workflows, new methodologies, remote collaboration, in-camera VFX, animation, and what’s coming next in Unreal Engine 5.
The ‘Charm City Kings’ director will team with ‘Marvel’s the Defenders’ writer Marco Ramirez to create a fresh take separate from the Bay-verse and ‘Bumblebee.’
This year’s batch of animated and VFX-driven feature films shows that despite the pandemic, artists around the world continued pushing the boundaries of visual storytelling.
The titanic smash-em-up demolished previous COVID-19 era U.S. theatrical box office takes with $9.6 million debut and $48.5 million 5-day opening weekend, that coupled with $236.9 million international cume, indicates movie theaters may not be dead…yet.
Studio’s business growth enhanced by Australia’s strong COVID-19 response, generous government incentives, and Australia’s PDV offset; creative team to top 225 at Adelaide location.
Running May 4-6, the conference’s first online edition will provide a platform for the global FMX community to reflect collectively on the disruption and reinvention of the industry; program will include panels, keynotes, and presentations.
Warner Bros. releases new trailer and images for their upcoming animated/live-action hybrid comedy adventure starring NBA legend LeBron James and a team of your favorite Looney Tunes characters in a high-stakes challenge against an A.I.-led squad of digital goons.
Hitting theatres and Disney+ simultaneously July 9, Marvel Studios’ often delayed and hotly anticipated spy thriller tells the mysterious backstory of the MCU’s most enigmatic and compelling Avenger.
VFX supervisors Ariel Altman and Josh Miyaji share insights into their innovative visual effects work on shows like ‘Mr. Robot,’ ‘Barry,’ and ‘I Know This Much is True.’
Moses Ingram, Kumail Nanjiani, Indira Varma, Rupert Friend, O’Shea Jackson Jr., Sung Kang, Simone Kessell and Benny Safdie have joined the show in mystery roles alongside Joel Edgerton as Owen Lars and Bonnie Piesse as Beru Lars.
Industry trailblazer tapped to lead innovation across company’s VFX and animation teams, with a focus on emerging technologies, real-time technology, and the use of AI; previous SIGGRAPH chair will also nurture relationships with SIGGRAPH, VES and other industry organizations.
The Advanced Imaging Society’s 11th annual awards honored technical achievements currently accelerating the entertainment industry; 12 distinguished technical achievements were recognized for cutting-edge technology having ‘Impact through Innovation.’
The cutting-edge studio known for their innovations in stop-motion and CG on features including ‘Coraline,’ ‘ParaNorman,’ and ‘Kubo and the Two Strings’ announces plans to bring screenwriter John Brownlow’s first novel ‘Seventeen’ to the big screen.
Author teams with playwright Duncan MacMillan on stage play set 16 years prior to the now infamous book and HBO series, during The Great Tourney at Harrenhal, and may feature familiar characters.
Nominated animated shorts include ‘I, Barnabé,’ ‘The Great Malaise,’ and ‘4 North A;’ winners will be announced and honored at a series of events set for May 17-20.
The 35-minute YouTube short titled ‘Harley Quinn - Blazing Shadows’ tells the story of the famous villainess’ redemption from The Joker.
Belén Palos is named head of production and Chris Kiser is named COO; Kiser will remain active in creative efforts while mapping out the strategic growth opportunities for the studio.
Creative studio produces wall-to-wall bathroom aquarium complete with rocky seafloor, dense schools of tropical fish, and massive, unexpected and rather toothy great white shark.
Familiar favorites Nenneke, Philippa Eilhart, Dijkstra, Rience, and Codringher will appear alongside original character Ba’lain and a gender swapped Fenn.
German visual effects studio's new highlight reel showcases their work on funky ‘60s planet, menacing robots, and White Room prison cell from hit HBO horror fantasy series.
Tech veteran bring 25+ years’ experience to the growing VFX and design studio; Esther Minitser, Jessica Amburgey, and Stefan Kim promotions also announced.
