VFX supervisor discusses animation styles, production challenges and his efforts leading the visual effect team on Lord & Miller and Sony Pictures Animation’s Oscar-winning animated comic adventure.
Leading visualization studio shares just released images showcasing some of their extensive work on Joe and Anthony Russo’s box office smash, the final film in Marvel’s 22-MCU-movie ‘Infinity’ saga.
The studio revisits and revamps Hulk, Marvel’s smash-‘em-up, fan-favorite digital character they first brought to the screen back in 2003.
Studio’s Santa Monica headquarters has a number of job openings and is currently looking for talent to join their industry leading visualization services team.
Support for native Unreal materials and Viewport rendering bring powerful new capabilities to full user base.
New facility will operate solely using PC over IP without onsite hardware; ex-Framestore head of animation Kevin Spruce appointed new animation director.
VFX supervisor on Disney and Marvel’s action-adventure hit discusses the complex digital character work used to create a young version of Agent Nick Fury.
17 new RTX Studio laptops pair RTX GPUs with NVIDIA Studio Stack of SDKs and drivers to significantly improve performance and reliability for content creators.
Framestore’s Jonathan Fawkner and MPC’s Pete Dionne discuss the various ways visual effects were produced to help director Rob Letterman bring the smart-aleck yellow cartoon sleuth to the screen.
‘How to Train Your Dragon: The Hidden World’ director and PUBG CEO are the first announced presenters at upcoming October 21-25 digital media conference in Turin, Italy.
Custom cloud-based platform allows content producers to manage most projects on their mobile device.
Legendary artist shares concept design insights, George Lucas’ impact on his evolution as a designer, working through production design challenges and how he handles different opinions from strong creative voices on a film.
Veteran compositing supervisor brings with her more than 40 movie and TV credits including ‘Ghostbusters,’ ‘The Jungle Book,’ ‘X-Men: Days of Future Past’ and ‘Avatar.’
ILM’s SVP and Executive Director discusses studio production and management challenges as well as technology investment strategies and plans.
Showcase of 12 diverse works from five countries will run July 28-August 1 at the Los Angeles Convention Center
With a 'snap,' Weta Digital helps brings closure to both Josh Brolin’s seemingly unstoppable villain and the foundational storyline from the MCU’s first 10 years.
Image Engine lead animator details her work creating Drogon the dragon in the hit HBO series’ Season 7 Episode 4 battle where the Lannister army is incinerated as it tries to flee.
Candidate submissions for 10-week, hands-on summer training program that feeds studio’s artist pool must be received by this coming Sunday!
Studio delivers 300 VFX shots, including never-before-seen Bruce Banner / Hulk hybrid, for Anthony and Joe Russo’s box office smash ‘Infinity War’ follow-up.
Boutique visual effects studio produces photoreal dystopian world where the U.S. is split between Japanese and Nazi control in Amazon Studio’s original series based on Philip K. Dick’s 1962 novel.
Supervising sound editor discusses ADR work, Rami Malek voice integration and how she handles challenges specific to recording audio for fully digital characters.
Warner Bros. scores with record video game adaptation opening, though ‘Endgame’ wins the weekend while passing $2.4 billion globally.
Led by VFX supervisor Simon Stanley-Clamp, the studio delivers 264 visual effects shots for Marvel’s record-breaking box office hit, ‘Avengers: Endgame.’
VFX supervisor Chris White shares how New Zealand’s visual effects masters leveraged a decade of ‘Planet of the Apes’ digital character excellence for Netflix’s dysfunctional superhero family adventure series.
ASWF names new members known for their commitment to open source software development that promotes growth and innovation in the motion picture community.
